
{"id":1789,"date":"2012-05-29T22:26:50","date_gmt":"2012-05-29T21:26:50","guid":{"rendered":"http:\/\/www.tea-tron.com\/anticteatre\/blog\/?p=1789"},"modified":"2012-05-29T22:26:50","modified_gmt":"2012-05-29T21:26:50","slug":"31-mayo-y-1-3-junio-colectivo-contrafacto-apagada-analogica-2-0-estrena","status":"publish","type":"post","link":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/2012\/05\/29\/31-mayo-y-1-3-junio-colectivo-contrafacto-apagada-analogica-2-0-estrena\/","title":{"rendered":"31 Mayo y 1-3 Junio -COLECTIVO CONTRAFACTO -Apagada Anal\u00f2gica 2.0 -ESTRENA"},"content":{"rendered":"<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;<br \/>\n<!-- ESPECTACULO --><\/p>\n<table width=\"846\" border=\"0\" cellpadding=\"0\" cellspacing=\"0\" bgcolor=\"#FFFFFF\">\n<tr>\n<td height=\"22\" colspan=\"4\" bgcolor=\"#020205\" class=\"style10\" style=\"padding-left: 20px; color: #FF0; font-size: 18px\">\n<strong>&#x2605; &nbsp;31   Maig i 1-3 Juny<br \/>\n<span style=\"color: #FFF\"> &nbsp;&nbsp;31 Mayo y 1-3  Junio&nbsp;<\/span> 31 May &#038; 1-3 June <span style=\"color: #FFF\">&nbsp; 31 Mai et 1-3 Juin<br \/>\n&nbsp;<\/span>&#x2605;<\/strong><\/td>\n<\/tr>\n<td width=\"256\" valign=\"top\" bgcolor=\"#FFFFFF\"> <\/p>\n<p style=\"text-align: right; font-size: 12px;\">\n<!-- TITULO --> <\/p>\n<p style=\"text-align: right; font-size: 12px;\"><span style=\"background-color: #000; color: #FF0; font-family: Arial, Helvetica, sans-serif; font-size: 20px; padding: 0px;\"><br \/>\nCOLECTIVO CONTRAFACTO<\/span><strong><span class=\"style8\"><\/p>\n<p> <span style=\"color: #000; text-align: right; font-size: 16px\"><strong>\u201dApagada Anal\u00f2gica 2.0\u201d <br \/>\n <\/strong><\/span><br \/>\n <span style=\"text-align: right; background-color: #FF0; color: #000; font-family: Arial, Helvetica, sans-serif; font-size: 16px; padding: 0px;\"> ESTRENA<\/span><\/p>\n<p>\n    <span style=\"color: #000; font-size:  12px\">durada \/ duraci\u00f3n \/ duration \/ dur\u00e9e: 70 min <\/p>\n<p><span style=\"color: #000; font-size:  12px\"> noves dramat\u00fargies<br \/>\nnuevas dramaturgias<br \/>\nnew drama<br \/>nouveau drame<\/span><\/p>\n<p><\/p>\n<p>    <!-- HORARIOS --> <\/p>\n<p style=\"text-align: right;\">\n  \t<span style=\"color: #999; font-weight: normal; font-size: 10px; text-align: right;\">HORARIS ESPECTACLE<\/span><br \/> <br \/>\n  \t<span style=\"color: #333; font-size: 10px;\">DIJOUS, DIVENDRES I DISSABTE: 21:00<br \/> <\/span><br \/>\n  \t<span style=\"color: #333; font-size: 10px;\">DIUMENGE: 20:00<br \/> <\/span><br \/>\n  \t<span style=\"color: #333; font-size: 10px; font-weight: normal;\">5 euros<\/span><\/p>\n<p>  \t<span style=\"color: #999; font-weight: normal; font-size: 10px; text-align: right;\">HORARIOS ESPECTACULO<\/span><br \/> <br \/>\n  \t<span style=\"color: #333; font-size: 10px;\">JUEVES, VIERNES Y SABADO: 21:00<br \/><\/span><br \/>\n  \t<span style=\"color: #333; font-size: 10px;\">DOMINGO: 20:00<br \/><\/span><br \/>\n\t<span style=\"color: #333; font-size: 10px; font-weight: normal;\">5 euros<\/span><\/p>\n<p>  \t<span style=\"color: #999; font-weight: normal; font-size: 10px; text-align: right;\">SCHEDULES SHOW<\/span><br \/> <br \/>\n \t<span style=\"color: #333; font-size: 10px;\">THURSDAY, FRIDAY &#038; SATURDAY: 21:00<br \/><\/span><br \/>\n \t<span style=\"color: #333; font-size: 10px;\">SUNDAY: 20:00<br \/><\/span><br \/>\n  \t<span style=\"color: #333; font-size: 10px; font-weight: normal;\"> 5 euros<\/span><\/p>\n<p>  \t<span style=\"color: #999; font-weight: normal; font-size: 10px; text-align: right;\">HORAIRES SPECTACLE<\/span><br \/> <br \/>\n \t<span style=\"color: #333; font-size: 10px;\">JEUDI, VENDREDI ET SAMEDI: 21:00<br \/><\/span><br \/>\n \t<span style=\"color: #333; font-size: 10px;\">DIMANCHE: 20:00<br \/><\/span><br \/>\n  \t<span style=\"color: #333; font-size: 10px; font-weight: normal;\">5 euros<\/span><\/p>\n<p style=\"text-align: right;\"> reservar: 93 315 23 54 <a href=\"mailto:anticteatre@anticteatre.com\" target=\"_blank\">   anticteatre@anticteatre.com <\/a><br \/>\n      <a href=\"http:\/\/www.anticteatre.com\" target=\"_blank\">  www.anticteatre.com<\/a><\/p>\n<p><\/p>\n<p>               <!-- AddThis Button BEGIN --><\/p>\n<div id=\"addthis\" style=\"float: right; width: 150px;\">\n<div class=\"addthis_toolbox addthis_default_style \">\n<a class=\"addthis_button_preferred_1\"><\/a><br \/>\n<a class=\"addthis_button_preferred_2\"><\/a><br \/>\n<a class=\"addthis_button_preferred_3\"><\/a><br \/>\n<a class=\"addthis_button_preferred_4\"><\/a><br \/>\n<a class=\"addthis_button_compact\"><\/a><br \/>\n<a class=\"addthis_counter addthis_bubble_style\"><\/a>\n<\/div>\n<\/div>\n<p><script type=\"text\/javascript\" src=\"http:\/\/s7.addthis.com\/js\/250\/addthis_widget.js#pubid=xa-4e27777f525edb06\"><\/script><br \/>\n<!-- AddThis Button END --><\/p>\n<\/td>\n<td width=\"94\" rowspan=\"2\" bgcolor=\"#FFFFFF\" class=\"style1\"><\/td>\n<td width=\"496\" rowspan=\"2\" valign=\"top\" bgcolor=\"#FFFFFF\" class=\"style1\">\n<p align=\"left\"> <br \/>\n<!-- IMAGEN ESPECTACULO --><br \/>\n<img decoding=\"async\" src=\"http:\/\/www.anticteatre.com\/programa2012\/mayo\/contrafacto.jpg\" \/><\/p>\n<p>\n<!-- CREDITOS-->  <\/p>\n<p>Creaci\u00f3 i dramat\u00fargia: <strong>Samuel Quilez, Lucila Teste y M\u00f3nica Serra<\/strong><br \/>\nInterpretaci\u00f3: <strong>Samuel Quiles, Lucila Teste<\/strong><br \/>\nAssist\u00e8ncia en la dramat\u00f9rgia: <strong>Judy Lomas<\/strong><br \/>\nAssist\u00e8ncia en la direcci\u00f3: <strong>Olga Blanco<\/strong><br \/>\nV\u00eddeos: <strong>Ignasi Llobera<\/strong><br \/>\nM\u00fasica i efectes de so: <strong>Los sabios duentes (a.k.a Marcelo Acosta)<\/strong><br \/>\nEscenografia: <strong>Olga Gutierrez<\/strong><br \/>\nProducci\u00f3: <strong>Colectivo Contrafacto<\/strong><br \/>\nAmb el suport de: <strong>Antic Teatre, Cotxeres Borrell, La Ch\u00e1chara<\/strong><\/p>\n<p><a href=\"http:\/\/www.contrafacto.com\" target=\"_blank\"> www.contrafacto.com &rarr;<\/a><\/p>\n<p><a href=\"http:\/\/hijadeladictaduraargentina.blogspot.com\/\" target=\"_blank\"> hijadeladictaduraargentina.blogspot.com\/ &rarr;<\/a><\/p>\n<p> <br \/>\n<\/table>\n<div class=\"msg_list\">\n<p class=\"msg_head\">[+] llegir m\u00e9s \/\/\/ leer m\u00e1s \/\/\/ read more \/\/\/ en lire plus &rarr;<\/p>\n<div class=\"msg_body\">\n<p><!-- TEXTO INFO --> <\/p>\n<table width=\"846\" border=\"0\" cellpadding=\"10\" cellspacing=\"0\">\n<tr bgcolor=\"#FFFFFF\">\n<!-- CATALA --> <\/p>\n<td width=\"190\" align=\"left\" valign=\"top\" bgcolor=\"#FFFF00\" style=\"font-size: 12px\">\n<p align=\"justify\">Apagada anal\u00f2gica analitza la societat actual prenent com a punt d&#8217;inflexi\u00f3 el canvi d&#8217;un passat anal\u00f2gic a un futur digital. Un passat que deixa milers de cossos enterrats en fosses comunes sense identificaci\u00f3, en llocs de pas.<br \/>\nLa humanitat sembla voler oblidar. I gaireb\u00e9 sempre ho aconsegueix. L&#8217;\u00e9sser hum\u00e0 \u00e9s capa\u00e7 de desenvolupar mecanismes d&#8217;estupidesa molt f\u00e0cilment. \u00c9s m\u00e9s f\u00e0cil mirar cap un altre costat, buscar excuses per la inacci\u00f3.<br \/>\nApagada anal\u00f2gica reflexiona sobre el nostre rol en aquesta recerca i cap a on mirem. En definitiva, cap a on anem com a societat.\n       <\/p>\n<p><\/p>\n<p align=\"justify\">Lucila Teste crea el Colectivo Contrafacto per investigar, a trav\u00e9s de les noves formes d&#8217;aproximaci\u00f3 a l&#8217;escena, la relaci\u00f3 entre mem\u00f2ria hist\u00f2rica i teatre. Juntament amb ella, participen del col\u00b7lectiu Samuel Quiles i M\u00f2nica Serra. Entre les seves creacions figuren el mon\u00f2leg autobiogr\u00e0fic Hija de la dictadura argentina, que porta fins al moment m\u00e9s de 100 representacions a Catalunya, Espanya i Argentina, i que ha estat nominat als premis ACE 2009 com a millor tasca en unipersonal, o la performance Re-presi\u00f3n i una adaptaci\u00f3 del mon\u00f2leg testimonial Una estirpe de petisas, de Patricia Zangaro.<\/p>\n<p align=\"justify\">&nbsp;<\/p>\n<\/td>\n<p>  <!-- CASTELLANO -->    <\/p>\n<td width=\"190\" align=\"left\" valign=\"top\" bgcolor=\"#000000\" style=\"font-size: 12px; color: #FF0;\">\n<p align=\"justify\">Apagada anal\u00f3gica analiza la sociedad actual tomando como punto de inflexi\u00f3n el cambio de un pasado anal\u00f3gico a un futuro digital. Un pasado que deja miles de cuerpos enterrados en fosas comunes sin identificaci\u00f3n, en lugares de paso.<br \/>\nLa humanidad parece querer olvidar. Y casi siempre lo logra. El ser humano es capaz de desarrollar mecanismos de estupidez muy f\u00e1cilmente. Es m\u00e1s f\u00e1cil mirar hacia otro lado, buscar excusas para la inacci\u00f3n.<br \/>\nApagada anal\u00f3gica reflexiona sobre nuestro rol en esta b\u00fasqueda y hacia d\u00f3nde miramos. En definitiva, hacia d\u00f3nde vamos como sociedad.\n   <\/p>\n<p><\/p>\n<p align=\"justify\">Lucila Teste crea el Colectico Contrafacto para investigar, a trav\u00e9s de las nuevas formas de aproximaci\u00f3n a la escena, la relaci\u00f3n entre memoria hist\u00f3rica y teatro. Junto con ella, participan del colectivo Samuel Quiles y M\u00f3nica Serra. Entre sus creaciones figuran el mon\u00f3logo autobiogr\u00e1fico Hija de la dictadura argentina, que lleva hasta el momento m\u00e1s de 100 representaciones en Catalu\u00f1a, Espa\u00f1a y Argentina, y que ha sido nominado a los premios ACE 2009 como mejor labor en unipersonal, la performance Re-presi\u00f3n y una adaptaci\u00f3n del mon\u00f3logo testimonial Una estirpe de petisas, de Patricia Zangaro.<strong><u><\/u><\/strong><\/p>\n<p align=\"justify\">&nbsp;<\/p>\n<\/td>\n<p><!-- ENGLISH -->    <\/p>\n<td width=\"192\" align=\"left\" valign=\"top\" bgcolor=\"#FFFF00\" style=\"font-size: 12px\">\n<p align=\"justify\">Apagada Anal\u00f3gica 2.0 (Analogue Blackout 2.0) analyses modern society taking as a starting point the change from analogue past to digital future. A past that leaves thousands of bodies buried in unmarked graves, in places between places.<br \/>\n      Humanity seems to want to forget. And it almost always succeeds. Human beings are capable of developing mechanisms of stupidity with great ease. It&#8217;s easier to look away, to search for excuses not to act.<br \/>\n      The piece considers our role in this search and the direction of our gaze. In short, where we are headed as a society.<\/p>\n<p align=\"justify\">Lucila Teste created the Colectivo Contrafacto to investigate, using new ways of interpreting performance, the relationship between historical memory and theatre. Also forming part of the collective are Samuel Quiles and Monica Serra. Among her creations she boasts the autobiographical monologue Hija de la dictadura argentina (Daughter of the Argentine dictatorship), which has been performed more than 100 times in Catalonia, Spain and Argentina, and has been nominated for the ACE Awards 2009 as the best solo performance; the performance Re-presi\u00f3n and an adaptation of the testimonial monologue Una estirpe de petisas by Patricia Zangaro.<\/p>\n<p align=\"justify\">&nbsp;<\/p>\n<p align=\"justify\">&nbsp;<\/p>\n<\/td>\n<p> <!-- FRENCH -->    <\/p>\n<td width=\"194\" align=\"left\" valign=\"top\" bgcolor=\"#000000\" style=\"font-size: 12px; color: #FF0;\">\n<p align=\"justify\">\u00abExtinction Analogique\u00bb analyse la soci\u00e9t\u00e9 actuelle en prenant comme point d&#8217;inflexion le passage entre un pass\u00e9 analogique et un futur digital. Un pass\u00e9 qui laisse des milliers de corps non identifi\u00e9s enterr\u00e9s dans des fosses communes, sur des lieux de passage.<br \/>\nL&#8217;humanit\u00e9 semble vouloir oublier. Elle y parvient souvent. L&#8217;\u00eatre humain\u00a0d\u00e9veloppe tr\u00e8s facilement des m\u00e9canismes d&#8217;abrutissement. Il est si simple de d\u00e9tourner la t\u00eate, de se chercher des excuses pour ne pas agir.<br \/>\n\u00abExtinction analogique\u00bb s&#8217;interroge autour de notre r\u00f4le dans cette qu\u00eate. O\u00f9 portons nous notre regard?\u00a0<br \/>\nEn d\u00e9finitive, vers o\u00f9 allons nous en tant que soci\u00e9t\u00e9?<\/p>\n<p align=\"justify\">Lucila Teste fonde le Colectivo Contrafacto pour explorer, \u00e0 travers les nouvelles formes d&#8217;approches sc\u00e9niques, la relation entre la m\u00e9moire historique et le th\u00e9\u00e2tre.<br \/>\nA ses c\u00f4t\u00e9s, le collectif est compos\u00e9 de Samuel Quiles et M\u00f2nica Serra. Parmi ses cr\u00e9ations figurent le monologue autobiographique \u00abHija de la dictadura argentina\u00bb, \u00a0qui a \u00e9t\u00e9 jou\u00e9 \u00e0 ce jour lors de plus de cent repr\u00e9sentations en Catalogne, Espagne et Argentine et qui a \u00e9t\u00e9 nomin\u00e9e aux prix ACE 2009 comme meilleur travail dans la cat\u00e9gorie cr\u00e9ation personnelle, \u00a0la performance Re-presi\u00f2n et une adaptation du monologue-t\u00e9moignage \u00abUna estirpe de petisas\u00bb, de Patricia Zangaro.<\/p>\n<p align=\"justify\">&nbsp;<\/p>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n<\/div>\n<p><!-- END ESPECTACULO --><br \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212; &#x2605; &nbsp;31 Maig i 1-3 Juny &nbsp;&nbsp;31 Mayo y 1-3 Junio&nbsp; 31 May &#038; 1-3 June &nbsp; 31 Mai et 1-3 Juin &nbsp;&#x2605; COLECTIVO CONTRAFACTO \u201dApagada Anal\u00f2gica 2.0\u201d ESTRENA durada \/ duraci\u00f3n \/ duration \/ dur\u00e9e: 70 min noves&#8230;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1789","post","type-post","status-publish","format-standard","hentry","category-general"],"_links":{"self":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts\/1789","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/comments?post=1789"}],"version-history":[{"count":3,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts\/1789\/revisions"}],"predecessor-version":[{"id":1792,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts\/1789\/revisions\/1792"}],"wp:attachment":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/media?parent=1789"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/categories?post=1789"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/tags?post=1789"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}