{"id":1274,"date":"2011-12-15T12:11:13","date_gmt":"2011-12-15T11:11:13","guid":{"rendered":"http:\/\/www.tea-tron.com\/anticteatre\/blog\/?p=1274"},"modified":"2011-12-15T12:11:13","modified_gmt":"2011-12-15T11:11:13","slug":"cav_a-%e2%80%93-catalan-balearic-artists-visiting-slovenian-artists-info-catespengfr","status":"publish","type":"post","link":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/2011\/12\/15\/cav_a-%e2%80%93-catalan-balearic-artists-visiting-slovenian-artists-info-catespengfr\/","title":{"rendered":"cav_a \u2013 Catalan & Balearic Artists Visiting Slovenian Artists -info: cat\/esp\/eng\/fr"},"content":{"rendered":"\n\n
\n ————————————————————————————————————————————————
\n Versi\u00f3 Catal\u00e0 →<\/a> \/\/\/ Versi\u00f3n Espa\u00f1ol →<\/a> \/\/\/ Version Fran\u00e7aise →<\/a><\/span><\/td>\n<\/tr>\n<\/table>\n

\n<\/p>\n\n\n\n
\n<\/td>\n<\/tr>\n
\n\"map  <\/p>\n

\nProduced by:
\nwww.anticteatre.com<\/a>  
\nwww.ramonllull.cat<\/a>   
\nwww.glej.si<\/a> <\/p>\n

Download Promotional Brochure
\n →<\/a><\/p>\n

Glej<\/strong> theatre from Ljubljana<\/strong> and Antic theatre<\/strong> from Barcelona<\/strong> are two independent theatres of similar formats and tradition, fighting similar problems in their environments. Both organizations are committed to research new concepts<\/strong> and new languages<\/strong> of performing arts and giving space to new and fresh ideas and artists.<\/p>\n

The idea of cooperation came from these similarities between both organizations. Since both theaters have a well established audience which is interested in the fresh, new and bold theatre the idea of collaboration seemed almost logical. We both wish to establish a long term relationship which would result in artistic co-productions and residences. The first stage of this collaboration, as we see it, is the exchange of the existing performances from both theatres. <\/span><\/p>\n

What is cav_a ?<\/span><\/strong>
\n
\nThis<\/strong> is a cultural exchange programme devised to share, understand and create awareness of contemporary creative performing arts practices in Catalonia and the Balearic Islands, and in return learn about such practices in each host country we visit. <\/p>\n

It<\/strong> will allow Catalan and Balearic artists to show their work and their creative processes to the different communities that welcome them, sharing knowledge and interests with local artists and audiences, while opening the way for artists from our host countries to make the reciprocal journey to Barcelona, nourishing local contemporary performing arts with international programming, meetings and debates.<\/p>\n

Ultimately<\/strong> our goal is to facilitate opportunities for artists of all nationalities to show their work to a wider audience, and to help them develop their relationship with the audience, making it a two-way process with a free flow of opinions that can lead to the creation of new languages of expression and the development of new ways of seeing and understanding contemporary performing arts.<\/p>\n

Why?<\/span><\/strong>
\n
\nWe<\/strong> want to work with other, like-minded centres in direct collaborations on productions, as well as engaging in one-to-one exchanges between artists, cultural organisations, and even cities. Using performances, workshops and training, we will create a channel of information between artists, creators and arts professionals, moving them out of isolation and into the wider community, helping them to meet the changing social, political and professional challenges that face the artist as citizen.<\/p>\n<\/td>\n<\/tr>\n<\/table>\n

<\/p>\n

\n

[+] info <\/p>\n

\n<\/p>\n\n\n

<\/p>\n

\n

\nWho is it for?<\/span><\/strong>
\n
\nIt will allow artists from Catalonia and the Balearic Islands to show their work and their creative processes to the different communities that welcome them, sharing knowledge and interests with local artists and audiences, while opening the way for artists from our host countries to make the reciprocal journey to Barcelona, nourishing local contemporary performing arts with international programming, meetings and debates.<\/p>\n

Ultimately our goal is to facilitate opportunities for artists of all nationalities to show their work to a wider audience, and to help them develop their relationship with the audience, making it a two-way process with a free flow of opinions that can lead to the creation of new languages of expression and the development of new ways of seeing and understanding contemporary stage arts.<\/p>\n

Where?<\/span><\/strong>
\n
\nIt has Europe as its first target. But why stop there? The world is out there\u2026\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n<\/div>\n


\n<\/p>\n

\n

[+] ABOUT GLEJ THEATRE <\/p>\n

\n<\/p>\n\n\n

<\/p>\n

\n

Glej Theatre<\/strong> is Slovenia\u2019s oldest independent theatre. Founded back in 1970, this experimental venue and production house has hosted through the decades numerous young theatre creators, many of who are now Slovenia\u2019s most renowned theatre practitioners; among others: Du\u0161an Jovanovi\u0107, Janez Pipan, Eduard Miller, Nevenka Kopriv\u0161ek, Matja\u017e Pograjc, Bojan Jablanovec, Tomi Jane\u017ei\u010d, Sebastijan Horvat, Diego DeBrea<\/strong>.<\/p>\n

Glej<\/strong> produces and hosts research theatre projects of up-and-coming directors, who can apply to Glej\u2019s open call. Glej offers a stepping-stone to young directors with professional working conditions, enabling quick and effective personal artistic growth and providing an entry point to a successful theatre career.<\/p>\n

Current artistic director Marko Bulc\u2019s<\/strong> vision is to keep Glej<\/strong> a daring urban theatre, dedicated to theatre research and promoting the new and marginal. Glej brings audiences an unusual theatre experience, while offering creators a space of uncensored freedom of creation.\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n<\/div>\n


\n<\/p>\n

\n

[+] ABOUT ANTIC TEATRE <\/p>\n

\n<\/p>\n\n\n

<\/p>\n

\n

Antic Teatre – Espai de Creaci\u00f3<\/strong> is an independent Cultural and Social Centre based in a national heritage listed building, dating from 1650, in central Barcelona. It has a multifunctional hall, bar, terrace and garden. It also boasts a hall for artistic residencies, AdriAntic<\/strong>, on the outskirts of the city.<\/p>\n

Antic Teatre<\/strong> is one of the reference points for the contemporary stage. It is a resource centre for multidisciplinary arts dedicated to exhibiting and supporting the research, creation, production, promotion and dissemination of performing and visual arts. It is committed to the search for new languages of the body, new technologies and new drama; to new developments in music, visual arts and literature; and to the themes of society, culture, politics and contemporary thought. <\/p>\n

It supports young, up-and-coming talents; experienced independent creators who lack structural backing; and established artists with a recognised and extensive career in the field. <\/strong>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n<\/div>\n


\n<\/p>\n

\n

[+] ABOUT INSTITUT RAMON LLULL<\/p>\n

\n<\/p>\n\n\n

<\/p>\n

\n
\n

The Institut Ramon LLull is a public consortium created by the governments of Catalonia and the Balearic Islands, charged with disseminating Catalan culture and the Catalan language abroad. <\/p>\n

One of their areas of activity is the internationalisation of contemporary performing arts creation, manifest in this collaboration with Antic Teatre<\/strong> in Barcelona, which will begin with the presentation of the cav_a<\/strong> programme at the Glej Theatre<\/strong> in Ljubljana, and will be continued over the coming years in other European cities. <\/p>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n<\/div>\n


\n<\/p>\n

<\/p>\n

<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n<\/table>\n\n\n\n
\n ★ TUESDAY 20th of DECEMBER<\/span><\/strong><\/td>\n<\/tr>\n
\n

\n10:00 – 14:00<\/span>
\nWORKSHOP
(PHYSICAL PRACTICE)<\/span>
\nKreatorij \/ Dija\u0161ki dom Ivana Cankarja \/ Poljanska cesta 26 \/ Ljubljana<\/span>\n <\/p>\n<\/td>\n

EL CONDE DE TORREFIEL<\/span> <\/p>\n

The visiting artists will share their current strategies, practices and creation methods with the participants.<\/p>\n

The aim of the workshop is to explore the possibilities of staging the conflict between thought and action, between the life taking place inside us and the life taking place in front of our eyes. We will be using two different tools: text and performance. Through these we will construct possible representations of the complex and incoherent realities that we all experience.
\nThe workshop is for anybody, regardless of their experience in stage arts, who is interested in new languages of creation and expression.<\/p>\n

Pablo Gisbert Donat<\/strong>, 1982, He studied philosophy and has a dramaturgy degree from the Institut del Teatre of Barcelona. Since 2005 he presents his work under the name of El Conde de Torrefiel<\/strong>. He is also the dramaturge of the dance company La Veronal<\/strong>. He has been rewarded for his texts and has also had composed several soundtracks<\/strong> for different shows.<\/p>\n

Tanya Beyeler<\/strong>, 1980, She has a Drama degree and works in the framework of the new languages in the Performing Arts by means of movement, dance and performance. In 2009 she join the collective group El Conde de Torrefiel<\/strong>. Since 2005 she regularly works also as a performer for the choreographer Marcos Morau<\/strong> in the dance company La Veronal<\/strong>. <\/p>\n

The workshops are free of charge, we accept applications until December 15th at info@glej.si. The number of participants is limited to 10.<\/span><\/td>\n<\/tr>\n<\/table>\n\n\n\n
\n

\n14:00 – 17:00<\/span>
\nFOOD FOR TALK<\/span>
\nGlej Theatre\/Lobby
Gregor\u010di\u010deva 3 \/ Ljubljana<\/span>\n <\/p>\n<\/td>\n

A time for Catalan artists and local Slovenian artists to eat together and show an
\n appetite for getting to know each other. Open to all.\n<\/td>\n<\/tr>\n
\n

\n TASTING FACES<\/span><\/p>\n<\/td>\n

Informal presentation of both organisers, and an opportunity to get to know the
\n Catalan artists.<\/td>\n<\/tr>\n<\/table>\n\n\n\n
\n

\n20:00<\/span>
\nPERFORMANCE<\/span>
\nGlej Theatre\/Lobby
Gregor\u010di\u010deva 3 \/ Ljubljana<\/span>\n <\/p>\n<\/td>\n

\n \"foto<\/p>\n

GUILLEM MONT DE PALOL AND JORGE DUTOR <\/span><\/p>\n

\u201cY por qu\u00e9 John Cage?\u201d \u201cAnd why John Cage?\u201d<\/i><\/span><\/p>\n

new language of the body<\/p>\n

+info: www.anticteatre.com<\/a><\/p>\n

And why John Cage?<\/strong> Is a study on sound and meaning in a given speech. The power of the sound of words; sound as structure, as a travelling dynamic. Sensorial rather than meaningful speech. We don\u2019t want to be meaningful; on the contrary, we want to be meaningless in order to penetrate the realms of the senses, of relationships, of perceptions and materialisations. The speech itself can be anything. What we say isn\u2019t important, but how we say it, what musical and choreographic tools we use to break down the text and dive into the performance, insinuating and surfing on the waves of the imagination. <\/p>\n

Guillem Mont de Palol<\/strong> graduated from the SNDO<\/strong> (School for New Dance Development) in Amsterdam in 2006. His work falls somewhere between dance, installation, event and performance. As a performer he has worked with various choreographers, including: Mette Ingvartsen, Vincent Dunoyer, Andrea Bozic, Min Tanaka and Masu Fajardo<\/strong>. <\/p>\n

Jorge Dutor<\/strong> studied stage and theatre design at RESAD<\/strong> in Madrid. After a period working in film and television, he ended up in the world of dance and scenic arts. He has worked as designer and performer with other artists such as Sara Manente, Pere Faura and Aitana Cordero<\/strong>. Jorge and Guillem have been working together since 2009, first on \u201cOoh, I was a teenage werewolf making things up something dreadful\u201d<\/strong> and most recently on \u201cAnd why John Cage?\u201d<\/strong><\/td>\n<\/tr>\n

<\/td>\n<\/tr>\n<\/table>\n\n\n\n
\n

\n21:00<\/span>
\nDISCUSSION WITH THE AUDIENCE<\/span>
\nGlej Theatre\/Lobby\/Gregor\u010di\u010deva 3\/Ljubljana<\/span>\n <\/p>\n<\/td>\n

\n Presentation of both organising bodies, Glej Theatre and Antic Teatre, followed by a discussion with the audience on \u201cAnd Why John Cage?\u201d<\/strong> moderated by Katarina Stegnar<\/strong>, an actress, dancer, and a performer working with Via Negativa<\/strong>.<\/td>\n<\/tr>\n<\/table>\n

<\/p>\n

<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n<\/table>\n

<\/p>\n\n\n\n
\n ★ WEDNESDAY 21th of DECEMBER<\/span> <\/strong><\/td>\n<\/tr>\n
\n

\n10:00 – 14:00<\/span>
\nWORKSHOP (PHYSICAL PRACTICE)<\/span>
\nKreatorij \/ Dija\u0161ki dom Ivana Cankarja \/ Poljanska cesta 26 \/ Ljubljana<\/span>\n <\/p>\n<\/td>\n

GUILLEM MONT DE PALOL AND JORGE DUTOR<\/span><\/p>\n

The visiting artists will share their current strategies,
\n practices and creation methods with the participants.<\/p>\n

INCORPORATING PRACTICE<\/span><\/p>\n

Our Idea involves a physical workout that can also be seen as theatrical theory. We will work with guided Improvisation in order to reach new and unexpected dramatic situations. How do we manage the present while not knowing where we’re headed? Using repetition and organic transformation as tools to help us look for this no-place, we will investigate how to go from a body in movement to the spoken word and back again; from text to semiotics passing through the absurd and the musical.<\/p>\n

The workshops are free of charge, we accept applications until December 15th at info@glej.si. The number of participants is limited to 10.<\/span><\/td>\n<\/tr>\n<\/table>\n\n\n\n
\n

\n14:00-17:00<\/span>
\nFOOD FOR TALK<\/span>
\nGlej Theatre\/Lobby
Gregor\u010di\u010deva 3 \/ Ljubljana<\/span>\n <\/p>\n<\/td>\n

A time for Catalan artists and local Slovenian artists to eat together and show an
\n appetite for getting to know each other. Open to all.\n<\/td>\n<\/tr>\n
\n

\n CAKE TO FACE<\/span><\/p>\n<\/td>\n

Sit with the artist and talk face to face for a limited time.
\n Are you up for it?\n <\/td>\n<\/tr>\n<\/table>\n\n\n\n
\n

\n20:00<\/span>
\nPERFORMANCE<\/span>
\nGlej Theatre\/Lobby
Gregor\u010di\u010deva 3 \/ Ljubljana<\/span>\n <\/p>\n<\/td>\n

\n \"societat<\/p>\n

SOCIETAT DOCTOR ALONSO \u201cVolumen II\u201d<\/span><\/p>\n

new drama performance<\/p>\n

+info: http:\/\/www.doctoralonso.org<\/a><\/p>\n

To inhabit the stage in a different way each time is the aim of this company, headed by Tom\u00e0s Aragay<\/strong> and Sof\u00eda Asencio<\/strong>. On this occasion they present a dance floor where a peculiar DJ, a dancing woman and various poetic accidents are combined to show something completely unspectacular: the poetry of the pathetic.<\/p>\n

Volumen II<\/i><\/strong> is the meeting between a dancer, Sof\u00eda Asencio<\/strong>, and a musician and performer, Nilo Gallego<\/strong>. The dancer wants to recapture the desire and the meaning of dancing in front of an audience. She wants to recover the simple, straightforward relationship where the body\u2019s movement is driven by the age-old and basic engine that is music.<\/p>\n

A musician accustomed to work with improvisation, the mix of languages and the experimental, finds himself in the more conventional position of deejaying for a dancer. He has to be more clear and concise than ever; he needs to create music so the dancer will move.<\/p>\n

The audience observe a performance where the pathetic is taken to its limit; they are subtly questioned on their capacity to accept pathos as one more reality of the human condition.<\/p>\n

La Societat Doctor Alonso (SDA)<\/strong>: Tom\u00e1s Aragay, theatrical director and Sofia Asencio, dancer and dramaturge, are joint directors of the company. Every show or project is taken as starting from zero, so that they can reconsider their artistic language each time. They mix genres and theatrical devices and use different people, creating their own way of inhabiting the stage. They like to throw the perspective of the audience out of line by placing on stage \u2013 where the spectacular is expected \u2013 something as unspectacular as possible.<\/p>\n

La Societat Doctor Alonso<\/strong> is based in the countryside, in Pont\u00f3s<\/strong>, in order to be far from the \u2018noise\u2019 and \u2018uniformity\u2019 that surrounds contemporary creation and the artistic world in a big city like Barcelona. It allows them to turn their gaze inwards in the search for a voice. By creating in a rural and local environment, they anchor themselves firmly in their own cultural tradition and from this peripheral observatory create a universal discourse.\n<\/td>\n<\/tr>\n

<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

\n21:00<\/span>
\nDISCUSSION WITH THE AUDIENCE<\/span>
\nGlej Theatre\/Lobby
Gregor\u010di\u010deva 3 \/ Ljubljana<\/span>\n <\/p>\n<\/td>\n

\n On \u201cVolumen II\u201d. <\/p>\n

Presentation of both organising bodies (Glej Theatre and Antic Teatre), followed by a discussion with the audience on \u201cVolumen II\u201d<\/i><\/strong> moderated by Marko Bulc<\/strong>, Artistic Director of Glej Theatre and theatre director.<\/td>\n<\/tr>\n<\/table>\n

<\/p>\n

<\/p>\n\n\n\n
\n ★ THURSDAY 21th of DECEMBER<\/span><\/strong><\/td>\n<\/tr>\n
\n

\n10:00 \u2013 14:00<\/span>
\nWORKSHOP (PHYSICAL PRACTICE)<\/span>
\nKreatorij \/ Dija\u0161ki dom Ivana Cankarja \/ Poljanska cesta 26 \/ Ljubljana<\/span>\n <\/p>\n<\/td>\n

SOCIETAT DOCTOR ALONSO<\/span><\/p>\n

The visiting artists will share their current strategies,
\n practices and creation methods with the participants.<\/p>\n

Traditionally, theatrical narrative has been based on the idea of conflict. That is to say, A and B have different objectives and fight each other, each using different strategies, to achieve their aims. We will work on other ways of creating a dramatic discourse without resorting to this contraposition or tension of opposing views. We will search for oblique strategies that will allow A and B to coexist, generating a new poetic sphere of action.<\/p>\n

The workshops are free of charge, we accept applications until December 15th at info@glej.si. The number of participants is limited to 10.<\/span><\/td>\n<\/tr>\n<\/table>\n\n\n\n
\n

\n14:00-17:00<\/span>
\nFOOD FOR TALK<\/span>
\nGlej Theatre\/Lobby
Gregor\u010di\u010deva 3 \/ Ljubljana<\/span>\n <\/p>\n<\/td>\n

A time for Catalan artists and local Slovenian artists to eat together and show an
\n appetite for getting to know each other. Open to all.\n<\/td>\n<\/tr>\n
\n

\n TOASTING THOUGHTS<\/span><\/p>\n<\/td>\n

While we eat we will try to understand what is happening
\nin the practice of scenic creativity in Catalonia and Slovenia with the help of
\nPablo Gisbert, creator, dramaturge and writer, Tanya Beyeler, peformer and creator Marko Bulc, theatre director and art director of Glej theatre.<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n\n
\n

\n20:00<\/span>
\nPERFORMANCE<\/span>
\nGlej Theatre\/Lobby
Gregor\u010di\u010deva 3 \/ Ljubljana<\/span>\n <\/p>\n<\/td>\n

\n \"el<\/p>\n

EL CONDE DE TORREFIEL \u201cObserve how tiredness defeats thought\u201d<\/span><\/p>\n

physical theatre<\/p>\n

+info: http:\/\/www.elcondedetorrefiel.com<\/a><\/p>\n

One day I discovered that the truth of things appears after a whole night without sleeping. So then I spent a whole year awake, because I wanted to know it all. Today is exactly one year since the day I decided never to sleep again. After all this time I have seen a bleak landscape, close to incorruptible, slowly disintegrating from a lack of intellectual stimulus.<\/p>\n

El Conde de Torrefiel<\/strong> are a group of artists who got together in Barcelona to devise theatre. The group\u2019s creations are based on plastic arts, contemporary literature and performance. Their aim is to face realities and transcend the parameters of the spoken word, transmuting the constants of the community into visual and scenic poetry.<\/p>\n

Between 2005 and 2009 El Conde de Torrefiel<\/strong> presented various short pieces at festivals and competitions in Spain. In 2010, all these pieces were brought together in \u201cThe story of the King overcome by boredom\u201d<\/strong>, performed at the Antic Teatre<\/strong> in Barcelona. In 2011, dance company La Porta<\/strong> commissioned the video \u201cNever Die\u201d<\/strong>, which was shown at several video-creation festivals. \u201cObserve how tiredness defeats thought\u201d<\/strong> was premiered at the SISMO<\/strong> Festival in Madrid. The new work in progress is \u201cScenes for a conversation after viewing a Michael Haneke film\u201d<\/strong>.\n<\/td>\n<\/tr>\n

<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

\n21:00<\/span>
\nDISCUSSION WITH THE AUDIENCE<\/span>
\nGlej Theatre\/Lobby
Gregor\u010di\u010deva 3 \/ Ljubljana<\/span>\n <\/p>\n<\/td>\n

\n Presentation of both organising bodies, Glej Theatre<\/strong> and Antic Teatre<\/strong>, followed by a discussion with the audience on \u201cObserve how tiredness defeats thought\u201d<\/strong> moderated by Andreja Kopa\u010d<\/strong> a dramaturge, researcher, writer and performer of a younger generation who has collaborated with many Slovene and International projects.\n <\/td>\n<\/tr>\n<\/table>\n

<\/p>\n

<\/p>\n\n\n\n
Produced by:<\/td>\n<\/tr>\n
\n \t\"logotipos    
\n \t\"logotipos    
\n\t\"logotipos\n<\/td>\n<\/tr>\n<\/table>\n

<\/p>\n\n\n\n
Colabora en cav_a \/cooperation:<\/td>\n<\/tr>\n
\n \"logotipos\n <\/td>\n<\/tr>\n<\/table>\n

<\/p>\n\n\n\n
Antic is supported by:<\/td>\n<\/tr>\n
\"logotipos<\/td>\n<\/tr>\n<\/table>\n

<\/p>\n\n\n\n
Glej is supported by:<\/td>\n<\/tr>\n
\n \"logotipos  
\n \"logotipos   
\n Gooya IT, Super Catering, DPG, Radio Student, Triglav<\/span>\n <\/td>\n<\/tr>\n<\/table>\n

<\/p>\n\n\n\n
Special thanks to:<\/td>\n<\/tr>\n
\n \"logotipos  
\n \"logotipos\n <\/td>\n<\/tr>\n<\/table>\n

\n
\n<\/body>
\n<\/html><\/p>\n","protected":false},"excerpt":{"rendered":"

———————————————————————————————————————————————— Versi\u00f3 Catal\u00e0 → \/\/\/ Versi\u00f3n Espa\u00f1ol → \/\/\/ Version Fran\u00e7aise →    Produced by: www.anticteatre.com   www.ramonllull.cat    www.glej.si Download Promotional Brochure → Glej theatre from Ljubljana and Antic theatre from Barcelona are two independent theatres of similar formats and…<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1274","post","type-post","status-publish","format-standard","hentry","category-general"],"_links":{"self":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts\/1274","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/comments?post=1274"}],"version-history":[{"count":4,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts\/1274\/revisions"}],"predecessor-version":[{"id":1278,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts\/1274\/revisions\/1278"}],"wp:attachment":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/media?parent=1274"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/categories?post=1274"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/tags?post=1274"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}