{"id":812,"date":"2021-01-25T12:29:49","date_gmt":"2021-01-25T11:29:49","guid":{"rendered":"http:\/\/www.tea-tron.com\/hiroshima\/blog\/?p=812"},"modified":"2021-01-25T12:30:02","modified_gmt":"2021-01-25T11:30:02","slug":"orationibus-sr-2","status":"publish","type":"post","link":"http:\/\/www.tea-tron.com\/hiroshima\/blog\/2021\/01\/25\/orationibus-sr-2\/","title":{"rendered":"ORATIONIBUS #SR"},"content":{"rendered":"<h3><span style=\"color: #ff0000;\"><strong>Albert Arribas &amp; Silvia Delagneau<\/strong><\/span><br \/>\n<a href=\"http:\/\/www.tea-tron.com\/hiroshima\/blog\/wp-content\/uploads\/2020\/12\/129442993_3589373334511334_7836929680999819683_o.jpg\">5 &amp; 6\/02\/21 &#8211; 20:30h<\/a><a href=\"http:\/\/www.tea-tron.com\/hiroshima\/blog\/wp-content\/uploads\/2021\/01\/Captura-de-pantalla-2021-01-25-a-las-11.59.58.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-813\" src=\"http:\/\/www.tea-tron.com\/hiroshima\/blog\/wp-content\/uploads\/2021\/01\/Captura-de-pantalla-2021-01-25-a-las-11.59.58.png\" alt=\"\" width=\"960\" height=\"645\" srcset=\"https:\/\/www.tea-tron.com\/hiroshima\/blog\/wp-content\/uploads\/2021\/01\/Captura-de-pantalla-2021-01-25-a-las-11.59.58.png 960w, https:\/\/www.tea-tron.com\/hiroshima\/blog\/wp-content\/uploads\/2021\/01\/Captura-de-pantalla-2021-01-25-a-las-11.59.58-300x202.png 300w, https:\/\/www.tea-tron.com\/hiroshima\/blog\/wp-content\/uploads\/2021\/01\/Captura-de-pantalla-2021-01-25-a-las-11.59.58-768x516.png 768w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><\/a><\/h3>\n<p>El joven director pone la creaci\u00f3n contempor\u00e1nea al servicio de preguntas inc\u00f3modas sobre la funci\u00f3n de la cultura en la sociedad actual, o sobre el sentido de la tradici\u00f3n, de los traspasos generacionales y de los modelos establecidos. En esta escena inclasificable, pensada especialmente para presentarse en la sala Hiroshima, los dos j\u00f3venes creadores se enfrentan al mundo de la l\u00edrica, del cabaret y de la\u00a0<em>performance<\/em>, con unos int\u00e9rpretes \u00fanicos que empujan las fronteras entre disciplinas y est\u00e9ticas esc\u00e9nicas.<\/p>\n<p><strong><em>UNOS INT\u00c9RPRETES \u00daNICOS QUE EMPUJAN LAS FRONTERAS ENTRE DISCIPLINAS Y EST\u00c9TICAS ESC\u00c9NICAS.<\/em>\u00a0\u00a0<\/strong><\/p>\n<p><a href=\"https:\/\/www.hiroshima.cat\/orationibus-sr-2\/\">+ informaci\u00f3n y compra de entradas<\/a><\/p>\n<p><a href=\"https:\/\/youtu.be\/pe7FoPaef5c\">V\u00cdDEO<\/a><\/p>\n<p>\u00abA la Sala Hiroshima, Centaure Produccions ho peta de nou, avui \u00faltima oportunitat perqu\u00e8 us trenquin esquemes i lo goss\u00e9is!\u00bb<br \/>\n(Blanca Garcia Llad\u00f3)<\/p>\n<p>\u00abEl conjunt de l\u2019equip art\u00edstic fant\u00e0stic!! Un espectacle que ens ha deixat bocabadades per la seva originalitat. Grans veritats, molta bellesa i un gran sentit de l\u2019humor.\u00bb<br \/>\n(Ona Cultural)<\/p>\n<p class=\"font_8\"><span class=\"color_15\">\u00abUna experiencia intensa e inolvidable.\u00bb<br \/>\n<\/span><span class=\"color_15\">\u00abSensibilidad devastadora.\u00bb<br \/>\n<\/span><span class=\"color_15\">\u00abIndescriptible y arrebatador a partes iguales.\u00bb<br \/>\n<\/span><span class=\"color_15\">\u00abUna hostia rotunda, todo lo divertida que se quiera pero hostia al fin y al cabo, contra la realidad m\u00e1s severa y realista del artista.\u00bb<br \/>\n(Fernando Solla)<\/span><\/p>\n<p><span class=\"color_15\">\u00abUna i<\/span>nterpretaci\u00f3 espl\u00e8ndida i arriscada de Griselda Ramon i \u00c0lex Jordi.<span class=\"color_15\">\u00bb<br \/>\n<\/span>(Rosa M. Isart)<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Albert Arribas &amp; Silvia Delagneau 5 &amp; 6\/02\/21 &#8211; 20:30h El joven director pone la creaci\u00f3n contempor\u00e1nea al servicio de preguntas inc\u00f3modas sobre la funci\u00f3n de la cultura en la sociedad actual, o sobre el sentido de la tradici\u00f3n, de &hellip; <a href=\"http:\/\/www.tea-tron.com\/hiroshima\/blog\/2021\/01\/25\/orationibus-sr-2\/\">Sigue leyendo <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,8],"tags":[29,28,31,30,32,27],"class_list":["post-812","post","type-post","status-publish","format-standard","hentry","category-concierto-de-musica","category-performance","tag-albert-arribas","tag-performance","tag-rusinol","tag-sala-hiroshima","tag-santiago-rusinol","tag-teatro"],"_links":{"self":[{"href":"http:\/\/www.tea-tron.com\/hiroshima\/blog\/wp-json\/wp\/v2\/posts\/812","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.tea-tron.com\/hiroshima\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.tea-tron.com\/hiroshima\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.tea-tron.com\/hiroshima\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/www.tea-tron.com\/hiroshima\/blog\/wp-json\/wp\/v2\/comments?post=812"}],"version-history":[{"count":1,"href":"http:\/\/www.tea-tron.com\/hiroshima\/blog\/wp-json\/wp\/v2\/posts\/812\/revisions"}],"predecessor-version":[{"id":814,"href":"http:\/\/www.tea-tron.com\/hiroshima\/blog\/wp-json\/wp\/v2\/posts\/812\/revisions\/814"}],"wp:attachment":[{"href":"http:\/\/www.tea-tron.com\/hiroshima\/blog\/wp-json\/wp\/v2\/media?parent=812"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.tea-tron.com\/hiroshima\/blog\/wp-json\/wp\/v2\/categories?post=812"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.tea-tron.com\/hiroshima\/blog\/wp-json\/wp\/v2\/tags?post=812"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}