{"id":1267,"date":"2011-12-11T19:06:31","date_gmt":"2011-12-11T18:06:31","guid":{"rendered":"http:\/\/www.tea-tron.com\/anticteatre\/blog\/?p=1267"},"modified":"2011-12-11T19:06:31","modified_gmt":"2011-12-11T18:06:31","slug":"15-1812-masu-fajardo-microficciones-in-between","status":"publish","type":"post","link":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/2011\/12\/11\/15-1812-masu-fajardo-microficciones-in-between\/","title":{"rendered":"15-18\/12 &#8211; MASU FAJARDO  microficciones in between"},"content":{"rendered":"<p><!-- ESPECTACULO --><\/p>\n<table width=\"846\" border=\"0\" cellpadding=\"0\" cellspacing=\"0\" bgcolor=\"#FFFFFF\">\n<tr>\n<td height=\"22\" colspan=\"4\" bgcolor=\"#020205\" class=\"style10\" style=\"padding-left: 20px; color: #FF0; font-size: 18px\">\n<strong>&#x2605; &nbsp;15 &#8211; 18 Decembre<span style=\"color: #FFF\"> &nbsp;  15 &#8211; 18 Diciembre &nbsp;<\/span>&nbsp;15 &#8211; 18 December <span style=\"color: #FFF\">&nbsp; 15 &#8211; 18 D\u00e9cembre &nbsp;<\/span>&#x2605;<\/strong><\/td>\n<\/tr>\n<td width=\"228\" valign=\"top\" bgcolor=\"#FFFFFF\"> <\/p>\n<p style=\"text-align: right; font-size: 12px;\"><span style=\"background-color: #000; color: #FF0; font-family: Arial, Helvetica, sans-serif; font-size: 20px; padding: 0px;\"><br \/>\n<!-- TITULO --><br \/>\nMASU FAJARDO<br \/><\/span><strong><span class=\"style8\"> <\/p>\n<p> <span style=\"color: #000; text-align: right; font-size: 16px\"><strong>\u201cmicroficciones in between \u201d<br \/>\n  <\/strong><\/span><\/p>\n<p>   <\/span><span class=\"style1\">ESTRENA\/\/\/ ESTRENO\/\/\/ PREMIERE <\/span><\/p>\n<p>  <span style=\"color: #000; font-size:  12px\">noves dramat\u00fargies<br \/>nuevas dramaturgias<br \/>new drama <br \/>nouvelles dramatturgies<\/span><\/p>\n<p>      <span style=\"color: #000; font-size:  12px\">durada \/ duraci\u00f3n \/ duration \/ dur\u00e9e: 45 min <br \/>\n   <\/span><\/p>\n<p>    <!-- HORARIOS --> <\/p>\n<p style=\"text-align: right;\">\n  \t<span style=\"color: #999; font-weight: normal; font-size: 10px; text-align: right;\">HORARIS ESPECTACLE<\/span><br \/> <br \/>\n  \t<span style=\"color: #333; font-size: 10px;\">DIJOUS, DIVENDRES I DISSABTE: 21:00<br \/> <\/span><br \/>\n  \t<span style=\"color: #333; font-size: 10px;\">DIUMENGE: 20:00<br \/> <\/span><br \/>\n  \t<span style=\"color: #333; font-size: 10px; font-weight: normal;\">5 euros<\/span><\/p>\n<p>  \t<span style=\"color: #999; font-weight: normal; font-size: 10px; text-align: right;\">HORARIOS ESPECTACULO<\/span><br \/> <br \/>\n  \t<span style=\"color: #333; font-size: 10px;\">JUEVES, VIERNES Y SABADO: 21:00<br \/><\/span><br \/>\n  \t<span style=\"color: #333; font-size: 10px;\">DOMINGO: 20:00<br \/><\/span><br \/>\n\t<span style=\"color: #333; font-size: 10px; font-weight: normal;\">5 euros<\/span><\/p>\n<p>  \t<span style=\"color: #999; font-weight: normal; font-size: 10px; text-align: right;\">SCHEDULES SHOW<\/span><br \/> <br \/>\n \t<span style=\"color: #333; font-size: 10px;\">THURSDAY, FRIDAY &#038; SATURDAY: 21:00<br \/><\/span><br \/>\n \t<span style=\"color: #333; font-size: 10px;\">SUNDAY: 20:00<br \/><\/span><br \/>\n  \t<span style=\"color: #333; font-size: 10px; font-weight: normal;\">5 euros<\/span><\/p>\n<p>  \t<span style=\"color: #999; font-weight: normal; font-size: 10px; text-align: right;\">HORAIRES SPECTACLE<\/span><br \/> <br \/>\n \t<span style=\"color: #333; font-size: 10px;\">JEUDI, VENDREDI ET SAMEDI: 21:00<br \/><\/span><br \/>\n \t \t<span style=\"color: #333; font-size: 10px;\">DIMANCHE: 20:00<br \/><\/span><br \/>\n  \t<span style=\"color: #333; font-size: 10px; font-weight: normal;\">5 euros<\/span><\/p>\n<p style=\"text-align: right;\"><strong> reservar:<\/strong> 93 315 23 54 <a href=\"mailto:anticteatre@anticteatre.com\" target=\"_blank\">   anticteatre@anticteatre.com<\/a><\/p>\n<p>               <!-- AddThis Button BEGIN --><\/p>\n<div id=\"addthis\" style=\"float: right; width: 150px;\">\n<div class=\"addthis_toolbox addthis_default_style \">\n<a class=\"addthis_button_preferred_1\"><\/a><br \/>\n<a class=\"addthis_button_preferred_2\"><\/a><br \/>\n<a class=\"addthis_button_preferred_3\"><\/a><br \/>\n<a class=\"addthis_button_preferred_4\"><\/a><br \/>\n<a class=\"addthis_button_compact\"><\/a><br \/>\n<a class=\"addthis_counter addthis_bubble_style\"><\/a>\n<\/div>\n<\/div>\n<p><script type=\"text\/javascript\" src=\"http:\/\/s7.addthis.com\/js\/250\/addthis_widget.js#pubid=xa-4e27777f525edb06\"><\/script><br \/>\n<!-- AddThis Button END --><\/p>\n<\/td>\n<td width=\"49\" rowspan=\"2\" bgcolor=\"#FFFFFF\" class=\"style1\"><\/td>\n<td width=\"404\" rowspan=\"2\" valign=\"top\" bgcolor=\"#FFFFFF\" class=\"style1\">\n<p align=\"left\"> <\/p>\n<p>      <!-- IMAGEN ESPECTACULO --><br \/>\n      <img decoding=\"async\" src=\"http:\/\/www.anticteatre.com\/newsletter2011\/diciembre\/ma.jpg\" \/><\/p>\n<p>      <iframe loading=\"lazy\" width=\"400\" height=\"300\" src=\"http:\/\/www.youtube.com\/embed\/NIWUwrEgALg\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>Concepto y dirrecci\u00f3n: <strong>Masu Fajardo<\/strong><br \/>\n    Agradecimientos a <strong>Carmelo Fernandez<\/strong><\/p>\n<p>Con la Colaboraci\u00f3n:<strong><br \/> <br \/>\n    La Poderosa<br \/> Festival A ras de suelo<br \/> Nauestruch<br \/>Antic Teatre <\/strong><\/p>\n<p align=\"left\">\n<p>  <a href=\"http:\/\/masufajardo.blogspot.com\/\" target=\"_blank\">http:\/\/masufajardo.blogspot.com\/&rarr;<\/a><\/p>\n<\/table>\n<div class=\"msg_list\">\n<p class=\"msg_head\">[+] info<\/p>\n<div class=\"msg_body\">\n<!-- TEXTO INFO --> <\/p>\n<table width=\"846\" border=\"0\" cellpadding=\"10\" cellspacing=\"0\">\n<tr bgcolor=\"#FFFFFF\">\n<!-- CATALA --> <\/p>\n<td width=\"196\" align=\"left\" valign=\"top\" bgcolor=\"#FFFF00\" style=\"font-size: 12px\">\n<p align=\"justify\"><strong>Microficciones In Between <\/strong><\/p>\n<p align=\"justify\">\u00c9s un treball sobre el l\u00edmit. Un artefacte que em permet jugar amb les meves entrades i sortides d\u00b4escena, que em possibilita proposar espais a-significants aix\u00ed com mostrar cert tipus d\u00b4operatives que l\u00b4espectador podr\u00e0 omplir, si ho desitja, de possibles continguts.<\/p>\n<p align=\"justify\">Pensar l\u00b4escena com un lloc des d\u00b4on s\u00b4estableixen relacions \u00bfper\u00f2 quin tipus de relacions? Pensar l\u00b4escena com un espai on les relacions amb les coses creen marcs per a potencialitats. Un lloc on nom\u00e9s s\u00b4hi pot intervenir des del fora, desde la mirada.<\/p>\n<p>Aquest treball \u00e9s la continu\u00eftat esc\u00e8nica de Microficcions (com desapar\u00e8ixer en escena) I <br \/>\n         Microficcions (Les regles del Joc)<\/p>\n<p align=\"justify\"><strong>Masu Fajardo, <\/strong>Estudia Dansa Contempor\u00e0nia (Can\u00e0ries, Barcelona i Amsterdam), Hist\u00f2ria de l\u2019Art (Universitat de La Laguna, Tenerife) i Gesti\u00f3 Cultural (Universitat d\u2019Alcal\u00e0 d\u2019Henares, Madrid). Des de llavors ha col\u00b7laborat amb core\u00f2grafs de Catalunya destacant la seva participaci\u00f3 en processos d\u2019investigaci\u00f3 com \u201cLo natural es moverse\u201d amb Carmelo Salazar. Com a int\u00e8rpret, ha treballar amb la companyia Konic Thtr en diferents festivals internacional de Ginebra, Cat\u00e0nia, M\u00e8xic i espais d\u2019art com Artssantam\u00f2nica o 3 Legged Dg a Nova York, entre d\u2019altres.<strong><\/strong><\/p>\n<p align=\"justify\">&nbsp;<\/p>\n<\/td>\n<p>  <!-- CASTELLANO -->    <\/p>\n<td width=\"196\" align=\"left\" valign=\"top\" bgcolor=\"#000000\" style=\"font-size: 12px; color: #FF0;\">\n<p align=\"justify\"><strong>Microficciones In Between <\/strong><\/p>\n<p align=\"justify\">Es un trabajo sobre el l\u00edmite. Un artefacto que me permite jugar con mis entradas y salidas en escena, y me posibilita proponer espacios a-significantes as\u00ed como mostrar cierto tipo de operativas que el espectador podr\u00e1 llenar, si lo desea, de contenidos posibles. <\/p>\n<p align=\"justify\">Pensar la escena como un lugar donde establecer\u00a0 relaciones \u00bfpero qu\u00e9 tipo de relaciones?\u00a0 Pensar la escena como un espacio donde las relaciones con las cosas crean marcos para potencialidades. Un lugar al que s\u00f3lo se puede intervenir desde el afuera, desde la mirada. <\/p>\n<p align=\"justify\">Este trabajo es la continuidad esc\u00e9nica de Microficciones (c\u00f3mo desaparece en escena)\u00a0 y Microficciones (Las reglas del Juego) <\/p>\n<p align=\"justify\"><strong>Masu Fajardo,<\/strong> Estudia Danza Contempor\u00e1nea (Canarias, Barcelona y Amsterdam), Historia del Arte (Universidad de La Laguna, Tenerife) y Gesti\u00f3n Cultural (Universidad de Alcal\u00e1 de Henares, Madrid). Desde entonces ha colaborado con core\u00f3grafos de Catalu\u00f1a destacando su participaci\u00f3n en procesos de investigaci\u00f3n como &quot;Lo natural es moverse&quot; con Carmelo Salazar. Como int\u00e9rprete, ha trabajar con la compa\u00f1\u00eda Konic Thtr en diferentes festivales internacional de Ginebra, Catania, M\u00e9xico y espacios de arte como Artssantam\u00f2nica o 3 Legged Dom en Nueva York, entre otros.<\/p>\n<\/td>\n<p><!-- ENGLISH -->    <\/p>\n<td width=\"196\" align=\"left\" valign=\"top\" bgcolor=\"#FFFF00\" style=\"font-size: 12px\">\n<p align=\"justify\"><strong>Microficciones In Between<\/strong><strong><br \/>\n      <\/strong><\/p>\n<p align=\"justify\">This is a work about the limit. An artifact that allows me to play with proposing un-signified spaces as well as showing certain types of operative situations, which can be filled with contents by the spectator if he or she wishes to do so.<\/p>\n<p align=\"justify\">Thinking about the stage as a place to establish relations, but what sort of relations? Thinking about the stage as a space where relations with things create frames of potentialities. A place where an intervention can only be made from outside, from the gaze.<\/p>\n<div align=\"justify\">It combines information from the first and second stage of this process Microfictions &quot;How to disappear on stage&quot; and &quot;The rules of the game&quot;\n<\/div>\n<p align=\"justify\"><strong>Masu Fajardo <\/strong>has studied Contemporary Dance (Canary Islands, Barcelona and Amsterdam), Art History (La Laguna University, Tenerife) and Cultural Management (Alcal\u00e1 de Henares University, Madrid). Since then she has collaborated with Catalan choreographers, notably on research processes such as <em>Lo natural es moverse (Moving is natural)<\/em> with Carmelo Salazar. As a performer she has worked with Konik Thtr Company at different international festivals in Geneva, Catania, Mexico and in performance venues such as Artssantam\u00f3nica (Barcelona) or 3 Legged Dog (New York) among others. <\/p>\n<p align=\"justify\">&nbsp;<\/p>\n<\/td>\n<p> <!-- FRENCH -->    <\/p>\n<td align=\"left\" valign=\"top\" bgcolor=\"#000000\" style=\"font-size: 12px; color: #FF0;\">\n<p align=\"justify\">&nbsp;<\/p>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n<\/div>\n<p><!-- END ESPECTACULO --><br \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#x2605; &nbsp;15 &#8211; 18 Decembre &nbsp; 15 &#8211; 18 Diciembre &nbsp;&nbsp;15 &#8211; 18 December &nbsp; 15 &#8211; 18 D\u00e9cembre &nbsp;&#x2605; MASU FAJARDO \u201cmicroficciones in between \u201d ESTRENA\/\/\/ ESTRENO\/\/\/ PREMIERE noves dramat\u00fargiesnuevas dramaturgiasnew drama nouvelles dramatturgies durada \/ duraci\u00f3n \/ duration&#8230;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1267","post","type-post","status-publish","format-standard","hentry","category-general"],"_links":{"self":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts\/1267","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/comments?post=1267"}],"version-history":[{"count":2,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts\/1267\/revisions"}],"predecessor-version":[{"id":1269,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts\/1267\/revisions\/1269"}],"wp:attachment":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/media?parent=1267"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/categories?post=1267"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/tags?post=1267"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}