
{"id":1021,"date":"2011-06-09T11:13:11","date_gmt":"2011-06-09T10:13:11","guid":{"rendered":"http:\/\/www.tea-tron.com\/anticteatre\/blog\/?p=1021"},"modified":"2011-06-09T11:13:38","modified_gmt":"2011-06-09T10:13:38","slug":"samuel-gustavsson-%e2%80%9cnight-for-one-movimientoobjeto","status":"publish","type":"post","link":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/2011\/06\/09\/samuel-gustavsson-%e2%80%9cnight-for-one-movimientoobjeto\/","title":{"rendered":"9-12\/06 SAMUEL GUSTAVSSON  \u201cNight For One\u00bb-movimiento+objeto"},"content":{"rendered":"<p> <!-- ESPECTACULO --> <\/p>\n<table width=\"650\" border=\"0\" cellpadding=\"0\" cellspacing=\"0\" bgcolor=\"#FFFFFF\">\n<tr>\n<td height=\"22\" colspan=\"4\" bgcolor=\"#020205\" style=\"padding-left: 20px; color: #FF0; font-size: 18px\">\n<strong>&#x2605; 9-11 i 12 de Juny<span style=\"color: #FFF\"> &nbsp; 9-11 y 12 de Junio &nbsp;<\/span>&nbsp; 9-11th and 12th of June &#x2605;<\/strong><\/td>\n<\/tr>\n<td width=\"228\" valign=\"top\" bgcolor=\"#FFFFFF\"> <\/p>\n<p style=\"text-align: right; font-size: 12px;\"><span style=\"background-color: #000; color: #FF0; font-family: Arial, Helvetica, sans-serif; font-size: 20px; padding: 0px;\"><br \/>\n<!-- TITULO --><br \/>\nSAMUEL GUSTAVSSON<\/span><strong><span class=\"style8\"><\/p>\n<p> <span style=\"color: #000; text-align: right; font-size: 16px\"><strong>\u201cNight For One\u201d<\/p>\n<p>   <span style=\"color: #000; font-size:  12px\">nous llenguatges del cos \/ objectes<br \/> nuevos lenguajes del cuerpo \/ objetos<br \/> new body language \/ objects<\/span><\/p>\n<p>    <span style=\"color: #000; font-size:  12px\">durada: 50 min<\/span><\/p>\n<p>    <!-- HORARIOS --> <\/p>\n<p style=\"text-align: right;\">\n  <span style=\"color: #999; font-weight: normal; font-size: 10px; text-align: right;\">HORARIS ESPECTACLE<\/span><br \/> <br \/>\n  <span style=\"color: #333; font-size: 10px;\">DIJOUS-DISSABTE: 21:00<br \/> DIUMENGE: 20:00<\/span><br \/> <br \/>\n  <span style=\"color: #333; font-size: 10px; font-weight: normal;\">10 euros \/ socis 8 euros<\/span><\/span><\/p>\n<p>  <span style=\"color: #999; font-weight: normal; font-size: 10px; text-align: right;\">HORARIOS ESPECTACULO<\/span><br \/> <br \/>\n  <span style=\"color: #333; font-size: 10px;\">JUEVES-S\u00c1BADO: 21:00<br \/> DOMINGO: 20:00<\/span><br \/> <br \/>\n <span style=\"color: #333; font-size: 10px; font-weight: normal;\">10 euros \/ socios 8 euros<\/span><\/span><\/p>\n<p>  <span style=\"color: #999; font-weight: normal; font-size: 10px; text-align: right;\">SCHEDULES SHOW<\/span><br \/> <br \/>\n <span style=\"color: #333; font-size: 10px;\">THURSDAY-SATURDAY: 21:00<br \/> SUNDAY: 20:00<\/span><br \/> <br \/>\n <span style=\"color: #333; font-size: 10px; font-weight: normal;\">10 euros \/ members 8 euros<\/span><\/span><\/p>\n<td width=\"26\" rowspan=\"2\" bgcolor=\"#FFFFFF\" class=\"style1\"><\/td>\n<td width=\"415\" rowspan=\"2\" valign=\"top\" bgcolor=\"#FFFFFF\" class=\"style1\">\n<p> <br \/>\n      <!-- IMAGEN ESPECTACULO --><br \/>\n      <img decoding=\"async\" src=\"http:\/\/www.anticteatre.com\/newsletter2011\/junio\/samuel-gustavson.jpg\" \/><\/p>\n<p><!-- CREDITOS--><br \/>\n      <span style=\"font-weight: normal;\"> Creaci\u00f3 e interpretaci\u00f3:<\/span><strong> Samuel Gustavsson<\/strong><br \/>\n\t<span style=\"font-weight: normal;\">Vestuari:<\/span><strong> Beckmann Signe<\/strong><br \/>\n\t<span style=\"font-weight: normal;\">Llum:<\/span><strong> Samuel Gustavsson<\/strong><br \/>\n\t\t<span style=\"font-weight: normal;\">Gr\u00e0cies a:<\/span><strong> Karl Stets<\/strong>.<\/p>\n<\/table>\n<div class=\"msg_list\">\n<p class=\"msg_head\">[+] info<\/p>\n<div class=\"msg_body\">\n<p><!-- TEXTO INFO --> <\/p>\n<table width=\"650\" border=\"0\" cellpadding=\"10\" cellspacing=\"0\">\n<tr bgcolor=\"#FFFFFF\">\n<!-- CATALA --> <\/p>\n<td width=\"196\" align=\"left\" valign=\"top\" bgcolor=\"#FFFF00\" style=\"font-size: 12px\">\n<p align=\"justify\">En un b\u00fanquer subterrani, on el temps juga d\u2019acord amb les seves pr\u00f2pies regles, ell pret\u00e9n posar en ordre la seva pr\u00f2pia exist\u00e8ncia. En un intent de valorar el temps, s&#8217;entret\u00e9 ell mateix i al seu p\u00fablic amb meravellosos malabarismes i virtuosisme de t\u00e8cnica. La nit s&#8217;apropa i ens convida a compartir les seves composicions de vinil, la seva manipulaci\u00f3 d&#8217;objectes i el seu jazz polseg\u00f3s en una extraordin\u00e0ria presentaci\u00f3 de nou circ.<\/p>\n<p>S\u00f3c un malabarista, artista, ballar\u00ed i core\u00f2graf que treballa amb el moviment del cos i dels objectes. Interessat en com aplicar el pensament d\u2019un malabarista a altres \u00e0rees de moviment i performance. Despr\u00e9s de que em gradu\u00e9s al 1998 a l\u2019Escola de Circ de Su\u00e8cia, vaig entrar a la companyia Cirkus Cirk\u00f6r i vaig viatjar al voltant del m\u00f3n amb els seus nombrosos espectacles. He treballat en alguns projectes amb diferents circs, companyies de dansa i teatre, entre d\u2019altres, Kitt Johnson\u00b4s X-Act i Cantabile 2 a Dinamarca. <br \/>\nDespr\u00e9s dels compromisos amb les companyies, tamb\u00e9 vaig treballar com a freelance, fent actuacions i aparicions en gales, televisi\u00f3, festivals i pel\u00b7l\u00edcules. Al 2006, vaig muntar i produir la meva primera performance com solista \u201cNight For One\u201d. Paral\u00b7lelament a aquesta etapa d\u2019obres i  compromisos per altres companyies, tamb\u00e9 vaig realitzar classes i tallers de malabars i moviment a escoles de circ per tota Europa. Al 2010, vaig comen\u00e7ar a la companyia de circ contemporani Rapid Eye i actualment estem treballant a la primera producci\u00f3 junt amb Niclas Stureberg i Mads Rose. La performance \u201cQuiproquo\u201d ser\u00e0 estrenada l\u2019onze de mar\u00e7 del 2011 a Copenhaguen i la seva gira es dur\u00e0 a terme entre el 2011 i el 2013.<\/p>\n<\/td>\n<p>  <!-- CASTELLANO -->    <\/p>\n<td width=\"196\" align=\"left\" valign=\"top\" bgcolor=\"#000000\" style=\"font-size: 12px; color: #FF0;\">\n<p align=\"justify\">En un bunker subterr\u00e1neo, donde el tiempo juega conforme a sus propias reglas, \u00e9l pretende poner en orden su propia existencia. En un intento de valorizar el tiempo, se entretiene el mismo y a su p\u00fablico con maravillosos malabarismos y virtuosismo de t\u00e9cnica. La noche se aproxima y nos invita a compartir sus composiciones de vinilo, su manipulaci\u00f3n de objetos y su jazz polvoriento en una extraordinaria presentaci\u00f3n de nuevo circo.<\/p>\n<p>Soy un malabarista, artista, bailar\u00edn y core\u00f3grafo que trabaja con el movimiento del cuerpo y los objetos. Interesado en c\u00f3mo aplicar el pensamiento de un malabarista a otras \u00e1reas de movimiento y performance. Despu\u00e9s de que me graduara en 1998 en la Escuela de Circo de Suecia, entr\u00e9 en la compa\u00f1\u00eda Cirkus Cirkor y viaj\u00e9 alrededor del mundo con sus numerosos espect\u00e1culos. He trabajado en algunos proyectos con diferentes circos, compa\u00f1\u00edas de danza y teatro, entre otros, Kitt Johnson&#8217;s X-Act y Cantabile 2 en Dinamarca. Despu\u00e9s de los compromisos con las compa\u00f1\u00edas, tambi\u00e9n trabaj\u00e9 como freelance, haciendo actuaciones y apariciones en galas, televisi\u00f3n, festivales y pel\u00edculas. En 2006, mont\u00e9 y producije mi primera performance como solista \u00abNight For One\u00bb. Paralelamente a esta etapa de obras y compromisos por otras compa\u00f1\u00edas, tambi\u00e9n realic\u00e9 clases y talleres de malabares y movimiento en escuelas de circo por toda Europa. En 2010, empec\u00e9 en la compa\u00f1\u00eda de circo contempor\u00e1neo Rapid Eye y actualmente estamos trabajando en la primera producci\u00f3n junto con Niclas Stureberg y Mads Rose. La performance \u00abQuiproquo\u00bb ser\u00e1 estrenada el once de marzo de 2011 en Copenhague y su gira se llevar\u00e1 a cabo entre el 2011 y el 2013.\n<\/p>\n<\/td>\n<p><!-- ENGLISH -->    <\/p>\n<td align=\"left\" valign=\"top\" bgcolor=\"#FFFF00\" style=\"font-size: 12px\">\n<p align=\"justify\">In an underground bunker, where time plays under its own rules, he seeks to correct his own existence. In an attempt to exploit the time, he entertains his audience with juggling and amazing technical virtuosity. The night is coming and he invites us to share his vinyl compositions, object manipulation and dusty jazz in an extraordinary presentation of new circus.<\/p>\n<p>I am a juggler, artist, dancer and choreographer who work with body movement and objects. Interested in how to apply the thinking of a juggler to other areas of movement and performance. After I graduated in 1998 at the Circus School in Sweden,  I entered the company Cirkus Cirkor and traveled around the world with its many events. I worked on some projects with various circuses, dance and theater companies, among others, Kitt Johnson X-Act&#8217;s and Cantabile 2 in Denmark. After the commitments with the companies , I also worked as a freelance, doing performances and appearances in galas, television, and film festivals. In 2006, mounted and produced my first solo performance \u00abFor One Night. \u00bb Parallel to this phase of the project and commitments by other companies, also did classes and workshops in juggling and circus movement in schools throughout Europe. In 2010, the company started in Rapid Eye contemporary circus and we are currently working on the first production together with Niclas Stureberg and Mads Rose. The performance \u00abQuiproquo\u00bbwill premiere on March 11, 2011 in Copenhagen and the tour will take place between 2011 and 2013.<\/p>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n<\/div>\n<p><!-- END ESPECTACULO --><br \/>\n <\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#x2605; 9-11 i 12 de Juny &nbsp; 9-11 y 12 de Junio &nbsp;&nbsp; 9-11th and 12th of June &#x2605; SAMUEL GUSTAVSSON \u201cNight For One\u201d nous llenguatges del cos \/ objectes nuevos lenguajes del cuerpo \/ objetos new body language \/&#8230;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1021","post","type-post","status-publish","format-standard","hentry","category-general"],"_links":{"self":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts\/1021","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/comments?post=1021"}],"version-history":[{"count":3,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts\/1021\/revisions"}],"predecessor-version":[{"id":1024,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts\/1021\/revisions\/1024"}],"wp:attachment":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/media?parent=1021"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/categories?post=1021"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/tags?post=1021"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}