{"id":314,"date":"2012-01-28T13:06:23","date_gmt":"2012-01-28T13:06:23","guid":{"rendered":"http:\/\/www.tea-tron.com\/paolamarugan\/blog\/?p=314"},"modified":"2012-01-28T13:06:23","modified_gmt":"2012-01-28T13:06:23","slug":"la-desaparicion-de-la-critica","status":"publish","type":"post","link":"http:\/\/www.tea-tron.com\/paolamarugan\/blog\/2012\/01\/28\/la-desaparicion-de-la-critica\/","title":{"rendered":"La desaparici\u00f3n de la cr\u00edtica"},"content":{"rendered":"

\"\"<\/a><\/p>\n

Un amigo que ha estado trabajando unos d\u00edas en Berl\u00edn, me ha tra\u00eddo la revista que publica el Tanzraumberlin<\/em>, una instituci\u00f3n dedicada a la danza contempor\u00e1nea de la ciudad, formada por tres organizaciones: Tanzb\u00fcro Berlin<\/em><\/a>, TanzRaumBerlin Network<\/em> <\/a>y Association for Contemporary Dance Berlin<\/em><\/a> (ZTB e.V).<\/p>\n

En esta revista hay un peque\u00f1o art\u00edculo que me ha parecido muy interesante sobre c\u00f3mo la cr\u00edtica en danza ha desaparecido de los medios de comunicaci\u00f3n y el min\u00fasculo espacio que se le dedica va destinado a promocionar los espect\u00e1culos de los grandes teatros.<\/p>\n

El art\u00edculo hace referencia a la escena berlinesa pero funciona a la perfecci\u00f3n en la catalana (que es la que m\u00e1s conozco). Mientras lo le\u00eda pensaba en el openblog La cr\u00edtica de la cr\u00edtica<\/a>, el cual est\u00e1 algo abandonado. El porque est\u00e1 bastante claro: como no se ejerce la cr\u00edtica en ning\u00fan medio de comunicaci\u00f3n, no hay respuesta posible. Le podr\u00edamos dar la vuelta a ese espacio. Propongo hacer un \u201copen call\u201d para revitalizar este blog relacionado con el ejercicio cr\u00edtico.<\/p>\n

En cierta medida se podr\u00eda entender que a una parte de la comunidad art\u00edstica le pueda ir bien el hecho de que no se hable de su trabajo, ya que como se apunta en el art\u00edculo, hay creadores que no acaban de encajar bien las cr\u00edticas. De hecho el mes pasado se public\u00f3 en Teatron una carta de un espectador<\/a> donde mostraba el descontento por el estreno del \u00faltimo trabajo de S\u00edlvia Sant Funk \/ Las Santas en el Antic Teatre.<\/p>\n

Como hab\u00eda visto la pieza, en un principio segu\u00ed con inter\u00e9s la discusi\u00f3n, porque me parec\u00eda una buena oportunidad \u2013tanto para las creadoras como para los espectadores- para reflexionar sobre la pieza y en definitiva, crecer juntos. Desgraciadamente se perdieron los papeles y no sirvi\u00f3 para nada m\u00e1s que faltarse el respeto y disgustarse. Una pena.<\/p>\n

Aqu\u00ed os dejo el art\u00edculo. Disculparme porque no he sido capaz de averiguar el nombre de la redactora.<\/p>\n

El art\u00edculo se titula \u201cThe critical reflection of dance in the media seems to vanish<\/strong>\u201d <\/strong><\/p>\n

The disappearance of dance criticism in Berlin is most evident in the fact that, while there is no lack of short, crisp announcements on art and cultural events in a variety of media, detailed critical analyses of premieres or performances are few and far between. In contrast to a premiere in a major theatre house, a dance piece that is performed only a few times has little chance in the ever-shrinking arts section of print or radio magazines. Since it is assumed that what interests readers most in a critique is whether or not they should see the performance, it makes sense for magazines with sporadic appearances to mainly focus on program announcements. Service journalism is what counts, as art and culture become increasingly treated like mere recreational tips in lifestyle magazines.<\/em><\/p>\n

At the sight of a glowing text with flattering photograph, why not welcome the fact, that dance is being promoted and not criticized? Perhaps it\u2019s even better when nothing critical is written at all \u2013 what artist truly welcomes criticism of their work, anyway? Indeed, shouldn\u2019t the Berlin dance scene, relish the largely uncritical shelter that the city offers?<\/em><\/p>\n

Before we bid a gleeful adieu to dance criticism, it might be worth wondering whether or not the conditions of its quite disappearance deserve a critical explanation. And perhaps it\u2019s worth considering the implications when, between the innocent event announcement, the actual performance and the next funding application for a new piece there is no opportunity for reflection for the creators and the spectators beyond the praise that premieres customarily enjoy.<\/em><\/p>\n

Maybe nothing much happens if dance does without this line of thought. The dance public is usually experienced and knowledgeable enough to compare and classify that which they have seen. Most spectators are both curious and open, allowing for a direct exchange on fundamental issues as well as irritations. Unfortunately, for readers who do not regularly attend dance performances, it\u2019s unlikely that they would perceive dance as an opportunity for reflection \u2013 without an accompanying critical voice.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Un amigo que ha estado trabajando unos d\u00edas en Berl\u00edn, me ha tra\u00eddo la revista que publica el Tanzraumberlin, una instituci\u00f3n dedicada a la danza contempor\u00e1nea de la ciudad, formada por tres organizaciones: Tanzb\u00fcro Berlin, TanzRaumBerlin Network y Association for … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-314","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/www.tea-tron.com\/paolamarugan\/blog\/wp-json\/wp\/v2\/posts\/314","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.tea-tron.com\/paolamarugan\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.tea-tron.com\/paolamarugan\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.tea-tron.com\/paolamarugan\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/www.tea-tron.com\/paolamarugan\/blog\/wp-json\/wp\/v2\/comments?post=314"}],"version-history":[{"count":8,"href":"http:\/\/www.tea-tron.com\/paolamarugan\/blog\/wp-json\/wp\/v2\/posts\/314\/revisions"}],"predecessor-version":[{"id":323,"href":"http:\/\/www.tea-tron.com\/paolamarugan\/blog\/wp-json\/wp\/v2\/posts\/314\/revisions\/323"}],"wp:attachment":[{"href":"http:\/\/www.tea-tron.com\/paolamarugan\/blog\/wp-json\/wp\/v2\/media?parent=314"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.tea-tron.com\/paolamarugan\/blog\/wp-json\/wp\/v2\/categories?post=314"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.tea-tron.com\/paolamarugan\/blog\/wp-json\/wp\/v2\/tags?post=314"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}