
{"id":1476,"date":"2012-01-29T02:49:28","date_gmt":"2012-01-29T01:49:28","guid":{"rendered":"http:\/\/www.tea-tron.com\/anticteatre\/blog\/?p=1476"},"modified":"2012-01-29T02:49:28","modified_gmt":"2012-01-29T01:49:28","slug":"4-i-502-aina-alegre-no-se-trata-de-un-desnudo-mitologico","status":"publish","type":"post","link":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/2012\/01\/29\/4-i-502-aina-alegre-no-se-trata-de-un-desnudo-mitologico\/","title":{"rendered":"4 i 5\/02 -AINA ALEGRE &#8211; no se trata de un desnudo mitol\u00f3gico"},"content":{"rendered":"<p><!-- ESPECTACULO --><\/p>\n<table width=\"846\" border=\"0\" cellpadding=\"0\" cellspacing=\"0\" bgcolor=\"#FFFFFF\">\n<tr>\n<td height=\"22\" colspan=\"4\" bgcolor=\"#020205\" class=\"style10\" style=\"padding-left: 20px; color: #FF0; font-size: 18px\">\n<strong>&#x2605; 4 i 5 Febrer<br \/>\n<span style=\"color: #FFF\"> &nbsp;&nbsp;4 y 5 Febrero &nbsp;<\/span> 4 and 5 February <span style=\"color: #FFF\">&nbsp;4 et 5 Fevrier<br \/>\n&nbsp;<\/span>&#x2605;<\/strong><\/td>\n<\/tr>\n<td width=\"256\" valign=\"top\" bgcolor=\"#FFFFFF\"> <\/p>\n<p style=\"text-align: right; font-size: 12px;\"><span style=\"background-color: #000; color: #FF0; font-family: Arial, Helvetica, sans-serif; font-size: 20px; padding: 0px;\"><br \/>\n<!-- TITULO --><br \/>\nAINA ALEGRE <\/span><strong><span class=\"style8\"><\/p>\n<p> <span style=\"color: #000; text-align: right; font-size: 16px\"><strong>\u201cno se trata de un desnudo mitol\u00f3gico\u201d<br \/>\n <\/strong><\/span><br \/>\n    <strong><br \/>\n      <\/strong><\/span><strong><span class=\"style1\"><em>ESTRENA \/\/\/ ESTRENO \/\/\/ PREMIERE <\/em><\/span><\/strong><\/p>\n<p> <span style=\"color: #000; font-size:  12px\">nous llenguatges del cos<br \/>nuevos lenguajes del cuerpo<br \/>new languages of the body<br \/>nouveaux langages du corps<\/span><\/p>\n<p> <span style=\"color: #000; font-size:  12px\">durada \/ duraci\u00f3n \/ duration \/ dur\u00e9e: 40 min <br \/>\n   <\/span><\/p>\n<p>    <!-- HORARIOS --> <\/p>\n<p style=\"text-align: right;\">\n  \t<span style=\"color: #999; font-weight: normal; font-size: 10px; text-align: right;\">HORARIS ESPECTACLE<\/span><br \/> <br \/>\n  \t<span style=\"color: #333; font-size: 10px;\">DISSABTE: 21:00<br \/> <\/span><br \/>\n    <span style=\"color: #333; font-size: 10px;\">DIUMENGE: 20:00<br \/> <\/span><br \/>\n  \t<span style=\"color: #333; font-size: 10px; font-weight: normal;\">5 euros<\/span><\/p>\n<p>    <span style=\"color: #999; font-weight: normal; font-size: 10px; text-align: right;\">HORARIOS ESPECTACULO<\/span><br \/> <br \/>\n  \t<span style=\"color: #333; font-size: 10px;\">SABADO: 21:00<br \/> <\/span><br \/>\n    <span style=\"color: #333; font-size: 10px;\">DOMINGO: 20:00<br \/> <\/span><br \/>\n  \t<span style=\"color: #333; font-size: 10px; font-weight: normal;\">5 euros<\/span><\/p>\n<p>    <span style=\"color: #999; font-weight: normal; font-size: 10px; text-align: right;\">SCHEDULES SHOW<\/span><br \/> <br \/>\n    <span style=\"color: #333; font-size: 10px;\">SATURDAY: 21:00<br \/> <\/span><br \/>\n    <span style=\"color: #333; font-size: 10px;\">SUNDAY: 20:00<br \/> <\/span><br \/>\n  \t<span style=\"color: #333; font-size: 10px; font-weight: normal;\">5 euros<\/span><\/p>\n<p>    <span style=\"color: #999; font-weight: normal; font-size: 10px; text-align: right;\">HORAIRES SPECTACLE<\/span><br \/> <br \/>\n   \t<span style=\"color: #333; font-size: 10px;\">SAMEDI: 21:00<br \/> <\/span><br \/>\n    <span style=\"color: #333; font-size: 10px;\">DIMANCHE: 20:00<br \/> <\/span><br \/>\n  \t<span style=\"color: #333; font-size: 10px; font-weight: normal;\">5 euros<\/span><\/p>\n<p style=\"text-align: right;\"> reservar: 93 315 23 54 <a href=\"mailto:anticteatre@anticteatre.com\" target=\"_blank\">   anticteatre@anticteatre.com <\/a><br \/>\n      <a href=\"http:\/\/www.anticteatre.com\" target=\"_blank\">  www.anticteatre.com<\/a><\/p>\n<p><\/p>\n<p>               <!-- AddThis Button BEGIN --><\/p>\n<div id=\"addthis\" style=\"float: right; width: 150px;\">\n<div class=\"addthis_toolbox addthis_default_style \">\n<a class=\"addthis_button_preferred_1\"><\/a><br \/>\n<a class=\"addthis_button_preferred_2\"><\/a><br \/>\n<a class=\"addthis_button_preferred_3\"><\/a><br \/>\n<a class=\"addthis_button_preferred_4\"><\/a><br \/>\n<a class=\"addthis_button_compact\"><\/a><br \/>\n<a class=\"addthis_counter addthis_bubble_style\"><\/a>\n<\/div>\n<\/div>\n<p><script type=\"text\/javascript\" src=\"http:\/\/s7.addthis.com\/js\/250\/addthis_widget.js#pubid=xa-4e27777f525edb06\"><\/script><br \/>\n<!-- AddThis Button END --><\/p>\n<\/td>\n<td width=\"94\" rowspan=\"2\" bgcolor=\"#FFFFFF\" class=\"style1\"><\/td>\n<td width=\"496\" rowspan=\"2\" valign=\"top\" bgcolor=\"#FFFFFF\" class=\"style1\">\n<p align=\"left\"> <br \/>\n      <!-- IMAGEN ESPECTACULO --><br \/>\n      <img decoding=\"async\" src=\"http:\/\/www.anticteatre.com\/programa2012\/febrero\/aina.jpg\" \/><\/p>\n<p><!-- CREDITOS-->  <\/p>\n<p>Concepci\u00f3 i interpretaci\u00f3: <strong>Aina Alegre<\/strong> <\/p>\n<p>    Assistent dramaturg: <strong>Charlie Fouchier<\/strong> <\/p>\n<p>    Creaci\u00f3 Llums i so: <strong>Guillaume Olmeta<\/strong> <\/p>\n<p>    Col.laboradors:<br \/> <br \/>\n    <strong>Point \u00c9ph\u00e9m\u00e8re (Paris), Antic Teatre (Barcelona) , Les Complices de Nina<\/strong><br \/>\n    <strong><\/strong><br \/>\n    Agra\u00efments: <strong>Colectiu Comipok, Giuseppe Molino, Marina Tuillo, Hadrien Touret, Thibaud Croisy&#8230;.<\/strong> \n  <\/p>\n<p align=\"left\"> <\/p>\n<p>  <a href=\"http:\/\/www.paris-art.com\/spectacle-danse-contemporaine\/petites-formes-dcousues\/ \nalegre-aina-auberville-stephanie\/7478.html\" target=\"_blank\"><strong>PREMSA&nbsp; \/\/\/&nbsp; PRENSA&nbsp; \/\/\/&nbsp; PRESS &nbsp;\/\/\/&nbsp; DE PRESSE<\/strong> &rarr;<\/a><\/p>\n<\/table>\n<div class=\"msg_list\">\n<p class=\"msg_head\">[+] llegir m\u00e9s \/\/\/ leer m\u00e1s \/\/\/ read more \/\/\/ en lire plus &rarr;<\/p>\n<div class=\"msg_body\">\n<p><!-- TEXTO INFO --> <\/p>\n<table width=\"846\" border=\"0\" cellpadding=\"10\" cellspacing=\"0\">\n<tr bgcolor=\"#FFFFFF\">\n<!-- CATALA --> <\/p>\n<td width=\"190\" align=\"left\" valign=\"top\" bgcolor=\"#FFFF00\" style=\"font-size: 12px\">\n<p align=\"justify\"><strong>La l\u00ednia. <\/strong><br \/>\n       La l\u00ednia&nbsp; \u00e9s el terreny on s&#8217;inscriu aquest projecte. <br \/>\n       NO SE TRATA DE UN DESNUDO MITOL\u00d3GICO \u00e9s una forma coreogr\u00e0\ufb01ca que forma part del\u00a0 projecte LA MAJA DESNUDA DICE.\u00a0 Despr\u00e9s d&#8217;haver explorat un llenguatge basat en la noci\u00f3 de la <em>\ufb01gura<\/em>, avui m&#8217;interesso a les\u00a0 diferents manifestacions f\u00edsiques de <em>les actituds passionals<\/em> i en els<em> fantasmes<\/em> que aquesta\u00a0 expressi\u00f3 estimula. <br \/>\n       Aquest treball convoca una experi\u00e8ncia \ufb01sica que oscila entre el &quot;cos &quot; de l&#8217;ordre i de la <br \/>\n       desmesura; una temptativa de no nom\u00e9s reproduir les representacions d&#8217;aquestes actituds\u00a0 passionals com a simples &quot;postures pl\u00e0stiques&quot; sin\u00f3 de travessar la viol\u00e8ncia que elles&nbsp; contenen. <\/p>\n<p align=\"justify\"><strong>Aina Alegre<\/strong> estudia Sociologia a la Universitat de Barcelona i paral.lelament inicia la dansa a l&#8217; escola Company&amp;Company. Continua la formaci\u00f3 d&#8217;artista coreogr\u00e0\ufb01ca al CNDC (Centre Nacional\u00a0 de la Dansa Contempor\u00e0nia) d&#8217;Angers, Fran\u00e7a.&nbsp; <br \/>\n         Des del 2009 desenvolupa el seu propi treball art\u00edstic i co-signa el duo<em> Speed<\/em>, el curtmetratge<em> 12 45 84<\/em> i participa en les creacions in situ del col.lectiu Comipok. <\/p>\n<p>        Actualment \u00e9s artista resident al Point \u00c9ph\u00e9m\u00e8re de Paris on desenvolupa el projecte la MAJA DESNUDA DICE per dur a terme una recerca al voltant de diverses possibilitats coreogr\u00e0\ufb01ques. Viu a Paris i col.labora com int\u00e8rpret en creacions com <em>Paci<\/em><em>\ufb01<\/em><em>que<\/em> de Nasser Martin Gousset, CASSETTE i BATTEMENT de David Wampach o <em>Rock Identity<\/em> de Kataline Patkai. <\/p>\n<p align=\"justify\">&nbsp;<\/p>\n<\/td>\n<p>  <!-- CASTELLANO -->    <\/p>\n<td width=\"190\" align=\"left\" valign=\"top\" bgcolor=\"#000000\" style=\"font-size: 12px; color: #FF0;\">\n<p align=\"justify\"><strong>La&nbsp; l\u00ednea. <\/strong><br \/>\n   La l\u00ednea es el terreno donde se inscribe este proyecto. <br \/>\n   NO SE TRATA DE UN DESNUDO MITOL\u00d3GICO es una forma coreogr\u00e1\ufb01ca que forma parte del proyecto LA MAJA DESNUDA DICE. <br \/>\n   Despu\u00e9s de haber explorado un lenguaje basado en la noci\u00f3n de<em> \ufb01gura<\/em>, hoy me intereso en las diferentes manifestaciones f\u00edsicas de las <em>actitudes pasionales<\/em> y en los <em>fantasmas<\/em> que esta expresi\u00f3n estimula. Este trabajo convoca una experiencia f\u00edsica que oscila entre el &quot;cuerpo &quot; del orden y de la desmesura; una tentativa de no s\u00f3lo reproducir las representaciones de estas actitudes pasionales como simples &quot;posturas pl\u00e1sticas&quot; sino de atravesar la violencia que elles&nbsp; contienen.<\/p>\n<p align=\"justify\"><strong>Aina Alegre <\/strong>estudia Sociolog\u00eda en la Universidad de Barcelona y paralelamente inicia la danza en la escuela Company&amp;Company. Contin\u00faa su formaci\u00f3n de artista coreogr\u00e1\ufb01ca en el CNDC (Centro Nacional de la Danza Contempor\u00e1nea) de Angers, Francia.&nbsp; <br \/>\n     Desde el 2009 desarrolla su propio trabajo y co-signa el d\u00fao <em>Speed<\/em>, el cortometraje <em>12 45 84<\/em> y participa en las creaciones in situ del colectivo Comipok. <\/p>\n<p>     Actualmente es artista residente en el Point \u00c9ph\u00e9m\u00e8re de Par\u00eds donde desarrolla el proyecto la\u00a0 MAJA DESNUDA DICE, una investigaci\u00f3n entorno de diferentes posibilidades coreogr\u00e1\ufb01cas.\u00a0 Vive en Par\u00eds y colabora como int\u00e9rprete en creaciones como<em> Paci\ufb01que<\/em> de Nasser Martin\u00a0 Gousset, CASSETTE y BATTEMENT de David Wampach o <em>Rock Identity<\/em> de Kataline Patkai.<strong><u> <\/u><\/strong><\/p>\n<p align=\"justify\">&nbsp;<\/p>\n<\/td>\n<p><!-- ENGLISH -->    <\/p>\n<td width=\"192\" align=\"left\" valign=\"top\" bgcolor=\"#FFFF00\" style=\"font-size: 12px\">\n<p align=\"justify\"><strong>The line. <\/strong><br \/>\n      The line is the land where this project is written. <br \/>\n      NO SE TRATA DE UN DESNUDO MITOL\u00d3GICO is a choreographic shape that is part of the LA MAJA DESNUDA DICE project. <br \/>\n      Having investigated a language based on the notion of the<em>\ufb01<\/em><em>gure<\/em>, I am now interested in the various physical demonstrations of <em>passionate attitudes<\/em> and the <em>fantasies<\/em> that these expressions stimulate. The piece evokes a physical experience which oscillates between the &quot;body&quot; of order and excess; an attempt not to reproduce these representations of passionate attitudes as simple &quot;plastic poses&quot; but to transcend the violence they contain.<strong><u> <\/u><\/strong><\/p>\n<p align=\"justify\"><strong>Aina Alegre<\/strong> studied Sociology at Barcelona University and at the same time began to dance at the Company&amp;Company school. She continued her training as a choreographic artist at the CNDC (National Centre for Contemporary Dance) in Angers, France.&nbsp; <br \/>\n        She has been developing her own artistic creations since 2009, co-creating the duet<em> Speed<\/em> and <em>12 45 84, <\/em>a short film, as well as taking part in the <em>in situ<\/em> creations of the Comipok collective. <\/p>\n<p align=\"justify\">At present she is resident artist at the Point \u00c9ph\u00e9m\u00e8re in Paris, where she is working on LA MAJA DESNUDA DICE, a research piece based on different choreographic possibilities. She lives in Paris and has performed in such shows as <em>Paci<\/em><em>\ufb01<\/em><em>que<\/em> by Nasser Martin Gousset, CASSETTE and BATTEMENT by DAVID WAMPACH and <em>Rock Identity<\/em> by Kataline Patkai.<strong><u> <\/u><\/strong><\/p>\n<p align=\"justify\">&nbsp;<\/p>\n<\/td>\n<p> <!-- FRENCH -->    <\/p>\n<td width=\"194\" align=\"left\" valign=\"top\" bgcolor=\"#000000\" style=\"font-size: 12px; color: #FF0;\">\n<p align=\"justify\"><strong>La ligne. <\/strong><br \/>\n      La ligne est le terrain ou s&#8217;inscrit ce projet. <br \/>\n      NO SE TRATA DE UN DESNUDO MITOL\u00d3GICO est une forme chor\u00e9graphique qui fait partie du projet LA MAJA DESNUDA DICE. <br \/>\n      Apr\u00e8s avoir explor\u00e9 un langage bas\u00e9 sur la notion de <em>\ufb01<\/em><em>gure<\/em>, aujourd&#8217;hui je m&#8217;int\u00e9resse aux <br \/>\n      diff\u00e9rentes manifestations physiques des <em>attitudes passionnelles<\/em> et aux <em>fantasmes<\/em> que cette expression stimule. Ce travail convoque une exp\u00e9rience physique qui oscille entre le &quot;corps &quot; de l&#8217;ordre et de la d\u00e9mesure; une tentative de ne pas reproduire les repr\u00e9sentations de ces attitudes passionnelles comme simples &quot;poses plastiques&quot; mais de traverser la violence qu&#8217;elles contiennent.<\/p>\n<p align=\"justify\"><strong>Aina Alegre<\/strong> \u00e9tudie la Sociologie \u00e0 l&#8217;Universit\u00e9 de Barcelone et parall\u00e8lement elle initie la danse dans l&#8217;\u00e9cole Company&amp;Company. Puis elle suit la formation d&#8217;Artiste Chor\u00e9graphique au CNDC (Centre National de la Danse Contemporaine) d&#8217;Angers, France. Depuis 2009 elle d\u00e9veloppe son propre travail artistique et elle co-signe le duo <em>Speed<\/em>, le court m\u00e9trage <em>12 45 84<\/em> et elle collabore aux cr\u00e9ations in situ du collectif Comipok.<\/p>\n<p> Actuellement elle est artiste r\u00e9sidente au Point \u00c9ph\u00e9m\u00e8re de Paris et d\u00e9veloppe le projet LA MAJA DESNUDA DICE pour amener une recherche autour des diverses possibilit\u00e9s chor\u00e9graphiques. Elle habite \u00e0 Paris et collabore en tant qu&#8217;interpr\u00e8te aux cr\u00e9ations <em>Paci<\/em><em>\ufb01<\/em><em>que<\/em> de Nasser Martin Gousset, CASSETTE et BATTEMENT de David Wampach ou <em>Rock Identity<\/em> de Kataline Patkai. <\/p>\n<p align=\"justify\">&nbsp;<\/p>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n<\/div>\n<p><!-- END ESPECTACULO --><br \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#x2605; 4 i 5 Febrer &nbsp;&nbsp;4 y 5 Febrero &nbsp; 4 and 5 February &nbsp;4 et 5 Fevrier &nbsp;&#x2605; AINA ALEGRE \u201cno se trata de un desnudo mitol\u00f3gico\u201d ESTRENA \/\/\/ ESTRENO \/\/\/ PREMIERE nous llenguatges del cosnuevos lenguajes del cuerponew&#8230;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1476","post","type-post","status-publish","format-standard","hentry","category-general"],"_links":{"self":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts\/1476","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/comments?post=1476"}],"version-history":[{"count":3,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts\/1476\/revisions"}],"predecessor-version":[{"id":1479,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts\/1476\/revisions\/1479"}],"wp:attachment":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/media?parent=1476"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/categories?post=1476"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/tags?post=1476"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}