{"id":1715,"date":"2014-03-09T23:11:37","date_gmt":"2014-03-09T22:11:37","guid":{"rendered":"http:\/\/www.tea-tron.com\/nilogallego\/blog\/?p=1715"},"modified":"2014-03-09T23:11:37","modified_gmt":"2014-03-09T22:11:37","slug":"orquestina-de-pigmeos-en-el-festival-sideways-belgica-documentacion","status":"publish","type":"post","link":"http:\/\/www.tea-tron.com\/nilogallego\/blog\/2014\/03\/09\/orquestina-de-pigmeos-en-el-festival-sideways-belgica-documentacion\/","title":{"rendered":"Orquestina de Pigmeos en el Festival Sideways (B\u00e9lgica) Documentaci\u00f3n"},"content":{"rendered":"<p>Camina y ven \/ Gank truut en kom h\u00e8j.<br \/>\nSideways Festival, Zutendaal,\u00a0Belgium.<br \/>\n16\/09\/2012.<br \/>\n<em id=\"__mceDel\"> <a href=\"http:\/\/www.tragewegen.be\/nl\/orquestina-de-pigmeos-es-en\">Camina y ven \/ Gank truut en kom h\u00e8j<\/a><\/em><\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/player.vimeo.com\/video\/84087413\" height=\"330\" width=\"600\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><em>Resume video (camera: Claudia Maria Castellan,\u00a0Jos Bamps, Cristian Bettini)<\/em><\/p>\n<p>An ambulatory, site-specific and interactive performance \u00a0along a route where the walker will be invited to experience the landscape from different perspectives, from the simple contemplation to a total active <!--more-->participation, counting with the collaboration of different musicians, performers and local people. This performance link the urban center of Zutendaal to the agriculture area in the outskirts, through the Lieteberg forest.<\/p>\n<p><em>Una performance site-specific, en movimiento\u00a0e interactiva en la que se invita al caminante a disfrutar de un paisaje desde diferentes perspectivas, desde la simple contemplaci\u00f3n hasta la participaci\u00f3n activa. Con la colaboraci\u00f3n de m\u00fasicos, performers y otros habitantes de la ciudad. Esta performance transcurrir\u00e1 desde el centro urbano de Zutendaal hasta la zona de agricultura a las afueras, a trav\u00e9s del bosque de Lieteberg.<\/em><\/p>\n<p><b>ORQUESTINA DE PIGMEOS<br \/>\n<\/b><b>CAMINA Y VEN &#8211; GANK TRUUT EN KOM H\u00c8J<\/b><br \/>\nOrquestina de Pigmeos, Chus Dom\u00ednguez, Nilo Gallego and the following local partners \/ <em>Orquestina de Pigmeos voor deze gelegenheid met Chus Dominguez, Nilo Gallego en de volgende lokale medewerkers:<\/em><br \/>\nFootbal field \/<em> Voetbalploeg<\/em>:<br \/>\n<em>Coach<\/em>: Ward Vanhengel<br \/>\nPlayers \/ <em>Spelers<\/em>: Tim Brulmans , Xander Dirkx, Arthur Kieronski, Jeroen Van Der Burgt, Giel Vanhengel, Siebe Vanhengel, Robin Brants, Stijn Reyskens, Ike Tresinie.<br \/>\nElectric system \/ <em>Lichtinstallatie voetbalplein<\/em>: Jef Warson<br \/>\nDancing School \/<em> Dansgroep<\/em>:<br \/>\nTeachers \/ <em>Lesgevers<\/em>: Bea Bielen, Stijn Bijnens<br \/>\nDancers \/ <em>Dansers<\/em>: Jeroen &amp; Tessa, Frank &amp; An, Armand &amp; Karin, Jimmy &amp; Karen, Gust &amp; Rosette, Etienne &amp; Vera, Wout &amp; Fabienne, Vital &amp; Kris, Stijn &amp; Sarah.<br \/>\nMusicians (Hunting horns) \/ <em>Hoornblazers<\/em> : Maarten Roosen, Liesbeth Meermans, Stephanie Bijnens, Steve Cox.<br \/>\nStone carver<em> <\/em>\/ <em>Letterkapper<\/em> : Jos Geussens<br \/>\nChoir \u00abCanta Libra\u00bb \/ <em>Het koor \u2018Canta libra\u2019<\/em>:<br \/>\nConductor \/ <em>Dirigente<\/em>: Edith Cuypers<br \/>\nSingers \/ <em>Zangers<\/em>: Riet Conings, Kristien Polmans, Barbara Sternotte, Vera Conings, Ingrid Esthers, Jos Bastiaens, Filip Slegers, Bert Smits, Kurt Vanhengel.<br \/>\nCassettes Zutendal dialect \/ <em>Opnames cassettes Zutendaals dialect<\/em>:<br \/>\nVoices <em>\/ Stemmen<\/em>: Catharina Vliegen, Ferdinand Bijnens, Adolf Weytjens, Mathieu Bobbaers, Jozef Bobbaers.<br \/>\nInterviewer<em> <\/em>\/<em> Uitvoerder:<\/em> Frans Beckers<br \/>\nLocal music band \/<em> Gelegenheidsorkest:<\/em> Jolanda Swennen, Kris Leirs, Dirk Harsch, Kurt Vanhengel<br \/>\nCidder presser \/ <em>Appelsapperser:<\/em> Frans Beckers<br \/>\nDoorman \/<em> Portier:<\/em> Jos Bamps<br \/>\nAssitants Sideways \/ <em>Assistenten Sideways:\u00a0<\/em>Sinta Wiwowo, Koto, Kathleen.<br \/>\nSpecial thanks to<em> <\/em>\/ <em>Met speciale dank<\/em> aan Sandra Stulens en Eddy Geurts , Kurt Vanhengel, Jos Bamps en Frans Beckers.<br \/>\nSpecial thanks to \/ <em>Dank aan<\/em> Marc Ploem, Barbara, Liesbet en alle mensen van Zutendaal en de organisatie \u2018Sideways\u2019<br \/>\nZutendaal. 15-09-2012 Sideways Festival.<\/p>\n<div><a title=\"Permanent Link: Glen Stoker\u2019s Sideways\u00a0report\" href=\"http:\/\/walkietalkietoo.wordpress.com\/glen-stokers-sideways-report\/\" target=\"_blank\" rel=\"bookmark\">GLEN STOKER\u2019S SIDEWAYS\u00a0REPORT<\/a><\/div>\n<div>At around 7.30 in the evening, just as dusk was beginning to fall, we left the farmhouse base and joined a large group of around 150 people assembled outside a school in Zutendaal town. From there we were led by the Spanish arts collective, Orquestina de pigmeos, on an interactive sound and vision tour of the town and its environs. I had no prior idea of what was about to happen \u2013 no-one seemed to know. We were instructed to be as silent as possible, a request rendered almost impotent, as the fascination of and in the events that followed meant that everyone was to enthralled to speak.<br \/>\nStanding in a graveyard, the silence was only broken by the repetitive motion and spray of a water sprinkler on the football pitches in the distance to our left. Then, the sounds of children playing football. We couldn\u2019t see them, but could hear them clearly and set off in their direction. By the time we got there, the sounds had diminished, and there was no sign of anyone \u2013 it was starting to dawn on me that this was part of a performance.<\/div>\n<div>As we stood looking at the football pitches, suddenly some music started and I was aware that people were starting to turn round to look at the sports pavilion building behind us. The lights had come on inside and we could see a jazz\/ballroom dance class in full flow \u2013 maybe 7 or 8 couples in full dance dress. A really magical awakening of a town\u2019s everyday, we watched voyeuristically as we were given an insight into what goes on in this small Belgian town. From there we were led, in rapidly falling darkness through the town\u2019s forestland, stopping to watch an engraver tap tap tap away at his work, hearing recorded testimonials from townsfolk along the way&#8230;<br \/>\nWe eventually ended up back at the farmhouse, where we watched images of haymakers beamed onto stacks of hay, as tow of the artists rustled their microphones through the bails. The evening finished with rousing accordion-led folk music and dancing and home-made apple juice.<br \/>\nWords and pictures really fail to do justice to this piece of work, as it was the feelings and ambience created that was so special, along with the obvious levels of artist-integrity which had encouraged so many of the town\u2019s inhabitants to so fully engage with the project. I thought it was a real piece of place-making as the artists brought the town of Zutendaal to life for me. A truly great piece of work.\u00a0<a href=\"http:\/\/amatterofdeathandlife.blogspot.de\">Glen Stoker<\/a><\/div>\n<div><\/div>\n<div>\n<p>CR\u00d3NICA DE GLEN STOKER<br \/>\n<em>Alrededor de las 7.30 de la tarde, justo cuando la oscuridad empezaba a caer, salimos de la granja\/centro de operaciones y nos unimos a un grupo grande de alrededor de 150 personas reunidas en el exterior de una escuela en la localidad de Zutendaal. Desde all\u00ed, el colectivo art\u00edstico espa\u00f1ol Orquestina de Pigmeos nos condujo por una ruta interactiva visual y sonora por la ciudad y sus alrededores. Yo no ten\u00eda ninguna idea previa de lo que iba a suceder, nadie lo parec\u00eda saber. Los organizadores nos pidieron ser lo m\u00e1s silenciosos posible, una solicitud casi imposible, ya que la fascinaci\u00f3n de todo el mundo ante las situaciones que acontecieron invitaba a hablar.<br \/>\nDe pie en el cementerio, el silencio s\u00f3lo era roto por el movimiento repetitivo de un aspersor de agua en los campos de f\u00fatbol pr\u00f3ximos. Entonces pudimos escuchar los sonidos y gritos de ni\u00f1os jugando al f\u00fatbol. No pod\u00edamos verlos, pero los pod\u00edamos o\u00edr con claridad. Cuando llegamos al campo de f\u00fatbol, los sonidos hab\u00edan disminuido, y no hab\u00eda rastro de nadie &#8211; yo estaba empezando a darme cuenta de que esto era parte de una actuaci\u00f3n.\u00a0<\/em><br \/>\n<em>Mientras est\u00e1bamos mirando los campos de f\u00fatbol, de pronto una m\u00fasica empez\u00f3 y yo me di cuenta de que la gente se daba la vuelta para mirar dentro del edificio del pabell\u00f3n deportivo que estaba a nuestra espalda. Las luces se hab\u00edan encendido en el interior y pudimos ver una clase de danzas de sal\u00f3n en pleno desarrollo &#8211; quiz\u00e1s 7 o 8 parejas con el traje de baile completo. Un despertar realmente m\u00e1gico de la cotidianeidad de la ciudad, mir\u00e1bamos como voyeurs mientras nos hac\u00edamos una idea de lo que sucede en esta peque\u00f1a localidad belga. A partir de nos fuimos llevados, mientras la oscuridad ca\u00eda r\u00e1pidamente, a trav\u00e9s del bosque de la ciudad, parando para ver un tap tap tap hombre tallando piedras, escuchando testimonios grabados de gente de la ciudad a lo largo del camino\u2026<\/em><br \/>\n<em id=\"__mceDel\">Finalmente terminamos en la granja, donde vimos las im\u00e1genes de segadores trabajando con montones de heno y a uno de los artistas rozando micr\u00f3fonos contra la paja sobre la que se proyectaban las im\u00e1genes. La velada termin\u00f3 con m\u00fasica y baile tradicionales al son de una banda con acorde\u00f3n y zumo casero de manzana.<br \/>\nLas palabras y las fotos realmente no hacen justicia a este trabajo, ya que eran los sentimientos y el ambiente creado lo que era tan especial, junto con los evidentes niveles de integridad art\u00edstica que hab\u00edan alentado a muchos de los habitantes del municipio a participar de manera plena en el proyecto. Pens\u00e9 que era una verdadera pieza de <\/em>place-making<em id=\"__mceDel\">* c\u00f3mo los artistas hab\u00edan llevado la ciudad de Zutendaal a la vida para m\u00ed. Realmente una gran obra.<br \/>\n*Enfoque multifac\u00e9tico para la planificaci\u00f3n, dise\u00f1o y gesti\u00f3n de los espacios p\u00fablicos.<br \/>\n<\/em><em id=\"__mceDel\"><a href=\"http:\/\/amatterofdeathandlife.blogspot.de\">Glen Stoker<\/a><\/em><\/p>\n<\/div>\n<div><\/div>\n<div>\n<p><a href=\"http:\/\/www.tea-tron.com\/orquestinadepigmeos\/blog\/wp-content\/uploads\/2013\/01\/1bb.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-120\" alt=\"\" src=\"http:\/\/www.tea-tron.com\/orquestinadepigmeos\/blog\/wp-content\/uploads\/2013\/01\/1bb-1024x576.jpg\" width=\"614\" height=\"346\" \/><br \/>\n<\/a>Photo: Chus Dom\u00ednguez.<\/p>\n<\/div>\n<p><a href=\"http:\/\/www.tea-tron.com\/orquestinadepigmeos\/blog\/wp-content\/uploads\/2013\/01\/sideways-p\u00e0rtitura-pq.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-214\" alt=\"\" src=\"http:\/\/www.tea-tron.com\/orquestinadepigmeos\/blog\/wp-content\/uploads\/2013\/01\/sideways-p\u00e0rtitura-pq-744x1024.jpg\" width=\"357\" height=\"491\" \/><br \/>\n<\/a><span style=\"text-decoration: underline;\">S<\/span>core.<\/p>\n<p>M\u00e1s informaci\u00f3n en <a href=\"http:\/\/www.tea-tron.com\/orquestinadepigmeos\/blog\">Orquestina de Pigmeos<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Camina y ven \/ Gank truut en kom h\u00e8j. Sideways Festival, Zutendaal,\u00a0Belgium. 16\/09\/2012. Camina y ven \/ Gank truut en kom h\u00e8j Resume video (camera: Claudia Maria Castellan,\u00a0Jos Bamps, Cristian Bettini) An ambulatory, site-specific and interactive performance \u00a0along a route &hellip; <a href=\"http:\/\/www.tea-tron.com\/nilogallego\/blog\/2014\/03\/09\/orquestina-de-pigmeos-en-el-festival-sideways-belgica-documentacion\/\">Sigue leyendo <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1715","post","type-post","status-publish","format-standard","hentry","category-general"],"_links":{"self":[{"href":"http:\/\/www.tea-tron.com\/nilogallego\/blog\/wp-json\/wp\/v2\/posts\/1715","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.tea-tron.com\/nilogallego\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.tea-tron.com\/nilogallego\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.tea-tron.com\/nilogallego\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/www.tea-tron.com\/nilogallego\/blog\/wp-json\/wp\/v2\/comments?post=1715"}],"version-history":[{"count":4,"href":"http:\/\/www.tea-tron.com\/nilogallego\/blog\/wp-json\/wp\/v2\/posts\/1715\/revisions"}],"predecessor-version":[{"id":1719,"href":"http:\/\/www.tea-tron.com\/nilogallego\/blog\/wp-json\/wp\/v2\/posts\/1715\/revisions\/1719"}],"wp:attachment":[{"href":"http:\/\/www.tea-tron.com\/nilogallego\/blog\/wp-json\/wp\/v2\/media?parent=1715"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.tea-tron.com\/nilogallego\/blog\/wp-json\/wp\/v2\/categories?post=1715"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.tea-tron.com\/nilogallego\/blog\/wp-json\/wp\/v2\/tags?post=1715"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}