{"id":738,"date":"2019-09-26T12:30:43","date_gmt":"2019-09-26T10:30:43","guid":{"rendered":"http:\/\/www.tea-tron.com\/hiroshima\/blog\/?p=738"},"modified":"2019-09-26T12:35:06","modified_gmt":"2019-09-26T10:35:06","slug":"harleking-ginevra-panzetti-enrico-ticconi","status":"publish","type":"post","link":"http:\/\/www.tea-tron.com\/hiroshima\/blog\/2019\/09\/26\/harleking-ginevra-panzetti-enrico-ticconi\/","title":{"rendered":"HARLEKING &#8211; Ginevra Panzetti &#8211; Enrico Ticconi"},"content":{"rendered":"<p><strong><span style=\"color: #ff0000;\">HARLEKING &#8211; Ginevra Panzetti &#8211; Enrico Ticconi<\/span><br \/>\n04 &amp; 05\/10\/19 &#8211; 20:30h<br \/>\n<\/strong><\/p>\n<p><a href=\"http:\/\/www.tea-tron.com\/hiroshima\/blog\/wp-content\/uploads\/2019\/09\/HARLEKING-ETTORE-SPEZZA-DIETER-HARTWIG_web.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-742\" src=\"http:\/\/www.tea-tron.com\/hiroshima\/blog\/wp-content\/uploads\/2019\/09\/HARLEKING-ETTORE-SPEZZA-DIETER-HARTWIG_web.jpg\" alt=\"\" width=\"800\" height=\"489\" srcset=\"https:\/\/www.tea-tron.com\/hiroshima\/blog\/wp-content\/uploads\/2019\/09\/HARLEKING-ETTORE-SPEZZA-DIETER-HARTWIG_web.jpg 800w, https:\/\/www.tea-tron.com\/hiroshima\/blog\/wp-content\/uploads\/2019\/09\/HARLEKING-ETTORE-SPEZZA-DIETER-HARTWIG_web-300x183.jpg 300w, https:\/\/www.tea-tron.com\/hiroshima\/blog\/wp-content\/uploads\/2019\/09\/HARLEKING-ETTORE-SPEZZA-DIETER-HARTWIG_web-768x469.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/a><\/p>\n<h5><strong>DANSA\u00a0<\/strong><br \/>\n<strong>ITALIA \/ ALEMANIA<\/strong><br \/>\n<strong>SIN TEXTO<\/strong><\/h5>\n<p>40&#8242;<\/p>\n<p>ESTRENO EN ESPA\u00d1A<br \/>\nGRACIAS AL APOYO DEL ISTITUTO ITALIANO DI CULTURA<\/p>\n<p>Esta pieza es una magistral reinterpretaci\u00f3n de los patrones de movimiento y la gestualidad presentes en la Commedia dell\u2019Arte y en las distintas t\u00e9cnicas de m\u00e1scara, y un interesante estudio de la figura de Arlequ\u00edn, el astuto servidor que forma un sitio central en la narrativa, el teatro y la pintura universal. En\u00a0<em>HARLEKING<\/em>\u00a0estos dos artistas, crean un demonio de multiples identidades con reminiscencias grotescas. La\u00a0<em>performance<\/em>\u00a0es de una pura teatralidad, los int\u00e9rpretes llevan al m\u00e1ximo de rendimiento sus capacidades expresivas, ofreciendo una variedad de figuras y sugerentes im\u00e1genes de alegr\u00eda y de drama. Una exquisita y sencilla pieza que rinde tributo al teatro de gesto desde la composici\u00f3n coreogr\u00e1fica que abre la temporada de la sala luego de haber recorrido importantes plataformas y festivales de Europa como Open Spaces Sommer del Tanz at Tanzfabrik Berlin, el Short Theatre, Gender Bender en Bologna o Aerowaves Springforward 2019. Un must de Hiroshima.<\/p>\n<p><a href=\"http:\/\/www.tea-tron.com\/hiroshima\/blog\/wp-content\/uploads\/2019\/09\/1209_T.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-739\" src=\"http:\/\/www.tea-tron.com\/hiroshima\/blog\/wp-content\/uploads\/2019\/09\/1209_T.jpg\" alt=\"\" width=\"1280\" height=\"720\" srcset=\"https:\/\/www.tea-tron.com\/hiroshima\/blog\/wp-content\/uploads\/2019\/09\/1209_T.jpg 1280w, https:\/\/www.tea-tron.com\/hiroshima\/blog\/wp-content\/uploads\/2019\/09\/1209_T-300x169.jpg 300w, https:\/\/www.tea-tron.com\/hiroshima\/blog\/wp-content\/uploads\/2019\/09\/1209_T-768x432.jpg 768w, https:\/\/www.tea-tron.com\/hiroshima\/blog\/wp-content\/uploads\/2019\/09\/1209_T-1024x576.jpg 1024w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><\/a><\/p>\n<div>\n<p>&nbsp;<\/p>\n<p><strong>De y con:<\/strong>\u00a0Ginevra Panzetti, Enrico Ticconi<br \/>\n<strong>Dise\u00f1o de sonido:<\/strong>\u00a0Demetrio Castellucci<br \/>\n<strong>Dise\u00f1o de iluminaci\u00f3n:<\/strong>\u00a0Annegret Schalke<br \/>\n<strong>Director t\u00e9cnico:<\/strong>\u00a0Paolo Tizianel<br \/>\n<strong>Vestuario:<\/strong>\u00a0Ginevra Panzetti, Enrico Ticconi<br \/>\n<strong>Promoci\u00f3n:<\/strong>\u00a0Marco Villari<br \/>\n<strong>Documentaci\u00f3n v\u00eddeo:<\/strong>\u00a0Ettore Spezza<br \/>\n<strong>Ilustraci\u00f3n y grafismo:<\/strong>\u00a0Ginevra Panzetti<br \/>\n<strong>Con el soporte de:<\/strong>\u00a0VAN (IT), Tanzfabrik (Berl\u00edn, DE), PACT Zollverein (Essen, DE), NAOcrea \u2013 Ariella Vidach AiEP (Milano, IT), KommTanz \u2013 Compagnia Abbondanza\/Bertoni (Rovereto, IT), L\u2019arboreto \u2013 Teatro Dimora (Mondaino, IT), AtelierS\u00ec (Bologna, IT), C.L.A.P.Spettacolodalvivo (Brescia, IT)<br \/>\n<strong>Otros aportes:<\/strong>\u00a0Cronopios \u2013 Teatro Petrella (Longiano, IT), Vera Stasi \u2013 Progetti per la Scena (Tuscania, IT), Network Anticorpi XL (IT) 2018<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<p>Precio Online: 16\u20ac<br \/>\nTaquilla: 20\u20ac<br \/>\nSocios (solo online): 12\u20ac<\/p>\n<p>Se puede adquirir entradas <a href=\"https:\/\/salahiroshima.koobin.com\/harleking\" target=\"_blank\" rel=\"noopener\"><strong>aqu\u00ed<\/strong><\/a><strong>.<\/strong><\/p>\n<p><a href=\"http:\/\/www.tea-tron.com\/hiroshima\/blog\/wp-content\/uploads\/2019\/09\/logo-istituto-300x176.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-740\" src=\"http:\/\/www.tea-tron.com\/hiroshima\/blog\/wp-content\/uploads\/2019\/09\/logo-istituto-300x176.png\" alt=\"\" width=\"147\" height=\"86\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>HARLEKING &#8211; Ginevra Panzetti &#8211; Enrico Ticconi 04 &amp; 05\/10\/19 &#8211; 20:30h DANSA\u00a0 ITALIA \/ ALEMANIA SIN TEXTO 40&#8242; ESTRENO EN ESPA\u00d1A GRACIAS AL APOYO DEL ISTITUTO ITALIANO DI CULTURA Esta pieza es una magistral reinterpretaci\u00f3n de los patrones de &hellip; <a href=\"http:\/\/www.tea-tron.com\/hiroshima\/blog\/2019\/09\/26\/harleking-ginevra-panzetti-enrico-ticconi\/\">Sigue leyendo <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-738","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/www.tea-tron.com\/hiroshima\/blog\/wp-json\/wp\/v2\/posts\/738","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.tea-tron.com\/hiroshima\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.tea-tron.com\/hiroshima\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.tea-tron.com\/hiroshima\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/www.tea-tron.com\/hiroshima\/blog\/wp-json\/wp\/v2\/comments?post=738"}],"version-history":[{"count":3,"href":"http:\/\/www.tea-tron.com\/hiroshima\/blog\/wp-json\/wp\/v2\/posts\/738\/revisions"}],"predecessor-version":[{"id":744,"href":"http:\/\/www.tea-tron.com\/hiroshima\/blog\/wp-json\/wp\/v2\/posts\/738\/revisions\/744"}],"wp:attachment":[{"href":"http:\/\/www.tea-tron.com\/hiroshima\/blog\/wp-json\/wp\/v2\/media?parent=738"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.tea-tron.com\/hiroshima\/blog\/wp-json\/wp\/v2\/categories?post=738"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.tea-tron.com\/hiroshima\/blog\/wp-json\/wp\/v2\/tags?post=738"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}