
{"id":118,"date":"2009-01-16T20:56:10","date_gmt":"2009-01-16T19:56:10","guid":{"rendered":"http:\/\/www.tea-tron.com\/quimpujol\/blog\/2009\/01\/16\/critica-de-cpau-get-ready-en-el-new-york-times-140109-claudia-la-rocco\/"},"modified":"2010-02-15T16:55:07","modified_gmt":"2010-02-15T15:55:07","slug":"critica-de-cpau-get-ready-en-el-new-york-times-140109-claudia-la-rocco","status":"publish","type":"post","link":"http:\/\/www.tea-tron.com\/quimpujol\/blog\/2009\/01\/16\/critica-de-cpau-get-ready-en-el-new-york-times-140109-claudia-la-rocco\/","title":{"rendered":"Cr\u00edtica de \u00abCPAU Get Ready!\u00bb, New York Times 14\/01\/09 Claudia La Rocco"},"content":{"rendered":"<p><span style=\"font-size: 15px; line-height: 22px\" class=\"Apple-style-span\"><\/p>\n<p style=\"text-align: center\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" width=\"180\" src=\"http:\/\/farm4.static.flickr.com\/3345\/3212553892_3ff7a9eb7a_o.jpg\" height=\"180\" \/><\/p>\n<p>\u00a0<\/span><\/p>\n<p><span style=\"font-size: 15px; line-height: 22px\" class=\"Apple-style-span\">Ask most choreographers why so many audience members, when confronted with contemporary dance, will inevitably say that they \u201cjust don\u2019t get it,\u201d and the response is likely to involve rolled eyes and long-suffering sighs. Of late, though, another type of response seems to be gaining currency: dances that are, at least partly, about the fact that lots of people just don\u2019t get dance.<\/span><\/p>\n<p><span style=\"font-size: 15px; line-height: 22px\" class=\"Apple-style-span\">So it is in \u201cChoreography, a Prologue for the Apocalypse of Understanding, Get Ready!,\u201d a new dance by D D Dorvillier\/human future dance corps that wrapped up its first weekend of performances on Sunday at<a href=\"http:\/\/topics.nytimes.com\/top\/reference\/timestopics\/organizations\/d\/dance_theater_workshop\/index.html?inline=nyt-org\" style=\"color: #004276; text-decoration: underline\" title=\"More articles about Dance Theater Workshop\">Dance Theater Workshop<\/a>. The three-part work begins with a text-heavy video announcing Ms. Dorvillier\u2019s intention to renounce words in favor of a less definitive corporeal logic: phrases like \u201cno languages only grunts moans murmurs\u201d fill the screen.<\/span><\/p>\n<p><span style=\"font-size: 15px; line-height: 22px\" class=\"Apple-style-span\">Using language to dismiss language is a hedged bet. This continues in the second section, in which Ms. Dorvillier and Joaquim Pujol, wielding microphones, occupy a white expanse of floor and backdrop, beautifully lighted by Thomas Dunn. Mr. Pujol acts as interpreter, first rendering Ms. Dorvillier\u2019s words and then her actions in Spanish, and finally interpreting her funny little dances through dances of his own. Language becomes just another structural, abstract device, like movement or sound.<\/span><\/p>\n<p><span style=\"font-size: 15px; line-height: 22px\" class=\"Apple-style-span\">Movement and sound take over in the third section, a dance in which Ms. Dorvillier, Heather Kravas, Amanda Pi\u00f1a and Elizabeth Ward (keenly sophisticated performers, all) by turns interact with and add to a collage sound score by Zeena Parkins, who works her usual magic from a front corner of the stage. Clad in shiny unitards of teal, yellow, pink and black, the dancers gallop about the stage, noodling into strange configurations and wiggling their fingers in front of their faces like creeping animals.<\/span><\/p>\n<p><span style=\"font-size: 15px; line-height: 22px\" class=\"Apple-style-span\">There is much humor and beauty in this deconstruction of understanding, but also a sort of dry conceptualism that often marks (and sometimes mars) Ms. Dorvillier\u2019s work. One result is \u201cGet Ready!,\u201d which does not, despite the initial film\u2019s insistence, make its sensual logic felt nearly deeply enough.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00a0 Ask most choreographers why so many audience members, when confronted with contemporary dance, will inevitably say that they \u201cjust don\u2019t get it,\u201d and the response is likely to involve rolled eyes and long-suffering sighs. Of late, though, another type &hellip; <a href=\"http:\/\/www.tea-tron.com\/quimpujol\/blog\/2009\/01\/16\/critica-de-cpau-get-ready-en-el-new-york-times-140109-claudia-la-rocco\/\">Sigue leyendo <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-118","post","type-post","status-publish","format-standard","hentry","category-general"],"_links":{"self":[{"href":"http:\/\/www.tea-tron.com\/quimpujol\/blog\/wp-json\/wp\/v2\/posts\/118","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.tea-tron.com\/quimpujol\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.tea-tron.com\/quimpujol\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.tea-tron.com\/quimpujol\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/www.tea-tron.com\/quimpujol\/blog\/wp-json\/wp\/v2\/comments?post=118"}],"version-history":[{"count":1,"href":"http:\/\/www.tea-tron.com\/quimpujol\/blog\/wp-json\/wp\/v2\/posts\/118\/revisions"}],"predecessor-version":[{"id":396,"href":"http:\/\/www.tea-tron.com\/quimpujol\/blog\/wp-json\/wp\/v2\/posts\/118\/revisions\/396"}],"wp:attachment":[{"href":"http:\/\/www.tea-tron.com\/quimpujol\/blog\/wp-json\/wp\/v2\/media?parent=118"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.tea-tron.com\/quimpujol\/blog\/wp-json\/wp\/v2\/categories?post=118"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.tea-tron.com\/quimpujol\/blog\/wp-json\/wp\/v2\/tags?post=118"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}