{"id":1771,"date":"2012-05-21T17:59:18","date_gmt":"2012-05-21T16:59:18","guid":{"rendered":"http:\/\/www.tea-tron.com\/anticteatre\/blog\/?p=1771"},"modified":"2012-05-21T17:59:18","modified_gmt":"2012-05-21T16:59:18","slug":"24-i-2505-albert-quesada-solos-bach-gould","status":"publish","type":"post","link":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/2012\/05\/21\/24-i-2505-albert-quesada-solos-bach-gould\/","title":{"rendered":"24 i 25\/05 &#8211; Albert Quesada &#8211; Solos Bach &#038; Gould"},"content":{"rendered":"<p><!-- ESPECTACULO --><\/p>\n<table width=\"846\" border=\"0\" cellpadding=\"0\" cellspacing=\"0\" bgcolor=\"#FFFFFF\">\n<tr>\n<td height=\"22\" colspan=\"4\" bgcolor=\"#020205\" class=\"style10\" style=\"padding-left: 20px; color: #FF0; font-size: 18px\">\n<strong>&#x2605; &nbsp;24 i 25 Maig<br \/>\n<span style=\"color: #FFF\"> &nbsp;&nbsp;24 y 25  Mayo&nbsp;<\/span> 24 and 25 May<span style=\"color: #FFF\">&nbsp; 24 et 25 Mai<br \/>\n&nbsp;<\/span>&#x2605;<\/strong>\n<\/td>\n<\/tr>\n<td width=\"256\" valign=\"top\" bgcolor=\"#FFFFFF\"> <\/p>\n<p style=\"text-align: right; font-size: 12px;\">\n<!-- TITULO --> <\/p>\n<p style=\"text-align: right; font-size: 12px;\"><span style=\"background-color: #000; color: #FF0; font-family: Arial, Helvetica, sans-serif; font-size: 20px; padding: 0px;\"><br \/>\nAlbert Quesada <\/span><strong><span class=\"style8\"><\/p>\n<p> <span style=\"color: #000; text-align: right; font-size: 16px\"><strong>\u201dSolos Bach &#038; Gould\u201d <br \/>\n <\/strong><\/span><br \/>\n    <span style=\"color: #000; font-size:  12px\">durada \/ duraci\u00f3n \/ duration \/ dur\u00e9e: 50 min <\/p>\n<p><span style=\"color: #000; font-size:  12px\">nous llenguatges del cos<br \/>nuevos lenguajes del cuerpo<br \/>new languages of the body<br \/>nouveaux langages du corps<\/span><\/p>\n<p>   <\/p>\n<p>    <!-- HORARIOS --> <\/p>\n<p style=\"text-align: right;\">\n  \t<span style=\"color: #999; font-weight: normal; font-size: 10px; text-align: right;\">HORARIS ESPECTACLE<\/span><br \/> <br \/>\n  \t<span style=\"color: #333; font-size: 10px;\">DIJOUS I DIVENDRES: 21:00<br \/> <\/span><br \/>\n  \t<span style=\"color: #333; font-size: 10px; font-weight: normal;\">5 euros<\/span><\/p>\n<p>  \t<span style=\"color: #999; font-weight: normal; font-size: 10px; text-align: right;\">HORARIOS ESPECTACULO<\/span><br \/> <br \/>\n  \t<span style=\"color: #333; font-size: 10px;\">JUEVES Y VIERNES: 21:00<\/span><span style=\"color: #333; font-size: 10px;\"><br \/><\/span><br \/>\n\t<span style=\"color: #333; font-size: 10px; font-weight: normal;\">5 euros<\/span><\/p>\n<p>  \t<span style=\"color: #999; font-weight: normal; font-size: 10px; text-align: right;\">SCHEDULES SHOW<\/span><br \/> <br \/>\n \t<span style=\"color: #333; font-size: 10px;\">THURSDAY &amp; FRIDAY: 21:00<\/span><span style=\"color: #333; font-size: 10px;\"><br \/><\/span><br \/>\n  \t<span style=\"color: #333; font-size: 10px; font-weight: normal;\"> 5 euros<\/span><\/p>\n<p>  \t<span style=\"color: #999; font-weight: normal; font-size: 10px; text-align: right;\">HORAIRES SPECTACLE<\/span><br \/> <br \/>\n \t<span style=\"color: #333; font-size: 10px;\">JEUDI ET VENDREDI: 21:00<\/span><span style=\"color: #333; font-size: 10px;\"><br \/><\/span><br \/>\n  \t<span style=\"color: #333; font-size: 10px; font-weight: normal;\">5 euros<\/span><\/p>\n<p style=\"text-align: right;\"> reservar: 93 315 23 54 <a href=\"mailto:anticteatre@anticteatre.com\" target=\"_blank\">   anticteatre@anticteatre.com <\/a><br \/>\n      <a href=\"http:\/\/www.anticteatre.com\" target=\"_blank\">  www.anticteatre.com<\/a><\/p>\n<p><\/p>\n<p>               <!-- AddThis Button BEGIN --><\/p>\n<div id=\"addthis\" style=\"float: right; width: 150px;\">\n<div class=\"addthis_toolbox addthis_default_style \">\n<a class=\"addthis_button_preferred_1\"><\/a><br \/>\n<a class=\"addthis_button_preferred_2\"><\/a><br \/>\n<a class=\"addthis_button_preferred_3\"><\/a><br \/>\n<a class=\"addthis_button_preferred_4\"><\/a><br \/>\n<a class=\"addthis_button_compact\"><\/a><br \/>\n<a class=\"addthis_counter addthis_bubble_style\"><\/a>\n<\/div>\n<\/div>\n<p><script type=\"text\/javascript\" src=\"http:\/\/s7.addthis.com\/js\/250\/addthis_widget.js#pubid=xa-4e27777f525edb06\"><\/script><br \/>\n<!-- AddThis Button END --><\/p>\n<\/td>\n<td width=\"94\" rowspan=\"2\" bgcolor=\"#FFFFFF\" class=\"style1\"><\/td>\n<td width=\"496\" rowspan=\"2\" valign=\"top\" bgcolor=\"#FFFFFF\" class=\"style1\">\n<p align=\"left\"> <br \/>\n      <!-- IMAGEN ESPECTACULO --><br \/>\n      <img decoding=\"async\" src=\"http:\/\/www.anticteatre.com\/programa2012\/mayo\/quesada.jpg\" \/><\/p>\n<p>\n       <!-- CREDITOS-->  <\/p>\n<p>Coreografia:<strong> Albert Quesada<\/strong><br \/>\nAdaptaci\u00f3: <strong>Federica Porello, Mireia de Querol, Petra S\u00f6\u00f6r<\/strong><br \/>\nInterpretaci\u00f3: independentment per dos dels ballarins mencionats pr\u00e8viament<br \/>\nM\u00fasica: Extractes d\u2019una gravaci\u00f3 de Glenn Gould de les Variacions Goldberg de J. S. Bach, 1955. Entrevista a Glenn Gould sobre la seva \u00faltima gravaci\u00f3, al 1981, de les Variacions Goldberg.<br \/>\nProdu\u00eft per: <strong>Albert Quesada<\/strong><br \/>\nEn col\u00b7laboraci\u00f3 amb: <strong>CoNCA (ES), nadine (BE)<\/strong><br \/>\nResid\u00e8ncies: <strong>BUDA Kunstencentrum (BE), Centre Cultural de les Corts, Estudi d\u2019\u00c0ngels Margarit \/cia. Mudances (ES)<\/strong><br \/>\nApadrinament: <strong>cia B\u00fabulus \u2013 Carles Salas \/ Espai de creaci\u00f3: La Caldera<\/strong> <\/p>\n<p>    <a href=\"http:\/\/veraalbert.wordpress.com\" target=\"_blank\">veraalbert.wordpress.com &rarr;<\/a><\/p>\n<p> <br \/>\n  <\/table>\n<div class=\"msg_list\">\n<p class=\"msg_head\">[+] llegir m\u00e9s \/\/\/ leer m\u00e1s \/\/\/ read more \/\/\/ en lire plus &rarr;<\/p>\n<div class=\"msg_body\">\n<p><!-- TEXTO INFO --> <\/p>\n<table width=\"846\" border=\"0\" cellpadding=\"10\" cellspacing=\"0\">\n<tr bgcolor=\"#FFFFFF\">\n<!-- CATALA --> <\/p>\n<td width=\"190\" align=\"left\" valign=\"top\" bgcolor=\"#FFFF00\" style=\"font-size: 12px\">\n<p align=\"justify\">Solo on Bach &#038; Glenn \u00e9s un estudi minuci\u00f3s de la famosa interpretaci\u00f3 de les Variacions Goldberg de Bach que f\u00e9u Glenn Gould, basat en instruccions escrites, \u00edntimament relacionades amb el so de piano i les paraules del pianista. El m\u00fasic grava les variacions, s\u2019equivoca i ho intenta de nou, ens parla de la seva manera de tocar i gravar. El moviment acompanya i al mateix temps dirigeix la m\u00fasica.<br \/>\nLa partitura utilitzada per a l&#8217;espectacle\u00a0Solo on Bach &#038; Glenn (2008), va ser reescrita i passada a dues ballarines. Elles han creat la seva pr\u00f2pia interpretaci\u00f3 i la ballen amb el so organitzat per Albert Quesada.<br \/>\nDespr\u00e9s de tres mesos de pr\u00e0ctica del solo (cadascuna per la seva banda), es varen reunir els tres durant un mes per composar una pe\u00e7a tenint les partitures com a punt de partida.<br \/>\nEl duet Solos Bach &#038; Gould ofereix dues noves interpretacions de la partitura, el so de Mr. Glenn Gould parlant i tocant. I tamb\u00e9 text projectat en forma de sub\/supert\u00edtols del que sentim i de les partitures que donen origen als moviments.\n       <\/p>\n<p align=\"justify\"><strong>Albert Quesada<\/strong> va estudiar a P.A.R.T.S. (2004-2008) a Brussel\u00b7les, i a la Hogeschool voor de Kunsten (MTD, 2003-2004), Amsterdam. Anteriorment va estudiar Filosofia i Enginyeria Multim\u00e8dia a Barcelona.<br \/>\nA 2005, va comen\u00e7ar a treballar en Solo on Bach &#038; Glenn (2005-2008), que va donar origen al duet Solos Bach &#038; Gould (2010). Des de 2009 balla amb la companyia ZOO &#8211; Thomas Hauert. Actualment est\u00e0 girant l\u2019espectacle Trilogy amb Vera Tussing, treballa amb Benjamin Vandewalle, i est\u00e0 preparant el seu espectacle Slow Sports.<\/p>\n<p align=\"justify\">&nbsp;<\/p>\n<\/td>\n<p>  <!-- CASTELLANO -->    <\/p>\n<td width=\"190\" align=\"left\" valign=\"top\" bgcolor=\"#000000\" style=\"font-size: 12px; color: #FF0;\">\n<p align=\"justify\">Solo on Bach &#038; Glenn es un estudio minucioso de la famosa interpretaci\u00f3n de las Variaciones Goldberg de Bach que hizo Glenn Gould, basado en instrucciones escritas, \u00edntimamente relacionadas con el sonido de piano y las palabras del pianista. El m\u00fasico graba las variaciones, se equivoca y lo intenta de nuevo, nos habla de su manera de tocar y grabar. El movimiento acompa\u00f1a y al mismo tiempo dirige la m\u00fasica.<br \/>\n La partitura utilizada para el espect\u00e1culo Solo on Bach &#038; Glenn (2008), fue reescrita y pasada a dos bailarinas. Ellas han creado su propia interpretaci\u00f3n y la bailan con el sonido organizado por Albert Quesada.<br \/>\nDespu\u00e9s de tres meses de pr\u00e1ctica del solo (cada una por su parte), se reunieron los tres durante un mes para componer una pieza teniendo las partituras como punto de partida.<br \/>\nEl d\u00fao Solos Bach &#038; Gould ofrece dos nuevas interpretaciones de la partitura, el sonido de Mr. Glenn Gould hablando y tocando. Y tambi\u00e9n texto proyectado en forma de sub \/supert\u00edtulos de lo que o\u00edmos y de las partituras que dan origen a los movimientos.\n   <\/p>\n<p align=\"justify\"><strong>Albert Quesada<\/strong> estudi\u00f3 en P.A.R.T.S. (2004-2008) en Bruselas, y a la Hogeschool voor de Kunsten (MTD, 2003-2004), Amsterdam. Anteriormente estudi\u00f3 Filosof\u00eda e Ingenier\u00eda Multimedia en Barcelona.<br \/>\nEn 2005, comenz\u00f3 a trabajar en Solo donde Bach &#038; Glenn (2005-2008), y que dio origen al d\u00fao Solos Bach &#038; Gould (2010). Desde 2009 baila con la compa\u00f1\u00eda ZOO &#8211; Thomas Hauert.\u2028 Actualmente est\u00e1 girando el espect\u00e1culo Trilogy con Vera Tussing, trabaja con Benjamin Vandewalle y est\u00e1 preparando su espect\u00e1culo Slow Sports.<\/p>\n<\/td>\n<p><!-- ENGLISH -->    <\/p>\n<td width=\"192\" align=\"left\" valign=\"top\" bgcolor=\"#FFFF00\" style=\"font-size: 12px\">\n<p align=\"justify\">The musical piece nowadays known as Goldberg Variations was published in 1742 with the title \u2018Keyboard practice\u2019. As the original name declares they are musical scores to be practiced. The dance in Solo on Bach &#038; Glenn is based on a written score, a series of instructions for the dancer created in close relationship with the soundtrack (Glenn Gould\u2019s explanations about his way of playing and his recorded Goldberg Variations).<br \/>\nIn 2009 the score used for Solo on Bach &#038; Glenn (2008) by Albert Quesada was rewritten and passed on to 2 other dancers. They learned the movement score, created their own interpretation and performed it with the soundtrack over a period of 2 weeks in Brussels.<br \/>\nAfter three months of practice (each on their own), they gathered for a month, and composed a piece having both new interpretations of the score as a starting point.<br \/>\nThe duet Solos Bach &#038; Gould offers two different views on a written score with the sound of Mr. Glenn Gould talking and playing.<\/p>\n<p><\/p>\n<p align=\"justify\"><strong>Albert Quesada<\/strong> trained at P.A.R.T.S (2004-2008) in Brussels, and the Hogeschool voor de Kunsten (MTD, 2003-2004), Amsterdam. Previously he studied Philosophy and Multimedia Engineering in Barcelona.<br \/>\n    In 2005 started working on\u00a0Solo on Bach &#038; Glenn (2005-2008), and which gave birth to the duet\u00a0Solos Bach &#038; Gould (2010). Since 2009 has been dancing with the ZOO \u2013 Thomas Hauert company. He is currently touring\u00a0Trilogy\u00a0with Vera Tussing, he works with Benjamin Vandewalle and is setting up his next project\u00a0Slow Sports.<\/p>\n<p align=\"justify\">&nbsp;<\/p>\n<\/td>\n<p> <!-- FRENCH -->    <\/p>\n<td width=\"194\" align=\"left\" valign=\"top\" bgcolor=\"#000000\" style=\"font-size: 12px; color: #FF0;\">\n<p align=\"justify\">Solos Bach &#038; Gould est une \u00e9tude d\u00e9tall\u00e9e de la c\u00e9l\u00e8bre interpr\u00e9tation des Variations Goldberg de Bach, qui \u00e0 fat Glenn Gould selon les instructions \u00e9crites \u00e9troitement li\u00e9es \u00e0 la sonorit\u00e9 du piano et les paroles du pianiste. Le musicien a enregistr\u00e9 les variations, se trompe et essai \u00e0 nouveau, nous parle de sa fa\u00e7on de jouer et d\u2019enregistr\u00e9. Le mouvement accompagne et au m\u00eame temps dirige la musique.<br \/> <br \/>\n    Le score utilis\u00e9 pour le spectacle Solo on Bach et Glenn (2008), fut r\u00e9\u00e9crit et adapt\u00e9 \u00e0 deux danseuses. Elles ont cr\u00e9\u00e9 leur propre interpr\u00e9tation et de la dansent avec le son organis\u00e9 par Albert Quesada.<br \/> <br \/>\n    Apr\u00e8s trois mois de pratique du solo (chacun de leur part), ils se sont rencontr\u00e9s les trois pendant un mois pour composer une pi\u00e8ce ayant les partitions comme point de d\u00e9part.<br \/> <br \/>\n    Le duo Solos Bach &#038; Gould propose deux nouvelles interpr\u00e9tations de la partition, le son de Mr. Glenn Gould qui parle et joue. Et aussi le texte project\u00e9  sous forme de sou\/surtitres de ce que nous entendons et la partition qui donne lieu aux mouvements.<\/p>\n<p><\/p>\n<p align=\"justify\"><strong>Albert Quesada<\/strong> a \u00e9tudi\u00e9 \u00e0 P.A.R.T.S. (2004-2008) en Bruxelles, et \u00e0 la Hogeschool voor de Kunsten (MTD, 2003-2004), Amsterdam. Auparavant il \u00e0 \u00e9tudi\u00e9 Filosophie, ing\u00e9nieur multim\u00e9dia \u00e0 Barcelone.<br \/>\n    En 2005 comence \u00e0 travailler sur Solo donde Bach&#038;Glenn (2005-2008) qui \u00e0 donn\u00e9 l\u2019origine au duo Solos Bach&#038;Gould (2010). Depuis 2009 il danse avec la cie. ZOO Thomas Benjamin Vandewalle et il pr\u00e9pare son spectacle Slow Sports.<\/p>\n<p align=\"justify\">&nbsp;<\/p>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n<\/div>\n<p><!-- END ESPECTACULO --><br \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#x2605; &nbsp;24 i 25 Maig &nbsp;&nbsp;24 y 25 Mayo&nbsp; 24 and 25 May&nbsp; 24 et 25 Mai &nbsp;&#x2605; Albert Quesada \u201dSolos Bach &#038; Gould\u201d durada \/ duraci\u00f3n \/ duration \/ dur\u00e9e: 50 min nous llenguatges del cosnuevos lenguajes del cuerponew&#8230;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1771","post","type-post","status-publish","format-standard","hentry","category-general"],"_links":{"self":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts\/1771","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/comments?post=1771"}],"version-history":[{"count":2,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts\/1771\/revisions"}],"predecessor-version":[{"id":1773,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts\/1771\/revisions\/1773"}],"wp:attachment":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/media?parent=1771"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/categories?post=1771"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/tags?post=1771"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}