El horario ser\u00e1 de 16h a 20h el viernes 15 y de 10 a 14h el s\u00e1bado y el domingo.<\/p>\n
El taller se impartir\u00e1 en ingl\u00e9s y tendr\u00e1 un precio simb\u00f3lico de 15 euros que se reinvertir\u00e1n en materiales para este seminario. El pago se har\u00e1 presencialmente el primer d\u00eda de taller.<\/p>\n
En colaboraci\u00f3n con el MACBA y asociado al proyecto \u201cArte y ciencia ficci\u00f3n: estrategias de potencialidad\u201d de Black Tulip, Silvia Maglioni y Graeme Thomson presentar\u00e1n \u201cUIQ: A Space Oddity<\/a>\u201d el s\u00e1bado 16 de noviembre a las 19h en el MACBA.<\/p>\n Para inscribirse en el taller mandar un e-mail\u00a0 a blcktlp@gmail.com.<\/p>\n UIQ in Love, a Love of UIQ<\/strong><\/p>\n Between Translation and Transduction<\/em><\/p>\n In this workshop we would like to consider F\u00e9lix Guattari\u2019s sci-fi screenplay Un Amour d\u2019UIQ as an unstable, potential entity whose being and becoming must be negotiated through an ongoing process of translation and transduction. Taking as our starting point Pasolini\u2019s essay on the unfilmed screenplay as a \u2018structure that wants to become another structure\u2019, we will look at ways in which the subject of Un Amour d\u2019UIQ<\/em> folds upon the problematics of the script\u2019s own desire to become a film. In Guattari\u2019s script an invisible alien force from a parallel dimension \u2013 the Infra-quark Universe \u2013 makes contact with a group of humans and begins to desire a communicable form (a face, a body) for itself, commensurate with the world of its hosts. Graeme Thomson & Silvia Maglioni<\/strong> . Black Tulip organiza este finde en Espacio Practico un taller con los artistas que rescataron el gui\u00f3n de ciencia ficci\u00f3n de Felix Guattari \u00abUn amour de UIQ\u00bb. Como da la casualidad de que he le\u00eddo el gui\u00f3n y soy … Sigue leyendo ![\"UIQ_TRANSDUCTION\"](\"http:\/\/horrorworkout.files.wordpress.com\/2013\/10\/uiq_transduction1.jpg?w=300&h=172\")
<\/a><\/p>\n
\nAmong our desired aims would be to \u2018produce\u2019 multiple versions of this becoming-film collectively through a process of contamination\/contagion, to translate\/transduce the script\u2019s DNA into mental images, descriptions of which will constitute the components of a virtual \u2018screening\u2019 of the film in progress. This work will inevitably touch upon the delicate matter of the rewrites and revisions to which any screenplay taken up by a producer is exposed, but which in this case is countered by the
\nclaims of Guattari\u2019s corpus. The translation\/transduction of the script will additionally involve looking at potential transpositions of its temporality (the 1980s) together with its cultural, political and linguistic context, in relation to the transducers and their fabulated histories or futures.<\/p>\n
\nGraeme Thomson & Silvia Maglioni are Paris-based filmmakers whose work interrogates potential forms emerging from the ruins of the moving image and whose practice also includes the creation of photo-essays, sound and videoinstallations, lecture-performances, eventworks, radio shows, tube-tracts and books. Their first feature film, Facs of Life<\/em> (2009), draws on encounters with a number of former students of Gilles Deleuze, navigating between the terrains of documentary, fiction and essay to explore aspects of Deleuze\u2019s philosophical legacy. In Search of UIQ<\/em> (2013) unfolds the story of F\u00e9lix Guattari\u2019s lost science-fiction screenplay, Un Amour d\u2019UIQ<\/em>, through a series of fabulations and spectral re-enactcments, also considering its rapport with key social and political transformations of our time from autonomist struggles to the digital recoding of life. The duo are currently working on a new film project, Disappear One<\/em>, which sifts through the filmic and literary wreckage of a fatal Transatlantic crossing.\u00a0\u00a0\u00a0\u00a0 http:\/\/cargocollective.com\/terminal-beach\u00bb<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"