{"id":1504,"date":"2012-02-13T21:48:17","date_gmt":"2012-02-13T20:48:17","guid":{"rendered":"http:\/\/www.tea-tron.com\/anticteatre\/blog\/?p=1504"},"modified":"2012-02-13T21:48:17","modified_gmt":"2012-02-13T20:48:17","slug":"16-i-17-febrer-cie-arts-mixes-%e2%80%9ctrace%e2%80%9d","status":"publish","type":"post","link":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/2012\/02\/13\/16-i-17-febrer-cie-arts-mixes-%e2%80%9ctrace%e2%80%9d\/","title":{"rendered":"16 i 17 Febrer &#8211; CIE ART&#8217;S MIX\u00c9S \u201ctrace\u201d"},"content":{"rendered":"<p>\n<!-- ESPECTACULO --><\/p>\n<table width=\"846\" border=\"0\" cellpadding=\"0\" cellspacing=\"0\" bgcolor=\"#FFFFFF\">\n<tr>\n<td height=\"22\" colspan=\"4\" bgcolor=\"#020205\" class=\"style10\" style=\"padding-left: 20px; color: #FF0; font-size: 18px\">\n<strong>&#x2605; &nbsp;16 i 17 Febrer<br \/>\n<span style=\"color: #FFF\"> &nbsp;&nbsp; 16 y 17 Febrero &nbsp;<\/span> 16 and 17 February <span style=\"color: #FFF\">&nbsp;16 et 17  Fevrier<br \/>\n&nbsp;<\/span>&#x2605;<\/strong><\/td>\n<\/tr>\n<td width=\"256\" valign=\"top\" bgcolor=\"#FFFFFF\"> <\/p>\n<p style=\"text-align: right; font-size: 12px;\"><span style=\"background-color: #000; color: #FF0; font-family: Arial, Helvetica, sans-serif; font-size: 20px; padding: 0px;\"><br \/>\n<!-- TITULO --><br \/>\nCIE ART&#8217;S MIX\u00c9S  <\/span><strong><span class=\"style8\"><br \/>\n <span style=\"color: #000; text-align: right; font-size: 16px\"><strong>\u201ctrace\u201d<br \/>\n <\/strong><\/span><br \/>\n <em><strong>ESTRENA \/\/\/ ESTRENO \/\/\/ PREMIERE<\/strong><\/em><\/p>\n<p>   <span style=\"color: #000; font-size:  12px\"> teatre f\u00edsic <br \/>teatro f\u00edsico <br \/>  physical theater <br \/> th\u00e9\u00e2tre physique <\/span><\/p>\n<p> <span style=\"color: #000; font-size:  12px\">durada \/ duraci\u00f3n \/ duration \/ dur\u00e9e: 45 min <br \/>\n   <\/span><\/p>\n<p>    <!-- HORARIOS --> <\/p>\n<p style=\"text-align: right;\">\n  \t<span style=\"color: #999; font-weight: normal; font-size: 10px; text-align: right;\">HORARIS ESPECTACLE<\/span><br \/> <br \/>\n  \t<span style=\"color: #333; font-size: 10px;\">DIJOUS,  DIVENDRES: 21:00<br \/> <\/span><br \/>\n  \t<span style=\"color: #333; font-size: 10px; font-weight: normal;\">5 euros<\/span><\/p>\n<p>    <span style=\"color: #999; font-weight: normal; font-size: 10px; text-align: right;\">HORARIOS ESPECTACULO<\/span><br \/> <br \/>\n \t<span style=\"color: #333; font-size: 10px;\">JUEVES, VIERNES: 21:00<br \/> <\/span><br \/>\n  \t<span style=\"color: #333; font-size: 10px; font-weight: normal;\">5 euros<\/span><\/p>\n<p>    <span style=\"color: #999; font-weight: normal; font-size: 10px; text-align: right;\">SCHEDULES SHOW<\/span><br \/> <br \/>\n  \t<span style=\"color: #333; font-size: 10px;\">THURSDAY,  FRIDAY: 21:00<br \/> <\/span><br \/>\n  \t<span style=\"color: #333; font-size: 10px; font-weight: normal;\">5 euros<\/span><\/p>\n<p>    <span style=\"color: #999; font-weight: normal; font-size: 10px; text-align: right;\">HORAIRES SPECTACLE<\/span><br \/> <br \/>\n  \t<span style=\"color: #333; font-size: 10px;\">JEUDI, VENDREDI: 21:00<br \/> <\/span><br \/>\n  \t<span style=\"color: #333; font-size: 10px; font-weight: normal;\">5 euros<\/span><\/p>\n<p style=\"text-align: right;\"> reservar: 93 315 23 54 <a href=\"mailto:anticteatre@anticteatre.com\" target=\"_blank\">   anticteatre@anticteatre.com <\/a><br \/>\n      <a href=\"http:\/\/www.anticteatre.com\" target=\"_blank\">  www.anticteatre.com<\/a><\/p>\n<p><\/p>\n<p>               <!-- AddThis Button BEGIN --><\/p>\n<div id=\"addthis\" style=\"float: right; width: 150px;\">\n<div class=\"addthis_toolbox addthis_default_style \">\n<a class=\"addthis_button_preferred_1\"><\/a><br \/>\n<a class=\"addthis_button_preferred_2\"><\/a><br \/>\n<a class=\"addthis_button_preferred_3\"><\/a><br \/>\n<a class=\"addthis_button_preferred_4\"><\/a><br \/>\n<a class=\"addthis_button_compact\"><\/a><br \/>\n<a class=\"addthis_counter addthis_bubble_style\"><\/a>\n<\/div>\n<\/div>\n<p><script type=\"text\/javascript\" src=\"http:\/\/s7.addthis.com\/js\/250\/addthis_widget.js#pubid=xa-4e27777f525edb06\"><\/script><br \/>\n<!-- AddThis Button END --><\/p>\n<\/td>\n<td width=\"94\" rowspan=\"2\" bgcolor=\"#FFFFFF\" class=\"style1\"><\/td>\n<td width=\"496\" rowspan=\"2\" valign=\"top\" bgcolor=\"#FFFFFF\" class=\"style1\">\n<p align=\"left\"> <br \/>\n      <!-- IMAGEN ESPECTACULO --><br \/>\n      <img decoding=\"async\" src=\"http:\/\/www.anticteatre.com\/programa2012\/febrero\/art.jpg\" \/><br \/>\n      <!-- CREDITOS-->  <\/p>\n<p>Concepci\u00f3, coreografia i interpretaci\u00f3: <strong>Violeta Todo Gonzalez<\/strong><br \/>\n  Concepci\u00f3 i creaci\u00f3 sonora, il\u00b7luminador i int\u00e8rpret: <strong>Morgan Romagny<\/strong><br \/>\nFot\u00f2graf: <strong>Alain Killar<\/strong><\/p>\n<p align=\"left\"> <\/p>\n<p>  <a href=\"http:\/\/www.artsmixes.com\" target=\"_blank\">www.artsmixes.com&rarr;<\/a><\/p>\n<\/table>\n<div class=\"msg_list\">\n<p class=\"msg_head\">[+] llegir m\u00e9s \/\/\/ leer m\u00e1s \/\/\/ read more \/\/\/ en lire plus &rarr;<\/p>\n<div class=\"msg_body\">\n<p><!-- TEXTO INFO --> <\/p>\n<table width=\"846\" border=\"0\" cellpadding=\"10\" cellspacing=\"0\">\n<tr bgcolor=\"#FFFFFF\">\n<!-- CATALA --> <\/p>\n<td width=\"190\" align=\"left\" valign=\"top\" bgcolor=\"#FFFF00\" style=\"font-size: 12px\">\n<p align=\"justify\"><strong>Trace<\/strong>, una performance de 45 minuts a morfologia variable.<\/p>\n<p>       <strong>Trace<\/strong> \u00e9s un desig de recerca, una pregunta que es queda a l\u2019aire&#8230;<br \/>\n       La hist\u00f2ria d&#8217;un \u00e9sser que no sap si la bogeria \u00e9s quedar-se tancat dins del seu cap o intentar &quot;sortir&quot; i enfrontar-se a l\u2019absurditat exterior.<br \/>\n       <strong><\/p>\n<p>        Violeta\u00a0 Tod\u00f3 Gonz\u00e1lez<\/strong><br \/>\n         Des de petita ja volia ballar. Despr\u00e9s d\u2019una\u00a0 formaci\u00f3 cl\u00e0ssica, entra a l\u2019Institut del Teatre de Barcelona (92-96) i comen\u00e7a la seva activitat professional.<br \/>\n         Al 2000 rep una beca per anar a\u00a0 Brussel.les, on es creua amb Anne-Theresa de Keesmaker, Julien Hamylton, David Zambrano, Meg Stuart, Wim Vandekeybus, Jan Ritsema, etc.<br \/>\n         Ha treballat amb les Cies Mar G\u00f3mez, Danat Dansa, Tr\u00e0nsit, Maria Clara Villalobos, I\u00f1aki Azpillaga, Philippe Saire, Anabelle Bonnery, Dromesko i Nicolas Hubert, entre d\u2019altres.<br \/>\n         Al 2002 crea la seva pr\u00f2pia companyia: La\u00a0 Chaudi\u00e8re Intime, i co-funda Pora Projet, a Helsinki.<br \/>\n         <strong>Trace<\/strong> \u00e9s la seva primera pe\u00e7a amb Art\u2019s Mix\u00e9s.<\/p>\n<p>  <strong>Morgan Romagny<\/strong><br \/>\n         Il\u00b7luminador i creador sonor.<br \/>\n         Creix en un ambient circense, que li ensenya tots els secrets de la vida itinerant i li inculca el virus de la curiositat i de la multidisciplinarietat. <br \/>\n         Reparteix el seu temps entre projectes m\u00e9s (i molt) personals i la col\u00b7laboraci\u00f3 amb companyies de circ, dansa , teatre i m\u00fasica (La Villette, Cie Les choses de rien, Cie Les Phil\u00e9bulistes, La Reine Mab i d\u2019altres)<br \/>\n        Al 2010 crea la Cia Art&#8217;s Mix\u00e9s. <strong>Trace<\/strong> \u00e9s la seva primera creaci\u00f3.<\/p>\n<\/td>\n<p>  <!-- CASTELLANO -->    <\/p>\n<td width=\"190\" align=\"left\" valign=\"top\" bgcolor=\"#000000\" style=\"font-size: 12px; color: #FF0;\">\n<p align=\"justify\"><strong>Trace<\/strong> es una performance de 45 minutos a morfolog\u00eda variable.<\/p>\n<p>   <strong>Trace<\/strong> son ganas de b\u00fasqueda, una pregunta que se queda en el aire. La historia de un ser\u00a0 que no discierne si la locura es quedarse encerrado en su cabeza o intentar &quot;salir&quot; y enfrentarse a la absurdidad exterior.<\/p>\n<p align=\"justify\"><strong>Violeta Tod\u00f3 Gonz\u00e1lez<\/strong><br \/>\n     Desde peque\u00f1a ya quer\u00eda bailar. Despu\u00e9s de una formaci\u00f3n cl\u00e1sica, entra en el Instituto del Teatro de Barcelona (92-96) y empieza su actividad profesional.<br \/>\n     En el 2000, recibe una beca para irse a Bruselas, donde se cruza con Anne- Theresa de Keesmaker, Julien Hamylton, David Zambrano, Meg Stuart, Wim Vandekeybus, Jan Ritsema etz.<br \/>\n     Ha trabajado con las compa\u00f1\u00edas Mar G\u00f3mez, Danat Dansa, Tr\u00e1nsit, Maria Clara Villalobos, I\u00f1akiAzpillaga, Philippe Saire, Anabelle Bonnery, Dromesko y Nicolas Hubert, entre otros.<br \/>\n     En el 2002, funda su propia compa\u00f1\u00eda: La Chaudi\u00e8re Intime as\u00ed como Pora Projet, en Helsinki.<br \/>\n  <strong>Trace<\/strong> es su primera colaboraci\u00f3n con Art&#8217;s Mix\u00e9s.<\/p>\n<p align=\"justify\"><strong>Morgan Romagny<\/strong><br \/>\n     Iluminador y creador sonoro. <br \/>\n     Crece en un ambiente circense que le ense\u00f1a todos los secretos de la vida itinerante y le inculca el virus de la curiosidad y de lo multidisciplinario.<br \/>\n     Reparte su tiempo entre proyectos m\u00e1s (y muy) personales y la colaboraci\u00f3n como t\u00e9cnico\u00a0 con compa\u00f1\u00edas de circo, danza, teatro y m\u00fasica (La Villette, Cie Les choses de rien, Cie Les Philiboulistes, La Reine Mab..etc)<br \/>\n     En el 2010 crea la Cia Art,s Mix\u00e9s. <strong>Trace<\/strong> es su primera creaci\u00f3n. <\/p>\n<p align=\"justify\">&nbsp;<\/p>\n<\/td>\n<p><!-- ENGLISH -->    <\/p>\n<td width=\"192\" align=\"left\" valign=\"top\" bgcolor=\"#FFFF00\" style=\"font-size: 12px\">\n<p align=\"justify\"><em><strong>Trace<\/strong><\/em> is a 45 minute performance of variable morphology.<\/p>\n<p>      <em><strong>Trace<\/strong><\/em> is the desire for a quest, a question left in the air\u2026<br \/>\n      It is the story of someone who cannot tell if madness is to stay locked inside their own head or to try and \u2018get out\u2019 and face the absurdity of the outside world.&nbsp;<\/p>\n<p align=\"justify\"><strong>Violeta Tod\u00f3 Gonz\u00e1lez<\/strong><br \/>\n      Wanted to dance ever since she was little. After training in classical dance, she attended the Institut del Teatre de Barcelona (92-96) and began her professional career. In 2000 she received a grant to go to Brussels where she met up with Anne Theresa de Keesmaker, Julien Hamylton, David Zambrano, Meg Stuart, Wim Vandekeybus, Jan Ritsema, etc. She has worked with several companies, including Mar G\u00f3mez, Danat Dansa, Tr\u00e1nsit, Maria Clara Villalobos, I\u00f1aki Azpillaga, Philippe Saire, Anabelle Bonnery, Dromesko and Nicolas Hubert. In 2002 she created her own companie, La Chaudi\u00e8re Intime, and co-founded Pora Project in Helsinki. <em>Trace <\/em>is her first work with Art\u2019s Mix\u00e9s.<\/p>\n<p>      <strong>Morgan Romagny<\/strong><br \/>\n Illuminator and creator of sound.<br \/>\n        He was brought up in a circus atmosphere which taught him all the secrets of a traveller\u2019s life, and instilled in him the germs of curiosity and the multi-disciplinary.<\/p>\n<p align=\"justify\">He divides his time between more (and very) personal projects and his work with circus, dance, theatre and music companies (La Villette, Cie. Les choses de rien, Cie. Les Philiboulistes, La Reine Mab, etc.)<\/p>\n<p align=\"justify\">&nbsp;<\/p>\n<\/td>\n<p> <!-- FRENCH -->    <\/p>\n<td width=\"194\" align=\"left\" valign=\"top\" bgcolor=\"#000000\" style=\"font-size: 12px; color: #FF0;\">\n<p align=\"justify\"><strong>Trace <\/strong>est\u00a0 une performance de 45 min \u00e0 morphologie variable<\/p>\n<p>      <strong>Trace <\/strong>est une envie de recherche, une question qui reste en l&#8217;air.<br \/>\n      L&#8217;histoire d&#8217;un \u00eatre qui ne sais plus si la folie serait de rester enferm\u00e9 dans sa t\u00eate, ou essayer de &quot;sortir&quot; et se confronter a l&#8217;absurdit\u00e9 de l&#8217;ext\u00e9rieur.\n      <\/p>\n<p align=\"justify\"><strong>Violeta Todo Gonzalez<\/strong><br \/>\n        Depuis toute petite, elle voulait danser. Apr\u00e8s d&#8217;une formation classique,elle int\u00e8gre l&#8217;Instituto del Te\u00e0tre de Barcelona (92-96) et commence son activit\u00e9 professionnel.<br \/>\n        En 2000,elle re\u00e7oit une bourse pour aller \u00e0 Bruxelles et participer au X-Group (avec Anne Theresa de Keesmaker,Julien Hamylton,David Zambrano,Meg Stuart, Wim Vandekeybus etz..)<br \/>\n        Elle travaille avec les compagnies Mar G\u00f3mez, Danat Dansa, Tr\u00e1nsit, Maria Clara Villalobos,I\u00f1aki Azpillaga,Philippe Saire, Anabelle Bonnery, Dromesko , Nicolas Hubert entre autres. En 2002, elle cr\u00e9e sa propre Cie, La Chaudi\u00e8re Intime, ainsi que Pora projet, \u00e0 Helsinki. T<strong>race<\/strong> est sa premi\u00e8re collaboration avec Art&#8217;s Mix\u00e9s<\/p>\n<p align=\"justify\"><strong>Morgan Romagny<\/strong><br \/>\n        Eclairagiste et cr\u00e9ateur sonore.<br \/>\n        Il grandis entour\u00e9 de chapiteaux et circaciens, qui lui apprennent tous les secrets de la vie itin\u00e9rante, et lui donne le virus du multidisciplinaire.<br \/>\n        Il partage son temps entre des projets personnels et des compagnies de danse, th\u00e9\u00e2tre,musique et cirque (La Villette,Cie Les choses de rien, Cie Les Philiboulistes, La Reine Mab..etc).<br \/>\n        En 2010 cr\u00e9e la Cie Art&#8217;s Mix\u00e9s.<strong>Trace<\/strong> est sa premi\u00e8re cr\u00e9ation.<\/p>\n<p align=\"justify\">&nbsp;<\/p>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n<\/div>\n<p><!-- END ESPECTACULO --><br \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#x2605; &nbsp;16 i 17 Febrer &nbsp;&nbsp; 16 y 17 Febrero &nbsp; 16 and 17 February &nbsp;16 et 17 Fevrier &nbsp;&#x2605; CIE ART&#8217;S MIX\u00c9S \u201ctrace\u201d ESTRENA \/\/\/ ESTRENO \/\/\/ PREMIERE teatre f\u00edsic teatro f\u00edsico physical theater th\u00e9\u00e2tre physique durada \/ duraci\u00f3n&#8230;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1504","post","type-post","status-publish","format-standard","hentry","category-general"],"_links":{"self":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts\/1504","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/comments?post=1504"}],"version-history":[{"count":2,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts\/1504\/revisions"}],"predecessor-version":[{"id":1506,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts\/1504\/revisions\/1506"}],"wp:attachment":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/media?parent=1504"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/categories?post=1504"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/tags?post=1504"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}