{"id":196,"date":"2010-04-26T23:36:38","date_gmt":"2010-04-26T22:36:38","guid":{"rendered":"http:\/\/www.tea-tron.com\/anticteatre\/blog\/2010\/04\/26\/programacio-274-a-75-antic-teatre\/"},"modified":"2010-04-27T11:35:20","modified_gmt":"2010-04-27T10:35:20","slug":"programacio-274-a-75-antic-teatre","status":"publish","type":"post","link":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/2010\/04\/26\/programacio-274-a-75-antic-teatre\/","title":{"rendered":"programaci\u00f3 27\/4 a 7\/5 antic teatre"},"content":{"rendered":"<p><meta http-equiv=\"Content-Type\" content=\"text\/html; charset=UTF-8\" \/><\/p>\n<style type=\"text\/css\"> body, td, th { font-family: Arial, Helvetica, sans-serif; color: #020205; text-align: left; font-size: 11px; } a:link {text-decoration: none; color: #000;  background-color:#FF0; padding:1px; } a:visited {text-decoration: none; color: #000;  background-color:#FF0; padding:1px; } a:hover {text-decoration: none; color: #FFF; background-color: #000; } a:active {text-decoration: none; color: #000; font-weight: normal; } <\/style>\n<p align=\"center\"><!-- CABECREA LOGO--><\/p>\n<table id=\"header\" width=\"650\" border=\"0\" cellpadding=\"0\" cellspacing=\"0\">\n<tr>\n<td colspan=\"2\" style=\"color: #000000; font-size: 12px; text-align: left\" align=\"center\" bgcolor=\"#ffffff\" height=\"41\"><span style=\"padding-left: 20px; font-weight: bold\">Catal\u00e1 \/\/\/ Castellano<\/span> \/\/\/ <span style=\"font-weight: bold\">English<\/span><\/td>\n<\/tr>\n<tr>\n<td colspan=\"2\" height=\"55\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.anticteatre.com\/newsletter2010\/febrero\/logo_newsletter.jpg\" alt=\"logo Antic Teatre\" width=\"650\" height=\"230\" \/><\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"24\" bgcolor=\"#ffffff\" height=\"32\">&nbsp;<\/td>\n<td valign=\"top\" width=\"626\" align=\"left\" bgcolor=\"#ffffff\"><a href=\"http:\/\/maps.google.com\/maps?f=q&amp;source=s_q&amp;hl=es&amp;geocode=&amp;q=antic+teatre&amp;sll=37.0625,-95.677068&amp;sspn=48.50801,114.169922&amp;ie=UTF8&amp;hq=antic+teatre&amp;hnear=&amp;radius=15000&amp;z=13&amp;iwloc=A\" target=\"_blank\">[ MAPA ]<\/a><br \/>\n<a href=\"mailto:anticteatre@anticteatre.com\" target=\"_blank\">  [ anticteatre@anticteatre.com ]<\/a><br \/>\n<a href=\"http:\/\/www.anticteatre.com\/lanticteatre\" target=\"_blank\">  [ www.anticteatre.com ]<\/a><br \/>\n<a href=\"http:\/\/www.lanticteatre.com\/AdriAntic\/AA.html\" target=\"_blank\">  [ Adriantic ]<\/a><br \/>\n<a href=\"http:\/\/vimeo.com\/channels\/anticteatre\" target=\"_blank\">  [ Antic Teatre en vimeo ]<\/a><br \/>\n<a href=\"http:\/\/www.lacentraldelcirc.cat\/images\/M_images\/ftanticteatre.pdf\" target=\"_blank\">  [Fitxa t\u00e8cnica ]<\/a><\/td>\n<\/tr>\n<\/table>\n<p><!-- END CABECREA --><\/p>\n<p><!-- NOTICIAS CABECERA --><\/p>\n<table width=\"650\" border=\"0\" cellpadding=\"0\" cellspacing=\"0\">\n<tr>\n<td bgcolor=\"#333333\" height=\"35\"><span style=\"padding-left: 20px; color: #ffff00; font-size: 14px; font-family: Arial,Helvetica,sans-serif; font-weight: bold\">\u00a0NOTICIES<\/span><br \/>\n<span style=\"color: #ffffff; font-size: 14px; font-family: Arial,Helvetica,sans-serif; font-weight: bold\">\u00a0NOTICIAS<\/span><br \/>\n<span style=\"color: #ffff00; font-size: 14px; font-family: Arial,Helvetica,sans-serif; font-weight: bold\">\u00a0NEWS<\/span><\/td>\n<\/tr>\n<\/table>\n<p><!-- END NOTICIAS CABECERA --><br \/>\n<!-- NOTICIAS --><\/p>\n<table width=\"650\" bgcolor=\"#ffffff\" border=\"0\" cellpadding=\"20\" cellspacing=\"0\">\n<tr bgcolor=\"#ffffff\">\n<td valign=\"top\" align=\"left\" bgcolor=\"#ffffff\">\n<p style=\"color: #000000; font-size: 12px\"><strong>NOVA REVISTA<\/strong> Antic Teatre n\u00ba1 \u00a0Gener a Juny 2010 \u00a0\u00a0<em>\u00a0(56 p\u00e0gines)\u00a0<\/em><a href=\"http:\/\/issuu.com\/www.anticteatre.com\/docs\/revistaantic01?mode=embed&amp;layout=http%3A%2F%2Fskin.issuu.com%2Fv%2Flight%2Flayout.xml&amp;showFlipBtn=true\" target=\"_blank\">  Llegir Online \u2192<\/a><\/p>\n<p style=\"color: #000000; font-size: 12px\"><strong>NUEVA REVISTA<\/strong> Antic Teatre n\u00ba1 \u00a0Enero a Junio 2010 \u00a0\u00a0<em>\u00a0(56 paginas)\u00a0<\/em><a href=\"http:\/\/issuu.com\/www.anticteatre.com\/docs\/revistaantic01?mode=embed&amp;layout=http%3A%2F%2Fskin.issuu.com%2Fv%2Flight%2Flayout.xml&amp;showFlipBtn=true\" target=\"_blank\">  Leer Online \u2192<\/a><\/p>\n<p style=\"color: #000000; font-size: 12px\"><strong>NEW ISSUE<\/strong> Antic Teatre n\u00ba1 \u00a0January \u00a0to June 2010 \u00a0\u00a0<em>\u00a0(56 pages)\u00a0<\/em><a href=\"http:\/\/issuu.com\/www.anticteatre.com\/docs\/revistaantic01?mode=embed&amp;layout=http%3A%2F%2Fskin.issuu.com%2Fv%2Flight%2Flayout.xml&amp;showFlipBtn=true\" target=\"_blank\">  Read Online \u2192<\/a><\/p>\n<p>    <img decoding=\"async\" src=\"http:\/\/www.anticteatre.com\/newsletter2010\/abril\/revistanticteatre1.jpg\" alt=\"revista\" width=\"300\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"icono-pdf.png\" alt=\"pdf icon\" width=\"22\" height=\"18\" \/><a href=\"http:\/\/www.anticteatre.com\/newsletter2010\/febrero\/revistaAntic01.pdf\" target=\"_blank\"><strong>Descarregar Arxiu PDF<\/strong><\/a>\u00a077Mb<\/td>\n<\/tr>\n<\/table>\n<p><!-- END NOTICIAS --><br \/>\n<!-- NOTICIAS --><\/p>\n<table width=\"650\" border=\"0\" cellpadding=\"20\" cellspacing=\"0\">\n<tr bgcolor=\"#000000\">\n<td valign=\"top\" align=\"left\" bgcolor=\"#000000\">\n<p style=\"color: #000000; font-size: 12px\"><strong>NOUS ENTRENAMENTS<\/strong> A PARTIR DEL 5 DE MAR\u00c7 2010 \u00a0<a href=\"#entreno\">M\u00e9s info \u2192<\/a><\/p>\n<p style=\"color: #000000; font-size: 12px\"><strong>NUEVOS ENTRENAMIENTOS<\/strong> A PARTIR DEL 5 DE MARZO 2010 \u00a0<a href=\"#entreno\">M\u00e1s info \u2192<\/a><\/p>\n<p style=\"color: #000000; font-size: 12px\"><strong>NEW TRAININGS<\/strong> FROM THE 5th OF MARCH 2010 \u00a0<a href=\"#entreno\">More info \u2192<\/a><\/p>\n<\/td>\n<\/tr>\n<\/table>\n<p><!-- END NOTICIAS --><br \/>\n<!-- PROGRAMACION CABECERA --><\/p>\n<table width=\"650\" border=\"0\" cellpadding=\"0\" cellspacing=\"0\">\n<tr>\n<td bgcolor=\"#333333\" height=\"35\"><span style=\"padding-left: 20px; color: #ffff00; font-size: 14px; font-family: Arial,Helvetica,sans-serif; font-weight: bold\">\u00a0ABRIL<\/span><br \/>\n<span style=\"color: #ffffff; font-size: 14px; font-family: Arial,Helvetica,sans-serif; font-weight: bold\">\u00a0ABRIL<\/span><br \/>\n<span style=\"color: #ffff00; font-size: 14px; font-family: Arial,Helvetica,sans-serif; font-weight: bold\">\u00a0APRIL<\/span><\/td>\n<\/tr>\n<\/table>\n<p><!-- END PROGRAMACION CABECERA --><br \/>\n<!-- ESPECTACULO --><\/p>\n<table width=\"650\" border=\"0\" cellpadding=\"0\" cellspacing=\"0\">\n<tr>\n<td colspan=\"4\" style=\"padding-left: 10px; color: #ffff00; font-size: 12px\" bgcolor=\"#020205\" height=\"22\"> \u2605DIJOUS \u00a029 d\u2019ABRIL  \u00a0A \u00a0 DIUMENGE \u00a02<br \/>\nde MAIG <span style=\"color: #ffffff\"> \u00a0\u00a0\u00a0JUEVES \u00a029 de ABRIL\u00a0 \u00a0A \u00a0DOMINGO \u00a02 de MAYO<\/span><\/p>\n<p>THURSDAY \u00a029 APRIL \u00a0TO\u00a0SUNDAY \u00a02 MAY<br \/>\n\u2605<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"238\" bgcolor=\"#ffffff\">\n<p style=\"text-align: right; font-size: 12px\"><span style=\"background-color: #000000; color: #ffff00; font-family: Arial,Helvetica,sans-serif; font-size: 20px; padding: 0px\">MARCEL\u00b7L\u00cd ANT\u00daNEZ ROCA<br \/>\n<\/span><br \/>\n<span style=\"color: #000000; font-size: 14px\">\u201cProtomembrana\u201d<\/span><\/p>\n<p><span style=\"color: #000000; font-size: 10px\">Noves Tecnologies \/\/10 \u20ac \/\/ socis 8 \u20ac<\/span><br \/>\n<span style=\"color: #000000; font-size: 10px\">Nuevas Tecnolog\u00edas<strong> <\/strong>\/\/ 10 \u20ac \/\/ socios 8 \u20ac<\/span><br \/>\n<span style=\"color: #000000; font-size: 10px\">New Media \/\/ 10 \u20ac \/\/members 8 \u20ac<\/span><\/p>\n<p><!-- HORARIOS --><br \/>\n<span style=\"text-align: right\"><span style=\"color: #999999; font-size: 10px; font-weight: normal\">HORARIS ESPECTACLE<\/span><br \/>\n<span style=\"color: #333333; font-size: 11px\">DIJOUS  \u00a0A DISSABTE: 21:00 H<br \/>\nDIUMENGE: 20:00 H<\/span><\/span><\/p>\n<p style=\"text-align: right\"><span style=\"color: #999999; font-size: 10px; font-weight: normal\">HORARIOS ESPECTACULO<\/span><br \/>\n<span style=\"color: #333333; font-size: 11px\">JUEVES \u00a0A SABADO: 21:00 H<br \/>\nDOMINGO: 20:00 H<\/span><\/p>\n<p style=\"text-align: right\"><span style=\"color: #999999; font-size: 10px; font-weight: normal\">SCHEDULES SHOW<\/span><br \/>\n<span style=\"color: #333333; font-size: 11px\">THURSDAY \u00a0TO SATURDAY: 21:00 H<br \/>\nSUNDAY: 20:00 H<\/span><\/p>\n<p style=\"text-align: right\"><strong> reservar:<\/strong> 93 315 23 54 <a href=\"mailto:anticteatre@anticteatre.com\" target=\"_blank\">   anticteatre@anticteatre.com<\/a><\/p>\n<\/td>\n<td rowspan=\"2\" width=\"21\" bgcolor=\"#ffffff\">&nbsp;<\/td>\n<td rowspan=\"2\" valign=\"top\" bgcolor=\"#ffffff\">\n<p id=\"info\">\n<!-- IMAGEN ESPECTACULO --><br \/>\n<img decoding=\"async\" src=\"http:\/\/www.anticteatre.com\/newsletter2010\/abril\/marceli.jpg\" alt=\"marceli\" width=\"400\" \/><\/p>\n<p><object width=\"370\" height=\"300\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/g_vhk5OSkcU&amp;hl=es_ES&amp;fs=1&amp;\"><\/param><param name=\"allowFullScreen\" value=\"true\"><\/param><param name=\"allowscriptaccess\" value=\"always\"><\/param><embed src=\"http:\/\/www.youtube.com\/v\/g_vhk5OSkcU&amp;hl=es_ES&amp;fs=1&amp;\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"370\" height=\"300\"><\/embed><\/object><br \/>\n<span style=\"color: #000000; font-size: 11px; font-weight: bold\"><\/span><\/p>\n<p><span style=\"font-weight: normal\">Autor, Performer i Dibuixos: <\/span> Marcel\u00b7l\u00ed Ant\u00fanez Roca<br \/>\n<span style=\"font-weight: normal\">Animaci\u00f3: <\/span> Liliana Fortuny<br \/>\n<span style=\"font-weight: normal\">Programaci\u00f3: <\/span>Matteo Sisti Sette<br \/>\n<span style=\"font-weight: normal\">M\u00fasica: <\/span>Alain Wergifosse<br \/>\n<span style=\"font-weight: normal\">Fotografia: <\/span>Carles Rodr\u00edguez<br \/>\n<span style=\"font-weight: normal\">V\u00eddeo: <\/span>Lucia Ega\u00f1a Rojas i Francis G\u00f3mez de la Cruz<br \/>\n<span style=\"font-weight: normal\">Disseny d\u2019il\u00b7luminaci\u00f3: <\/span> Oriol Ib\u00e1\u00f1ez<br \/>\n<span style=\"font-weight: normal\">Assistent de producci\u00f3 t\u00e8cnica: <\/span>Lucia Ega\u00f1a Rojas<br \/>\n<span style=\"font-weight: normal\">Producci\u00f3 executiva: <\/span>Eva Vilar\u00f3 M\u00f3ra<br \/>\n<span style=\"font-weight: normal\">Producci\u00f3: <\/span>Panspermia SL<br \/>\n<!-- LINKS --><br \/>\n<a href=\"http:\/\/www.marceliantunez.com\/\" target=\"_blank\">  www.marceliantunez.com \u2192<\/a><\/td>\n<td rowspan=\"2\" width=\"21\" bgcolor=\"#ffffff\">&nbsp;<\/td>\n<\/tr>\n<tr>\n<td align=\"right\" bgcolor=\"#ffffff\">&nbsp;<\/td>\n<\/tr>\n<\/table>\n<p><!-- TEXTO INFO --><\/p>\n<table width=\"650\" border=\"0\" cellpadding=\"10\" cellspacing=\"0\">\n<tr bgcolor=\"#ffffff\"><!-- CATALA --><\/p>\n<td style=\"font-size: 12px; color: #000000\" valign=\"top\" width=\"196\" align=\"left\" bgcolor=\"#ffff00\">Si llegiu paraules com <em><strong>dreskeleton<\/strong><\/em><strong>, <em>exoesqueleto<\/em> i <em>robot interactiu<\/em><\/strong> no us espanteu! \u00c9s en<strong> Marcel\u00b7l\u00ed Ant\u00fanez <\/strong>que ve a Antic per presentar \u201c<em>Protomembrana 2006<\/em>\u201d. L\u2019argument d\u2019aquesta performance \u00e9s una lli\u00e7\u00f3 te\u00f2rica sobre la Sistematurgia, la qual serveix per teixir, segons la manera de les <em>Metamorfosis<\/em> d\u2019Ovidi, una narraci\u00f3 plena de rondalles. L\u2019obra t\u00e9 un to cr\u00edtic, sorgeix com d\u2019una distropia, sempre sense perdre la seva c\u00e0rrega ir\u00f2nica i s\u2019apropa en determinats moments als subg\u00e8neres de la hipnosis o la m\u00e0gia. La performance fa servir, a m\u00e9s a m\u00e9s de la narraci\u00f3 verbal, l\u2019animaci\u00f3 gr\u00e0fica, la m\u00fasica i la il\u00b7luminaci\u00f3. Aquests mitjans s\u00f3n tractats com a elements interactius. \u201cProtomembrana\u201d \u00e9s el primer episodi de la saga de les Membranes i des de la seva estrena\u00a0 fins avui \u00e9s el que ha tingut un major recorregut internacional.<\/p>\n<p>Reconegut internacionalment com una de les figures m\u00e9s rellevants de l\u2019art electr\u00f2nic i l\u2019experimentaci\u00f3 esc\u00e8nica, la traject\u00f2ria d\u2019en Marcel\u00b7l\u00ed avarca un per\u00edode de 30 anys, al llarg dels quals ha desenvolupat un univers visual absolutament personal i iconoclasta, basat en una reflexi\u00f3 sobre sistemes de producci\u00f3 art\u00edstica amb una iconografia particular i pr\u00f2pia. Ha realitzat instal\u00b7lacions i performances a museus, galeries, teatres i espais no convencionals en m\u00e9s de 35 pa\u00efsos. La seva obra inclou performances mecatr\u00f2niques en ocasions amb robots, instal\u00b7lacions interactives\u00a0 i col\u00b7laboracions amb col\u00b7lectius com<strong> la Fura dels Baus<\/strong> del que va ser <strong>fundador i l\u00edder <\/strong>als anys vuitanta.<\/td>\n<td style=\"font-size: 12px; color: #ffff00\" valign=\"top\" width=\"196\" align=\"left\" bgcolor=\"#000000\">Si le\u00e9is palabras como<strong> <em>dreskeleton<\/em>, <em>exoesqueleto<\/em> y <em>robot interactivo<\/em> <\/strong>\u00a1no os asust\u00e9is! Es <strong>Marcel\u00b7l\u00ed Ant\u00fanez<\/strong> que viene a Antic para presentar \u201c<em>Protomembrana 2006<\/em>\u201d. El argumento de la performance Protomembrana es una lecci\u00f3n te\u00f3rica sobre la Sistematurgia, que sirve para tejer, a modo de las Metamorfosis de Ovidio, una narraci\u00f3n llena de f\u00e1bulas. La obra tiene un tono cr\u00edtico, emerge como una distrop\u00eda, siempre sin perder su carga ir\u00f3nica y se acerca en determinados momentos a los subg\u00e9neros de la hipnosis o la magia. La performance utiliza, adem\u00e1s de la narraci\u00f3n verbal, la animaci\u00f3n gr\u00e1fica, la m\u00fasica y la iluminaci\u00f3n. Estos medios son tratados como elementos interactivos. \u201c<em>Protomembrana<\/em>\u201d es el primer episodio de la saga de las Membranas y desde su estreno\u00a0 hasta hoy es el que ha tenido mayor recorrido internacional.<\/p>\n<p>Reconocido internacionalmente como una de las figuras m\u00e1s relevantes de del arte electr\u00f3nico y la experimentaci\u00f3n esc\u00e9nica, la trayectoria de Marcel\u00b7l\u00ed abarca un per\u00edodo de 30 a\u00f1os, durante los cuales ha desarrollado un universo visual absolutamente personal e iconoclasta. Ha realizado instalaciones y performances, en museos, galer\u00edas, teatros y espacios no convencionales en m\u00e1s de 35 pa\u00edses. Su obra incluye performances mecatr\u00f3nicas, en ocasiones con robots, instalaciones interactivas\u00a0 y colaboraciones con colectivos como <strong>la Fura dels Baus<\/strong>, del que fue<strong> fundador y l\u00edder <\/strong>en los a\u00f1os ochenta.<\/td>\n<td style=\"font-size: 12px\" valign=\"top\" width=\"196\" align=\"left\" bgcolor=\"#ffff00\">If you read words such as <em><strong>dreskeleton<\/strong><\/em><strong>, <em>exoskeletone<\/em> or <em>interactive robot,<\/em><\/strong> don\u2019t panic! It\u2019s<strong> Marcel\u00b7l\u00ed Ant\u00fanez<\/strong> coming to Antic to present \u201cProtomembrana 2006\u201d. The performances topic is a theory lesson on systemathy that is used to construct, as I fit were Ovides Metamorphosis, a narration full of stories. The piece has a critical tone, emerges as a dystrophy, without loosing its irony and becomes close at times to the subgenres of hypnosis or magic. The performance uses, as well as word storytelling, grafic animation, music and special light designs. These sources are combined with interactive elements. Protomembraba is the first episode of the Membranes and since its preview up until today is the one that has had the most international projection.<\/p>\n<p>Internationally acclaimed as one of the most relevant figures of electronic art and experimental scenery, Marcel\u00b7l\u00ed\u2019s work has been going on for 30 years during which he has developed a personal and iconic universe. He has done installations and performances around museums, galleries, theatres and non-conventional spaces in more than 35 countries. His work includes mecatronic performances, with robots many times, interactive installations and collaborations with collectives such as <strong>La Fura Dels Baus<\/strong>, which he <strong>founded and leaded<\/strong> during the 80s.<\/td>\n<\/tr>\n<\/table>\n<p><!-- LOGOS COMPANIA --><\/p>\n<table width=\"650\" border=\"0\" cellpadding=\"5\" cellspacing=\"0\">\n<tr bgcolor=\"#ffffff\">\n<td><img decoding=\"async\" src=\"http:\/\/www.anticteatre.com\/newsletter2010\/abril\/logomarceli7.jpg\" valign=\"middle\" alt=\"logo 7\" align=\"right\" height=\"40\" \/><br \/>\n<img decoding=\"async\" src=\"http:\/\/www.anticteatre.com\/newsletter2010\/abril\/logomarceli6.jpg\" valign=\"middle\" alt=\"logo 6\" align=\"right\" height=\"40\" \/><br \/>\n<img decoding=\"async\" src=\"http:\/\/www.anticteatre.com\/newsletter2010\/abril\/logomarceli5.jpg\" valign=\"middle\" alt=\"logo 5\" align=\"right\" height=\"30\" \/><br \/>\n<img decoding=\"async\" src=\"http:\/\/www.anticteatre.com\/newsletter2010\/abril\/logomarceli4.jpg\" valign=\"middle\" alt=\"logo 4\" align=\"right\" height=\"40\" \/><br \/>\n<img decoding=\"async\" src=\"http:\/\/www.anticteatre.com\/newsletter2010\/abril\/logomarceli3.jpg\" valign=\"middle\" alt=\"logo 3\" align=\"right\" height=\"40\" \/><br \/>\n<img decoding=\"async\" src=\"http:\/\/www.anticteatre.com\/newsletter2010\/abril\/logomarceli2.jpg\" valign=\"middle\" alt=\"logo 2\" align=\"right\" height=\"40\" \/><br \/>\n<img decoding=\"async\" src=\"http:\/\/www.anticteatre.com\/newsletter2010\/abril\/logomarceli1.jpg\" valign=\"middle\" alt=\"logo 1\" align=\"right\" height=\"40\" \/><\/td>\n<\/tr>\n<\/table>\n<p><!-- END ESPECTACULO --><\/p>\n<p><!-- ESPECTACULO --><\/p>\n<table width=\"650\" border=\"0\" cellpadding=\"0\" cellspacing=\"0\">\n<tr>\n<td colspan=\"4\" style=\"padding-left: 10px; color: #ffff00; font-size: 12px\" bgcolor=\"#020205\" height=\"22\">\u2605 DIMARTS  27 ABRIL<span style=\"color: #ffffff\"> \u00a0\u00a0MARTES  27 ABRIL<\/span>\u00a0\u00a0TUESDAY 27 APRIL<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"238\" bgcolor=\"#ffffff\">\n<p style=\"text-align: right; font-size: 12px\"><span style=\"background-color: #000000; color: #ffff00; font-family: Arial,Helvetica,sans-serif; font-size: 20px; padding: 0px\">Luc\u00eda Lijtmaer &amp;<br \/>\nSairica Rose<br \/>\n<\/span><br \/>\n<span style=\"color: #000000; font-size: 14px\">\u201c(An)other\/Avanzando hacia Detroit\u201d<\/span><\/p>\n<p><span style=\"color: #000000; font-size: 10px\">Poesia a dues veus sobre coses maques (o no).\/\/ 6\u20ac<\/span><br \/>\n<span style=\"color: #000000; font-size: 10px\">Poes\u00eda a dos voces sobre cosas bonitas (o no). \/\/ 6\u20ac<\/span><br \/>\n<span style=\"color: #000000; font-size: 10px\">Poetry in Two Voices about pretty things (or not)\/\/ 6\u20ac<\/span><\/p>\n<p><!-- HORARIOS --><br \/>\n<span style=\"color: #999999; font-size: 10px; font-weight: normal\">HORARIS ESPECTACLE<\/span><br \/>\n<span style=\"color: #333333; font-size: 11px\">DIMARTS: 21:00 H<\/span><\/p>\n<p style=\"text-align: right\"><span style=\"color: #999999; font-size: 10px; font-weight: normal\">HORARIOS ESPECTACULO<\/span><br \/>\n<span style=\"color: #333333; font-size: 11px\">MARTES: 21:00 H<\/span><\/p>\n<p style=\"text-align: right\"><span style=\"color: #999999; font-size: 10px; font-weight: normal\">SCHEDULES SHOW<\/span><br \/>\n<span style=\"color: #333333; font-size: 11px\">TUESDAY: 21:00 H<\/span><\/td>\n<td rowspan=\"2\" width=\"21\" bgcolor=\"#ffffff\">&nbsp;<\/td>\n<td rowspan=\"2\" valign=\"top\" bgcolor=\"#ffffff\"><!-- IMAGEN ESPECTACULO --><img decoding=\"async\" src=\"http:\/\/www.anticteatre.com\/newsletter2010\/abril\/lucia1.jpg\" alt=\"pere.jpg\" width=\"400\" \/><br \/>\nVoces y textos:<strong> Luc\u00eda Lijtmaer &amp; Sairica Rose<\/strong><br \/>\n<span style=\"font-weight: normal\">M\u00fasica:<strong> Andrea Mart\u00ednez<\/strong><\/span><br \/>\n<!--  LINKS --><\/p>\n<p><a href=\"http:\/\/www.cosaslula.blogspot.com\/\" target=\"_blank\">Luc\u00eda Lijtmaer: www.cosaslula.blogspot.com \u2192<\/a><\/p>\n<p><a href=\"http:\/\/www.myspace.com\/liteiny\" target=\"_blank\">  Sairica Rose: www.myspace.com\/liteiny  \u2192<\/a><\/p>\n<p><a href=\"http:\/\/www.sairica.com\/\" target=\"_blank\">  Sairica Rose: www.sairica.com \u2192<\/a><\/td>\n<td rowspan=\"2\" width=\"21\" bgcolor=\"#ffffff\">&nbsp;<\/td>\n<\/tr>\n<tr>\n<td align=\"right\" bgcolor=\"#ffffff\">&nbsp;<\/td>\n<\/tr>\n<\/table>\n<table width=\"650\" border=\"0\" cellpadding=\"10\" cellspacing=\"0\">\n<tr bgcolor=\"#ffffff\"><!-- CATALA --><\/p>\n<td style=\"font-size: 12px; color: #000000\" valign=\"top\" width=\"196\" align=\"left\" bgcolor=\"#ffff00\">(An) other \/ Avan\u00e7ant cap a Detroit \u00e9s una proposta de Sairica Rose, Luc\u00eda Lijtmaer i Andrea Mart\u00ednez. El projecte de Sairica Rose es basa en microhist\u00f2ries po\u00e8tiques, a estones l\u00fagubres, a estones c\u00e0ustiques, on es barregen veus originals de diferents personatges. Luc\u00eda Lijtmaer presenta cartes i di\u00e0legs d&#8217;humor, desamor i crims<\/p>\n<p>. Ambdues estaran acompanyades per la m\u00fasica d&#8217;Andrea Mart\u00ednez. (An) other \/ Avan\u00e7ant cap a Detroit explora qu\u00e8 passa un cop la bellesa s&#8217;esfuma i deixa pas al que ve despr\u00e9s, a l&#8217;altra. Si el parad\u00eds s&#8217;assembla al Carib, on som quan arribem a Detroit?<\/td>\n<td style=\"font-size: 12px; color: #ffff00\" valign=\"top\" width=\"196\" align=\"left\" bgcolor=\"#000000\">(An)other\/ Avanzando hacia Detroit es una propuesta de Sairica Rose, Luc\u00eda Lijtmaer y Andrea Mart\u00ednez. El proyecto de Sairica Rose se basa en microhistorias po\u00e9ticas, a ratos l\u00fagubres, a ratos c\u00e1usticas, d\u00f3nde se entremezclan voces originales de distintos personajes. Luc\u00eda Lijtmaer presenta cartas y di\u00e1logos de humor, desamor y cr\u00edmenes.<\/p>\n<p>Ambas estar\u00e1n acompa\u00f1adas por la m\u00fasica de Andrea Mart\u00ednez. (An)other\/Avanzando hacia Detroit explora qu\u00e9 ocurre una vez lo bello se esfuma y deja paso a lo que viene despu\u00e9s, a lo otro. Si el para\u00edso se parece al Caribe, \u00bfd\u00f3nde estamos cuando llegamos a Detroit<\/td>\n<td style=\"font-size: 12px\" valign=\"top\" width=\"196\" align=\"left\" bgcolor=\"#ffff00\">(An) other \/ Moving to Detroit is a proposal from Sairica Rose, Lucia Lijtmaer and Andrea Martinez.. The project is based on poetic microhistories , sometimes mournful, sometimes caustic, mingling voices of different characters. Lucia Lijtmaer presents letters and dialogues of humor, heartbreak and crimes.<\/p>\n<p>They will be accompanied by the music of Andrea Martinez. (An) other \/ Moving to Detroit explores what happens when beauty fades and gives way to what comes next, to the other. If paradise is like the Caribbean, where are we when we get to Detroit?<\/td>\n<\/tr>\n<\/table>\n<p><!-- LOGOS COMPANIA --><\/p>\n<table width=\"650\" border=\"0\" cellpadding=\"5\" cellspacing=\"0\">\n<tr bgcolor=\"#ffffff\">\n<td><strong>Organitzen: Antic Teatre, Usted es un colectivo i propost.org<\/strong><\/td>\n<\/tr>\n<\/table>\n<p><!-- END ESPECTACULO --><\/p>\n<p><!-- ESPECTACULO --><\/p>\n<table width=\"650\" border=\"0\" cellpadding=\"0\" cellspacing=\"0\">\n<tr>\n<td colspan=\"4\" style=\"padding-left: 10px; color: #ffff00; font-size: 12px\" bgcolor=\"#020205\" height=\"22\">\u2605 DIMECRES 28 ABRIL<span style=\"color: #ffffff\"> \u00a0\u00a0MIERCOLES 28 ABRIL<\/span>\u00a0\u00a0WEDNESDAY 28 APRIL<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"238\" bgcolor=\"#ffffff\">\n<p style=\"text-align: right; font-size: 12px\">       <span style=\"background-color: #000000; color: #ffff00; font-family: Arial,Helvetica,sans-serif; font-size: 20px; padding: 0px\">TaMo TuMa  &amp; Pere Soto<br \/>\n<\/span><\/p>\n<p><span style=\"color: #000000; font-size: 14px\">M\u00fasica\/\/ 8\u20ac<\/span><br \/>\n<span style=\"color: #000000; font-size: 12px\">M\u00fasica\/\/ 8\u20ac<\/span><br \/>\n<span style=\"color: #000000; font-size: 12px\">Music\/\/ 8\u20ac<\/span><\/p>\n<p><!-- HORARIOS --><br \/>\n<span style=\"color: #999999; font-size: 10px; font-weight: normal\">HORARIS ESPECTACLE<\/span><br \/>\n<span style=\"color: #333333; font-size: 11px\">DIMECRES: 21:00 H<\/span><\/p>\n<p style=\"text-align: right\"><span style=\"color: #999999; font-size: 10px; font-weight: normal\">HORARIOS ESPECTACULO<\/span><br \/>\n<span style=\"color: #333333; font-size: 11px\">MIERCOLES: 21:00 H<\/span><\/p>\n<p style=\"text-align: right\"><span style=\"color: #999999; font-size: 10px; font-weight: normal\">SCHEDULES SHOW<\/span><br \/>\n<span style=\"color: #333333; font-size: 11px\">WEDNESDAY: 21:00 H<\/span><\/td>\n<td rowspan=\"2\" width=\"21\" bgcolor=\"#ffffff\">&nbsp;<\/td>\n<td rowspan=\"2\" valign=\"top\" bgcolor=\"#ffffff\"><!-- IMAGEN ESPECTACULO --><img decoding=\"async\" src=\"http:\/\/www.anticteatre.com\/newsletter2010\/abril\/tamo.jpg\" alt=\"tamo\" width=\"370\" \/><\/p>\n<p><!--  LINKS --><br \/>\n<a href=\"http:\/\/www.myspace.com\/tamotuma\" target=\"_blank\">http:\/\/www.myspace.com\/tamotuma\t\u2192<\/a><\/p>\n<p><a href=\"http:\/\/www.peresoto.com\" target=\"_blank\"> http:\/\/www.peresoto.com\t\u2192<\/a><\/td>\n<td rowspan=\"2\" width=\"21\" bgcolor=\"#ffffff\">&nbsp;<\/td>\n<\/tr>\n<tr>\n<td align=\"right\" bgcolor=\"#ffffff\">&nbsp;<\/td>\n<\/tr>\n<\/table>\n<p><!-- TEXTO INFO --><\/p>\n<table width=\"650\" border=\"0\" cellpadding=\"10\" cellspacing=\"0\">\n<tr bgcolor=\"#ffffff\"><!-- CATALA --><\/p>\n<td style=\"font-size: 12px; color: #000000\" valign=\"top\" width=\"196\" align=\"left\" bgcolor=\"#ffff00\">Tamo Tuma, va n\u00e9ixer a Su\u00efssa, \u00e9s d&#8217;origen mexicana i anglesa. Com a cantant i artista multim\u00e8dia ha fet gires per Europa, els Estats Units i Canad\u00e0. Tamo ha realitzat al Knitting Factory NY, Tacheles Berlin, en Festivals de jazz de Montreux, Willissau, Ottawa, diversos projectes d&#8217;una banda de deu a sols i s&#8217;ha presentat en diversos duos &#8216;Alma Tadema &amp; JPS Scorpio&#8217;, &#8216;Almavoxlabo &amp; GAT &#8216;,&#8217; TNT &#8216;amb el baixista Tyler Mitchell&#8217; a Europa i Am\u00e8rica. Amb un fons en art-rock, nova m\u00fasica, jazz i actuacions experimentals, ella \u00e9s reconeguda com una creadora. Ella ha desenvolupat un estil propi com a cantant, per tant el t\u00edtol de &#8216;pintor del so&#8217;. La seva veu i n\u00edtida lliurament de text deixa ning\u00fa intacta.<\/p>\n<p>Amb Pere Soto a Oaxaca es va reunir el 2008, on van decidir sobre un projecte al voltant d&#8217;uns est\u00e0ndards de jazz..<\/p>\n<p>Nascut a Badalona, Pere Soto \u00e9s guitarrista, compositor, arranjador, productor. Autodidacte, des de molt aviat va estar interessat en tot tipus de m\u00fasica i en especial el m\u00f3n de la guitarra. Les seves primeres experi\u00e8ncies en el terreny del free-jazz, de la m\u00fasica brasilera, el blues, &#8230; Les seves innombrables actuacions com a m\u00fasic de sessi\u00f3 en diferents bandes per tot el territori, tot aix\u00f2 el van portar a emprendre la seva carrera a nivell internacional a partir de l&#8217;any 1989. Durant la seva vida professional ha tocat amb m\u00fasics com ara: John Engels, Arjen Gorter, Dave Liebman, Han Beninck, Dave Douglas, Tom Cora, Niko Langenhuisen, Evan Tate, Lou Donaldson, MikeClark, Tyler Mitchell &#8230; &#8230;. I molts m\u00e9s. Ha escrit 7 quartets de cordes, diverses obres per a guitarra, piano, obres de cambra, diverses obres per a orquestra simf\u00f2nica, etc &#8230; Ha tocat en festivals a Espanya, Holanda, \u00c0ustria, B\u00e8lgica, Anglaterra, Estats Units, M\u00e8xic, Canad\u00e0.<\/p>\n<p>No es perd aquests artistes poetes, va ser una nit molt improvisada&#8230;<\/td>\n<td style=\"font-size: 12px; color: #ffff00\" valign=\"top\" width=\"196\" align=\"left\" bgcolor=\"#000000\">TaMo TuMa, naci\u00f3 en Suiza, es de origen mexicana y inglesa. Como cantante y artista multimedia ha hecho giras por Europa, los Estados Unidos y Canad\u00e1. TaMo ha realizado en el Knitting Factory NY, Tacheles Berlin, en Festivales de jazz de Montreux, Willissau, Ottawa, varios proyectos de una banda de diez a solos y se ha presentado en varios d\u00faos \u2018Alma Tadema &amp; JPS Scorpio\u2019, \u2018Almavoxlabo &amp; GAT\u2019, \u2018TNT\u2019 con el bajista Tyler Mitchell\u2019 en Europa y Am\u00e9rica. Con un fondo en art-rock, nueva m\u00fasica, jazz y actuaciones experimentales, ella es reconocida como una creadora. Ella ha desarrollado un estilo propio como cantante, por lo tanto el t\u00edtulo de &#8216;pintor del sonido&#8217;. Su voz y n\u00edtida entrega de texto deja nadie intacta.<\/p>\n<p>Con Pere Soto en Oaxaca se reuni\u00f3 en \u00a02008, donde decidieron sobre un proyecto alrededor de unos est\u00e1ndares de jazz..<\/p>\n<p>Nacido en Badalona, Pere Soto es guitarrista, compositor, arreglista, productor. Autodidacta, desde muy temprana edad estuvo interesado en todo tipo de m\u00fasica y en especial el mundo de la guitarra. Sus primeras experiencias en el terreno del free-jazz, de la m\u00fasica brasile\u00f1a, el blues,&#8230; Sus innumerables actuaciones como m\u00fasico de sesi\u00f3n en diferentes bandas por todo el territorio, todo eso lo llevaron a emprender su carrera a nivel internacional a partir del a\u00f1o 1989. Durante su vida profesional ha tocado con m\u00fasicos tales como: John Engels, Arjen Gorter, Dave Liebman, Han Beninck, Dave Douglas, Tom Cora, Niko Langenhuisen, Evan Tate, Lou Donaldson, MikeClark, Tyler Mitchell\u2026\u2026.y muchos mas. Ha escrito 7 cuartetos de cuerdas, varias obras para guitarra, piano, obras de c\u00e1mara, varias obras para orquesta sinf\u00f3nica, etc\u2026Ha tocado en festivales en Espa\u00f1a, Holanda, Austria, B\u00e9lgica, Inglaterra, Estados Unidos, M\u00e9xico, Canad\u00e1.<\/p>\n<p>No se pierde estos artistas poetas, va ser una noche muy improvisada&#8230;<\/td>\n<td style=\"font-size: 12px\" valign=\"top\" width=\"196\" align=\"left\" bgcolor=\"#ffff00\">Tamo Tuma, born in Switzerland, she is Mexican and English. As a singer and multimedia artist has toured through Europe, the United States and Canada. Tamo has performed at the Knitting Factory NY, Tacheles Berlin, Montreux Jazz Festival, Willissau, Ottawa, several projects of a band of ten and has performed solos in several duos&#8217; Alma Tadema &amp; JPS Scorpio &#8216;,&#8217; Almavoxlabo &amp; GAT &#8216;,&#8217; TNT &#8216;with bassist Tyler Mitchell&#8217; in Europe and America. With a background in art-rock, new music, jazz and experimental performances, she is recognized as a creator. She has developed a unique style as a singer, hence the title of &#8216;painter of a sound. His voice and clear delivery of text leaves no one untouched.<\/p>\n<p>With Pere Soto met in Oaxaca in 2008, where they decided on a project about some jazz standards.<\/p>\n<p>Born in Badalona, Pere Soto is a guitarist, composer, arranger, producer. Self-taught from an early age was interested in all types of music and especially the world of guitar. His early experiences in the field of free-jazz, Brazilian music, blues, &#8230; His numerous performances as a session musician in different bands throughout the country, all that led him to launch his international career after the year 1989. During her career she has played with musicians such as John Engels, Arjen Gorter, Dave Liebman, Han Beninck, Dave Douglas, Tom Cora, Niko Langenhuisen, Evan Tate, Lou Donaldson, MikeClark, Tyler Mitchell &#8230; &#8230;. And many more. He has written 7 string quartets, several works for guitar, piano, chamber works, several works for symphony orchestra, etc &#8230; He has performed at festivals in Spain, Holland, Austria, Belgium, England, United States, Mexico, Canada.<\/p>\n<p>Do not miss these artists, poets, will be a night of improvisation&#8230;<\/td>\n<\/tr>\n<\/table>\n<p><!-- LOGOS COMPANIA --><\/p>\n<table width=\"650\" border=\"0\" cellpadding=\"5\" cellspacing=\"0\">\n<tr bgcolor=\"#ffffff\">\n<td><strong>Organitzen: \u00a0 Antic Teatre, G3G<\/strong><\/td>\n<\/tr>\n<\/table>\n<p><!-- END ESPECTACULO --><\/p>\n<p><!-- PROGRAMACION CABECERA --><\/p>\n<table width=\"650\" border=\"0\" cellpadding=\"0\" cellspacing=\"0\">\n<tr>\n<td bgcolor=\"#333333\" height=\"35\"><span style=\"padding-left: 20px; color: #ffff00; font-size: 14px; font-family: Arial,Helvetica,sans-serif; font-weight: bold\">\u00a0MAIG<\/span><br \/>\n<span style=\"color: #ffffff; font-size: 14px; font-family: Arial,Helvetica,sans-serif; font-weight: bold\">\u00a0MAYO<\/span><br \/>\n<span style=\"color: #ffff00; font-size: 14px; font-family: Arial,Helvetica,sans-serif; font-weight: bold\">\u00a0MAY<\/span><\/td>\n<\/tr>\n<\/table>\n<p><!-- END PROGRAMACION CABECERA --><\/p>\n<p><!-- ESPECTACULO --><\/p>\n<table width=\"650\" border=\"0\" cellpadding=\"0\" cellspacing=\"0\">\n<tr>\n<td colspan=\"4\" style=\"padding-left: 10px; color: #ffff00; font-size: 12px\" bgcolor=\"#020205\" height=\"22\"> \u2605DIMERCER 5 MAIG <span style=\"color: #ffffff\"> \u00a0\u00a0\u00a0MIERCOLES 5 MAYO<\/span><br \/>\nWEDNESDAY\u00a0   5 MAY<br \/>\n\u2605<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"238\" bgcolor=\"#ffffff\">\n<p style=\"text-align: right; font-size: 12px\"><span style=\"background-color: #000000; color: #ffff00; font-family: Arial,Helvetica,sans-serif; font-size: 20px; padding: 0px\">OLIVER GRIMBALL<\/span><\/p>\n<p>      <strong>Realitza 2 passis.. Horari mes abaix<\/strong><\/p>\n<p><span style=\"color: #000000; font-size: 14px\">\u201cLa projecci\u00f3 del gran home invisible\u201d<\/span><\/p>\n<p><span style=\"color: #000000; font-size: 14px\">\u201cLa proyecci\u00f3n del gran hombre invisible\u201d<\/span><\/p>\n<p><span style=\"color: #000000; font-size: 14px\">\u201cThe amazing Invisible projeted man\u201d<\/span><\/p>\n<p><span style=\"color: #000000; font-size: 10px\">videoart \/ m\u00fasica experimental \/lletra parlada 5\u20ac<\/span><br \/>\n<span style=\"color: #000000; font-size: 10px\">videoarte \/m\u00fasica experimental\/letra hablada 5 \u20ac<\/span><br \/>\n<span style=\"color: #000000; font-size: 10px\">videoart\/experiemental music \/spoken word 5 <\/span><\/p>\n<p><!-- HORARIOS --><br \/>\n<span style=\"text-align: right\"><span style=\"color: #999999; font-size: 10px; font-weight: normal\">HORARIS ESPECTACLE<\/span><br \/>\n<span style=\"color: #333333; font-size: 11px\">DIMERCER: 20:30 &#8211; 20:50H<br \/>\nDIMERCER: 21:30-21:50H<\/span><\/span><\/p>\n<p style=\"text-align: right\"><span style=\"color: #999999; font-size: 10px; font-weight: normal\">HORARIOS ESPECTACULO<\/span><br \/>\n<span style=\"color: #333333; font-size: 11px\">MIERCOLES: 20:30 &#8211; 20:50 H<br \/>\nMIERCOLES: 21:30-21:50 H<\/span><\/p>\n<p style=\"text-align: right\"><span style=\"color: #999999; font-size: 10px; font-weight: normal\">SCHEDULES SHOW<\/span><br \/>\n<span style=\"color: #333333; font-size: 11px\">WEDNESDAY: 20:30 &#8211; 20:50 H<br \/>\nWEDNESDAY: 21:30-21:50H<\/span><\/p>\n<p style=\"text-align: right\"><strong> reservar:<\/strong> 93 315 23 54 <a href=\"mailto:anticteatre@anticteatre.com\" target=\"_blank\">   anticteatre@anticteatre.com<\/a><\/p>\n<\/td>\n<td rowspan=\"2\" width=\"21\" bgcolor=\"#ffffff\">&nbsp;<\/td>\n<td rowspan=\"2\" valign=\"top\" bgcolor=\"#ffffff\">\n<p id=\"info\">\n<!-- IMAGEN ESPECTACULO --><br \/>\n<img decoding=\"async\" src=\"http:\/\/www.anticteatre.com\/newsletter2010\/mayo\/oliver22.jpg\" alt=\"450\" \/><\/p>\n<p><object width=\"370\" height=\"300\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/72bKjTVUDgE&amp;hl=es_ES&amp;fs=1&amp;\"><\/param><param name=\"allowFullScreen\" value=\"true\"><\/param><param name=\"allowscriptaccess\" value=\"always\"><\/param><embed src=\"http:\/\/www.youtube.com\/v\/72bKjTVUDgE&amp;hl=es_ES&amp;fs=1&amp;\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"370\" height=\"300\"><\/embed><\/object><\/p>\n<p>      <span style=\"color: #000000; font-size: 11px; font-weight: bold\"><\/span><\/p>\n<p><span style=\"font-weight: normal\">Director\/Director de projeccions de video:<\/span><strong> Agust\u00edn Calder\u00f3n  <\/strong><br \/>\n<span style=\"font-weight: normal\">Productor\/Creador conceptual\/Artista de paraules: <\/span><strong> Oliver Grimball <\/strong><br \/>\n<span style=\"font-weight: normal\">Programaci\u00f3: <\/span><strong>Matteo Sisti Sette<\/strong><br \/>\n<span style=\"font-weight: normal\">Director art\u00edstic\/Dissenyador d&#8217;escenograf\u00eda\/Co-Creador conceptual: <\/span><strong>James Crosthwaite  <\/strong><br \/>\n<span style=\"font-weight: normal\">Fot\u00f3graf: <\/span><strong>Xavier Bel <\/strong><br \/>\n<span style=\"font-weight: normal\">Operadora de c\u00e0mara: <\/span><strong>Diana Artunduaga Arriaga <\/strong><br \/>\n<span style=\"font-weight: normal\">Dissenyadors de s\u00f3 experimental: <\/span> <strong>Freddy (Ponk) Knopp (Berlin) <\/strong><br \/>\n<span style=\"font-weight: normal\">I molts m\u00e9s&#8230;. <\/span><br \/>\n<!-- LINKS --><br \/>\n<a href=\"http:\/\/www.mtv.com.au\/news\/oliver-grimball-sets-off-on-an-anodyne-holiday-958c3ecc-c417-4f6f-8666-7d3252d3d6b2\/\" target=\"_blank\">  Oliver Grimball  \u2192<\/a><\/td>\n<td rowspan=\"2\" width=\"21\" bgcolor=\"#ffffff\">&nbsp;<\/td>\n<\/tr>\n<tr>\n<td align=\"right\" bgcolor=\"#ffffff\">&nbsp;<\/td>\n<\/tr>\n<\/table>\n<p><!-- TEXTO INFO --><\/p>\n<table width=\"650\" border=\"0\" cellpadding=\"10\" cellspacing=\"0\">\n<tr bgcolor=\"#ffffff\"><!-- CATALA --><\/p>\n<td style=\"font-size: 12px; color: #000000\" valign=\"top\" width=\"196\" align=\"left\" bgcolor=\"#ffff00\">El performance<strong> \u00abLa projecci\u00f3 del gran home invisible\u00bb <\/strong>\u00e9s una pe\u00e7a que incorpora videoart, projecci\u00f3, direcci\u00f3, m\u00fasica experimental y lletra parlada, tot actuat en temps real a trav\u00e9s d&#8217;una capsa de filferro que es nom \u00abM\u00e0quina de Teleprojecci\u00f3\u00bb.<br \/>\nDurant tres mesos Oliver i un equip de cineastes, artistes, fot\u00f3grafs i productors de m\u00fasica experimental han estat treballant per a portar-vos \u00abLa projecci\u00f3 del gran home invisible\u00bb.<\/p>\n<p><strong>Oliver Grimball<\/strong> des de fa quinze anys ha perfeccionat el seu estil \u00fanic de barrejar la presentaci\u00f3 po\u00e8tica amb el cl\u00e0ssic hip-hop narrats en prosa. L&#8217;ind\u00fastria, originalment del sur-est, ha tingut l&#8217;honor de col\u00b7laborar amb artistes de classe com Mos Def, Rahzel, King Britt, Ursula Rucker, Reggie Gibson, Joe Claussell, Paul Hunter, Mutabaruka, Trace Ellington, Earl Talbot, Mad Professor, Malik Yusef, Jeremy Sole\u00b4s Musaics, Amalia Ortiz, Al Haca Sound System, Lex Blackmore AKA Blue Boy i molts m\u00e9s.<\/td>\n<td style=\"font-size: 12px; color: #ffff00\" valign=\"top\" width=\"196\" align=\"left\" bgcolor=\"#000000\">El performance <strong>\u00abLa proyecci\u00f3n del gran hombre invisible\u00bb<\/strong> es una pieza que incorpora videoarte, proyecci\u00f3n, direcci\u00f3n, m\u00fasica experimental y letra hablada, todo actuado en tiempo real a trav\u00e9s de una caja de alambres llamada \u00ab<em>M\u00e1quina de Teleproyecci\u00f3n<\/em>\u00ab.<br \/>\nDurante tres meses Oliver y un equipo de cineastas, artistas, fot\u00f3grafos y productores de m\u00fasica experimental han estado trabajando para traeros \u00abLa proyecci\u00f3n del gran hombre invisible\u00bb.<\/p>\n<p><strong>Oliver Grimball<\/strong> desde hace 15 a\u00f1os ha perfeccionado su estilo \u00fanico de mezclar la presentaci\u00f3n po\u00e9tica y el cl\u00e1sico hip-hop narrados en prosa. La ind\u00fastria, originalmente de sur este, ha tenido el honor de colaborar con artistas de clase como Mos Def, Rahzel, King Britt, Ursula Rucker, Reggie Gibson, Joe Claussell, Paul Hunter, Mutabaruka, Trace Ellington, Earl Talbot, Mad Professor, Malik Yusef, Jeremy Sole\u00b4s Musaics, Amalia Ortiz, Al Haca Sound System, Lex Blackmore AKA Blue Boy y muchos m\u00e1s.<\/td>\n<td style=\"font-size: 12px\" valign=\"top\" width=\"196\" align=\"left\" bgcolor=\"#ffff00\">The performance<strong> \u00abthe amazing Invisible projeted man<\/strong>\u00ab, \u00a0is a piece that incorprates video, projection, film making , experiemental music and Spoken word all performed in real time through a machine a wire box called the <em><u>\u00abTeleprojection machine\u00bb.<br \/>\n<\/u><\/em>for three months oliver and a team of Filmakers, Artists ,photographers,and experimental music producers have been working to bring you the amazing Invisible projeted man.<\/p>\n<p>Over the past 15 years <strong>Oliver Grimball<\/strong> has perfected his unique blend of spokenword poetry and classic hip-hop mixed with prose style of story telling. The industry insider, originally from the Southeast, has had the honor of collaborating with other artists such as Mos Def, Rahzel, King Britt, Ursula Rucker, Reggie Gibson, Joe Claussell, Paul Hunter, Mutabaruka, Trace Ellington, Earl Talbot, Mad Professor, Malik Yusef, Jeremy Sole\u00b4s Musaics, Amalia Ortiz, Al Haca Sound System, Lex Blackmore AKA Blue Boy and many more<\/td>\n<\/tr>\n<\/table>\n<p><!-- END ESPECTACULO --><br \/>\n<!-- ESPECTACULO --><\/p>\n<table width=\"650\" border=\"0\" cellpadding=\"0\" cellspacing=\"0\">\n<tr>\n<td colspan=\"4\" style=\"padding-left: 10px; color: #ffff00; font-size: 12px\" bgcolor=\"#020205\" height=\"22\"> \u2605DIVENDRES\u00a07\u00a0A \u00a0 DIUMENGE \u00a09 MAIG<span style=\"color: #ffffff\"> \u00a0\u00a0\u00a0VIERNES \u00a07\u00a0 \u00a0A \u00a0DOMINGO  9 MAYO<\/span><br \/>\nFRIDAY \u00a07\u00a0TO\u00a0SUNDAY \u00a09 MAY<br \/>\n\u2605<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"238\" bgcolor=\"#ffffff\">\n<p style=\"text-align: right; font-size: 12px\"><span style=\"background-color: #000000; color: #ffff00; font-family: Arial,Helvetica,sans-serif; font-size: 20px; padding: 0px\">Companyia LA VERONAL<br \/>\n<\/span><br \/>\n<span style=\"color: #000000; font-size: 14px\">\u201cMaryland\u201d<\/span><\/p>\n<p>Nous llenguatges del cos<span style=\"color: #000000; font-size: 10px\">\/\/10 \u20ac \/\/ socis 8 \u20ac<\/span><br \/>\n<span style=\"color: #000000; font-size: 10px\">Nuevos lenguajes del cuerpo<strong> <\/strong>\/\/ 10 \u20ac \/\/ socios 8 \u20ac<\/span><br \/>\n<span style=\"color: #000000; font-size: 10px\">Dance \/\/ 10 \u20ac \/\/members 8 \u20ac<\/span><\/p>\n<p><!-- HORARIOS --><br \/>\n<span style=\"text-align: right\"><span style=\"color: #999999; font-size: 10px; font-weight: normal\">HORARIS ESPECTACLE<\/span><br \/>\n<span style=\"color: #333333; font-size: 11px\">DIVENDRES  \u00a0A DISSABTE: 21:00 H<br \/>\nDIUMENGE: 20:00 H<\/span><\/span><\/p>\n<p style=\"text-align: right\"><span style=\"color: #999999; font-size: 10px; font-weight: normal\">HORARIOS ESPECTACULO<\/span><br \/>\n<span style=\"color: #333333; font-size: 11px\">VIERNES \u00a0A SABADO: 21:00 H<br \/>\nDOMINGO: 20:00 H<\/span><\/p>\n<p style=\"text-align: right\"><span style=\"color: #999999; font-size: 10px; font-weight: normal\">SCHEDULES SHOW<\/span><br \/>\n<span style=\"color: #333333; font-size: 11px\">FRIDAY \u00a0TO SATURDAY: 21:00 H<br \/>\nSUNDAY: 20:00 H<\/span><\/p>\n<p style=\"text-align: right\"><strong> reservar:<\/strong> 93 315 23 54 <a href=\"mailto:anticteatre@anticteatre.com\" target=\"_blank\">   anticteatre@anticteatre.com<\/a><\/p>\n<\/td>\n<td rowspan=\"2\" width=\"21\" bgcolor=\"#ffffff\">&nbsp;<\/td>\n<td rowspan=\"2\" valign=\"top\" bgcolor=\"#ffffff\">\n<p id=\"info\">\n<!-- IMAGEN ESPECTACULO --><br \/>\n<img decoding=\"async\" src=\"http:\/\/www.anticteatre.com\/newsletter2010\/mayo\/veronal.jpg\" alt=\"400\" \/><\/p>\n<p><span style=\"color: #000000; font-size: 11px; font-weight: bold\"><\/span><\/p>\n<p><span style=\"font-weight: normal\">Direcci\u00f3 i coreografia: <\/span> Marcos Morau i Dukowshka<br \/>\n<span style=\"font-weight: normal\">Ballarina: <\/span> Lorena Nogal<br \/>\n<span style=\"font-weight: normal\">Int\u00e8rpret: <\/span>Tanya Beyeler<br \/>\n<span style=\"font-weight: normal\">M\u00fasica: <\/span>Philip Glass<br \/>\n<span style=\"font-weight: normal\">Pianista:  <\/span>North Howling<br \/>\n<span style=\"font-weight: normal\">Disseny Il\u00b7luminaci\u00f3:  <\/span>Enric Planas<br \/>\n<span style=\"font-weight: normal\">Vestuari:  <\/span> Ludmila Vitsheva<br \/>\n<span style=\"font-weight: normal\">Fotografia:  <\/span>Ilana Sivachenko<br \/>\n<span style=\"font-weight: normal\">Documentaci\u00f3: <\/span>Carmina S. Belda<br \/>\n<span style=\"font-weight: normal\">Manager:  <\/span>Fani Benages<\/p>\n<p>En col\u00b7laboraci\u00f3 amb el Institut del Teatre de Barcelona<br \/>\n<!-- LINKS --><br \/>\n<a href=\"http:\/\/www.laveronal.blogspot.com\/\" target=\"_blank\">  www.laveronal.blogspot.com \u2192<\/a><\/p>\n<p><a href=\"http:\/\/www.laveronal.tumblr.com\/\" target=\"_blank\">  www.laveronal.tumblr.com \u2192<\/a><\/td>\n<td rowspan=\"2\" width=\"21\" bgcolor=\"#ffffff\">&nbsp;<\/td>\n<\/tr>\n<tr>\n<td align=\"right\" bgcolor=\"#ffffff\">&nbsp;<\/td>\n<\/tr>\n<\/table>\n<p><!-- TEXTO INFO --><\/p>\n<table width=\"650\" border=\"0\" cellpadding=\"10\" cellspacing=\"0\">\n<tr bgcolor=\"#ffffff\"><!-- CATALA --><\/p>\n<td style=\"font-size: 12px; color: #000000\" valign=\"top\" width=\"196\" align=\"left\" bgcolor=\"#ffff00\"><strong>Maryland<\/strong> \u00e9s una carrera de fons, una prova de resist\u00e8ncia, la lluita constant per la perfecci\u00f3 d&#8217;un atleta i del seu entrenador. L&#8217;atleta \u00e9s el ballar\u00ed, actiu per la seva fisicalitat. L&#8217;atleta, com el ballar\u00ed, \u00e9s un artefacte hist\u00f2ric del moviment preparat, manipulat, dirigit, com un arma. L&#8217;entrenador \u00e9s el core\u00f3graf, dictador des de l&#8217;ombra, manipulador des del burladero, estrateg de la guerra, la veu de l&#8217;amo, de l&#8217;ordre, de la disciplina, qui distingeix el b\u00e9 del mal, la guia que tot home anhela. El ballar\u00ed necessita ser guiat, el core\u00f3grafo necessita guiar. Hem nascut per a aix\u00f2, per a ser esclaus els uns dels altres, per\u00f2 ara \u00e9s el moment de comen\u00e7ar a entendre&#8217;ns.<\/p>\n<p><strong>Marcos Morau i Dukovshka<\/strong> estudia coreografia i t\u00e8cniques de dansa al Institut del Teatre de Barcelona, al Conservatori Superior de dansa de Val\u00e8ncia i al Movement Research de NYC. El seu projecte d\u2019assist\u00e8ncia coreogr\u00e0fica el desenvolupa al Nederlands Dans Theater II i al IT Dansa. Ha estudiat amb Vicente Sa\u00e9z, Tom\u00e1s Aragay (Societat Doctor Alonso), Hilde Hoch (William Forsythe), Marta Reig (Conny Jansen Danst), Roberto Frattini, Llu\u00eds Ayet (Centre coreogr\u00e0fic de Montpellier), Moreno Bernardi&#8230; entre altres.<\/td>\n<td style=\"font-size: 12px; color: #ffff00\" valign=\"top\" width=\"196\" align=\"left\" bgcolor=\"#000000\"><strong>Maryland<\/strong> es una carrera de fondo, una prueba de resistencia, la lucha constante por la perfecci\u00f3n de un atleta y de su entrenador. El atleta es el bailar\u00edn, activo por su fisicalidad.\u00a0 El atleta, como el bailar\u00edn, es un artefacto hist\u00f3rico del movimiento preparado, manipulado, dirigido, como un arma. El entrenador es el core\u00f3grafo, dictador desde la sombra, manipulador desde el burladero, estratega de la guerra, la voz del amo, del orden, de la disciplina, quien distingue el bien del mal, la gu\u00eda que todo hombre anhela. El bailar\u00edn necesita ser guiado, el core\u00f3grafo necesita guiar. Hemos nacido para esto, para ser esclavos los unos de los otros, pero ahora es el momento de empezar a entendernos.<\/p>\n<p><strong>Marcos Morau Dukovshka<\/strong> estudia coreograf\u00eda y t\u00e9cnicas de danza en el Instituto del Teatro de Barcelona, en el Conservatorio Superior de danza de Valencia y en el Movement Research de NYC. Su proyecto de asistencia coreogr\u00e1fica lo desarrolla en el Nederlands Dans Theater II y en IT Dansa. Ha estudiado con Vicente Sa\u00e9z, Tom\u00e1s Aragay (Societat Doctor Alonso), Hilde Hoch (William Forsythe), Marta Reig (Conny Jansen Danst), Roberto Frattini, Llu\u00eds Ayet (Centro coreogr\u00e1fico de Montpellier), Moreno Bernardi&#8230; entre otros.<\/td>\n<td style=\"font-size: 12px\" valign=\"top\" width=\"196\" align=\"left\" bgcolor=\"#ffff00\"><strong>Maryland<\/strong> is a distance race, an endurance test, the constant struggle for perfection of an athlete and his coach. The athlete is the dancer, active by his physicality. The athlete, as the dancer, is a historical artifact of the prepared movement, manipulated, directed, as a weapon. The coach is the choreographer, dictator from the shadow, manipulator from his refuge, war strategist, the voice of the master, of the order, of the discipline; he is the one who distinguishes between good and evil, he is the guide that everybody yearn of. The dancer needs to be guided, the choreographer needs to guide. We are born for that, to be slaves one from the others, but now is time to begin to understand eachothers.<\/p>\n<p><strong>Marcos Morau Dukowshka <\/strong>studied choreography and dance at the <em>Instituto del Teatro<\/em> in Barcelona, at the High Dance School in Valencia and <em>Movement Research<\/em> in NYC. He developed to his assistent choreography project at the Nederlands Dands Theater II and at the It Dansa. He has studied with Vicente S\u00e1ez, Tomas Aragay (Societat Doctor Alonso Company), Hilde Hoch (William Forsythe Company), Marta Reig (Conny Janse Danst), Roberto Frattini, Llu\u00eds Ayet (Montpellier Choreography Center), Moreno Bernardi&#8230; among others.<\/td>\n<\/tr>\n<\/table>\n<p><!-- END ESPECTACULO --><br \/>\n<!-- PROGRAMACION CABECERA --><\/p>\n<table width=\"650\" border=\"0\" cellpadding=\"0\" cellspacing=\"0\">\n<tr>\n<td bgcolor=\"#333333\" height=\"35\"><span style=\"padding-left: 20px; color: #ffff00; font-size: 14px; font-family: Arial,Helvetica,sans-serif; font-weight: bold\">\u00a0ENTRENAMENTS<\/span><br \/>\n<span style=\"color: #ffffff; font-size: 14px; font-family: Arial,Helvetica,sans-serif; font-weight: bold\">\u00a0ENTRENAMIENTOS<\/span><br \/>\n<span style=\"color: #ffff00; font-size: 14px; font-family: Arial,Helvetica,sans-serif; font-weight: bold\">\u00a0TRAININGS<\/span><\/td>\n<\/tr>\n<\/table>\n<p><!-- END PROGRAMACION CABECERA --><\/p>\n<p><!-- MARTES CABECERA --><\/p>\n<table width=\"650\" border=\"0\" cellpadding=\"0\" cellspacing=\"0\">\n<tr>\n<td bgcolor=\"#000000\" height=\"18\"><span style=\"padding-left: 10px; color: #ffff00; font-size: 10px; font-family: Arial,Helvetica,sans-serif; font-weight: bold\">\u00a0 ENTRENAMENTS DIMARTS<\/span><br \/>\n<span style=\"color: #ffffff; font-size: 10px; font-family: Arial,Helvetica,sans-serif; font-weight: bold\"> \u00a0 ENTRENAMIENTOS MARTES<\/span><br \/>\n<span style=\"color: #ffff00; font-size: 10px; font-family: Arial,Helvetica,sans-serif; font-weight: bold\">\u00a0 TRAININGS TUESDAYS<\/span><\/td>\n<\/tr>\n<\/table>\n<p><!-- MARTES CABECERA --><\/p>\n<table width=\"650\" border=\"0\" cellpadding=\"10\" cellspacing=\"0\">\n<tr bgcolor=\"#ffffff\">\n<td valign=\"top\" width=\"196\" align=\"left\" bgcolor=\"#ffffff\">\n<p style=\"color: #000000; font-size: 12px\"><strong>COS &amp; RITME<\/strong><br \/>\namb Carme Torrent<\/p>\n<p>Un entrenament podriem  dir que s\u2019apropa a una pre-t\u00e8cnixa, \u00e9s a dir, anterior a una t\u00e9cnica ja realitzada on es poden tocar les bases d\u2019un cos creatiu, d\u2019un cos decidit abans que arribi a tancar-se en un m\u00e8tode o t\u00e9cnica concrets.<\/p>\n<p>Per aix\u00f2 es proposa replantejar els h\u00e0bits del cos i les estructures mentals que l\u2019acompanyen, de manera que poguem incidir sobre posibles \u00e0rees de canvi a la percepci\u00f3 i l\u2019estat actual del nostre cop i, aixi, tamb\u00e9 l\u2019entorn.<\/p>\n<p>Com a pr\u00e0ctica est\u00e0 oberta a qualsevol pesona interessada en explotar el cos a trav\u00e9s del moviment.<\/p>\n<p>La pr\u00e0ctica consta de:<\/p>\n<p>&#8211; Un treball de moviment a trav\u00e9s de la din\u00e1mica i el ritme, que observa la sensibilitat kinest\u00e8tica i el porencial del cos en moviment.<\/p>\n<p>&#8211; Desenvolupament d\u2019una s\u00e8rie de manipulacions dirigides a facilitar l\u2019estirament i la alienaci\u00f3.<\/p>\n<hr style=\"border: 0pt none; color: #999999; background-color: #cccccc; height: 1px\" \/><strong>Horaris<\/strong><\/p>\n<p>Martes de 10 a 12 h<br \/>\nA partir del 5 de Mar\u00e7<\/td>\n<td style=\"font-size: 12px; color: #000000\" valign=\"top\" width=\"196\" align=\"left\" bgcolor=\"#ffff00\">\n<p style=\"color: #000000; font-size: 12px\"><strong>CUERPO &amp; RITMO<\/strong><br \/>\ncon Carme Torrent<\/p>\n<p>Un entrenamiento podriamos decir que se acerca a una pre-t\u00e9cnica, es decir, anterior a cualquier t\u00e9cnica ya formalizada , donde se pueden tocar las bases de un cuerpo creativo, de un cuerpo decidido,  antes de que llegue a encerrarse en un m\u00e9todo o t\u00e9cnica concretos.<\/p>\n<p>Para ello se propone replantear los h\u00e1bitos del cuerpo y las estructuras mentales que le acompa\u00f1an, de manera que podamos incidir sobre posibles \u00e1reas de cambio en la percepci\u00f3n y el estado actual de nuestro cuerpo y con ello tambi\u00e9n del entorno.<\/p>\n<p>Como pr\u00e1ctica est\u00e1 abierta a cualquier persona interesada en explorar el cuerpo a traves del movimiento.<\/p>\n<p>La pr\u00e1ctica consta de:<\/p>\n<p>&#8211; Un trabajo de movimiento a traves de la din\u00e1mica y el ritmo, que observa la sensibilidad kinest\u00e9sica y el potencial del cuerpo en movimiento.<\/p>\n<p>&#8211; Desarrollo de una serie de manipulaciones dirigidas a facilitar el estiramiento y la alineaci\u00f3n.<\/p>\n<hr style=\"border: 0pt none; color: #999999; background-color: #cccccc; height: 1px\" \/><strong>Horarios<\/strong><\/p>\n<p>Martes de 10 a 12 h<br \/>\nA partir del 5 de Mar\u00e7<\/td>\n<td valign=\"top\" width=\"196\" align=\"left\" bgcolor=\"#ffffff\">\n<p style=\"color: #000000; font-size: 12px\"><strong>BODY &amp; RHYTHM<\/strong><br \/>\nwith Carme Torrent<\/p>\n<p>We could say a training is like a pre-technique, that is, that comes before any technique in any kind of form, in which the bases of a creative body can be worked. A decided body is constructed before it closes into a method or specific technique.<\/p>\n<p>That\u2019s why new body and mind structuring habits we could say influence possible areas of change in perception and in the current state of our body and its surroundings.<\/p>\n<p>This training is open as a practice to anyone interested in exploring the body through movement.<\/p>\n<p>The practice includes:<\/p>\n<p>&#8211; Movement work through dynamics and rhythm that observes kinesthesia.<\/p>\n<p>&#8211; Developing manipulations to ease the starching and lining.<\/p>\n<hr style=\"border: 0pt none; color: #999999; background-color: #cccccc; height: 1px\" \/><strong>Time Schedules<\/strong><\/p>\n<p>Tuesdays from 10am to 12pm<br \/>\nFrom the 5th of March onwards<\/td>\n<\/tr>\n<\/table>\n<p><!-- END TEXTOS ENTRENAMIENTOS --><br \/>\n<!-- VIERNES CABECERA --><\/p>\n<table width=\"650\" border=\"0\" cellpadding=\"0\" cellspacing=\"0\">\n<tr>\n<td bgcolor=\"#000000\" height=\"18\"><span style=\"padding-left: 10px; color: #ffff00; font-size: 10px; font-family: Arial,Helvetica,sans-serif; font-weight: bold\">\u00a0ENTRENAMENTS DIVENDRES<\/span><br \/>\n<span style=\"color: #ffffff; font-size: 10px; font-family: Arial,Helvetica,sans-serif; font-weight: bold\">\u00a0 ENTRENAMIENTOS VIERNES<\/span><br \/>\n<span style=\"color: #ffff00; font-size: 10px; font-family: Arial,Helvetica,sans-serif; font-weight: bold\">\u00a0 TRAININGS FRIDAYS<\/span><\/td>\n<\/tr>\n<\/table>\n<p><!-- VIERNES CABECERA --><\/p>\n<p><!-- TEXTO ENTRENAMIENTOS --><\/p>\n<table width=\"650\" border=\"0\" cellpadding=\"10\" cellspacing=\"0\">\n<tr bgcolor=\"#ffffff\">\n<td style=\"font-size: 12px; color: #000000\" valign=\"top\" width=\"196\" align=\"left\" bgcolor=\"#ffff00\">\n<p style=\"color: #000000; font-size: 12px\"><strong>EL COS DE LA VEU<\/strong><br \/>\namb Victor Turull<\/p>\n<p>Unir la duplicitat veu-respira\u00e7i\u00f3. Reconeixer la multiplicitat de la nostra veu i utilitzar-la. La veu ens porta f\u00e1cilment a espais interiors creatius, emocionalment creatius.<\/p>\n<p>Desde col\u00b7locacions corporals basades en la Bioenerg\u00eda potenciarem la projecci\u00f3 de la veu. Ens endinsarem a la escolta del s\u00f2 i del silenci.<\/p>\n<p>Aquest es un treball energ\u00e8tic poder\u00f3s que ens ajuda a afinar el nostre cos a trav\u00e9s de la veu. La veu, tamb\u00e9, com a netejador energ\u00e8tic del cos.<\/p>\n<p><strong>V\u00edctor Turull<\/strong> es creador esc\u00e8nic, terapeuta de s\u00f2, especialista en medicina tradicional africana.<\/p>\n<hr style=\"border: 0pt none; color: #999999; background-color: #cccccc; height: 1px\" \/><strong>Horaris<\/strong><\/p>\n<p>Divendres de 10 a 12 h<br \/>\nA partir del 5 de Mar\u00e7<\/td>\n<td style=\"font-size: 12px; color: #000000\" valign=\"top\" width=\"196\" align=\"left\" bgcolor=\"#ffffff\">\n<p style=\"color: #000000; font-size: 12px\"><strong>EL CUERPO DE LA VOZ<\/strong><br \/>\ncon Victor Turull<\/p>\n<p>Unir la duplicidad voz-respiraci\u00f3n. Reconocer la multiplicidad de nuestra voz y utilizarla. La voz nos lleva f\u00e1cilmente a espacios interiores creativos, emocionalmente creativos.<\/p>\n<p>Desde colocaciones corporales basadas en la Bioenerg\u00eda potenciaremos la proyecci\u00f3n de la voz y entraremos en la escucha del sonido y del silencio.<\/p>\n<p>Este es un trabajo energ\u00e9tico poderoso que nos ayuda a afinar nuestro cuerpo a trav\u00e9s de la voz. La voz, tambi\u00e9n, como limpiador energ\u00e9tico del cuerpo.<\/p>\n<p><strong>V\u00edctor Turull<\/strong> es creador esc\u00e9nico, terapeuta de sonido, especialista en medicina tradicional africana.<\/p>\n<hr style=\"border: 0pt none; color: #999999; background-color: #cccccc; height: 1px\" \/><strong>Horarios<\/strong><\/p>\n<p>Viernes de 10 a 12 h<br \/>\nA partir del 5 de Marzo<\/td>\n<td style=\"font-size: 12px; color: #000000\" valign=\"top\" width=\"196\" align=\"left\" bgcolor=\"#ffff00\">\n<p style=\"color: #000000; font-size: 12px\"><strong>THE VOICE\u2019S BODY<\/strong><br \/>\nwith Victor Turull<\/p>\n<p>To link both voice and breathing, to better recognize the multiplicity of our own voice and make a good use of it. Voice easily takes us to inner creative spaces, emotionally creative.<\/p>\n<p>Through body positions based in bioenergy we will get further potential of the voices projection. We will pay attention to silences also.<\/p>\n<p>This is a strong energy strength that will help us tone our body through voice and make a good use of it as a clean-up.<\/p>\n<p><strong>Victor Turull<\/strong> is a scene artist, sound therapist and specialist in traditional African medicine.<\/p>\n<hr style=\"border: 0pt none; color: #999999; background-color: #cccccc; height: 1px\" \/><strong>Time Schedules<\/strong><\/p>\n<p>Fridays from 10 am to 12pm<br \/>\nFrom the 5th of March onwards<\/td>\n<\/tr>\n<\/table>\n<p><!-- END ENTRENAMIENTOS --><br \/>\n<!-- PATROCINADORES --><\/p>\n<table width=\"650\" border=\"0\" cellpadding=\"5\" cellspacing=\"0\">\n<tr bgcolor=\"#000000\">\n<td style=\"font-size: 10px; color: #666666\" bgcolor=\"#ffffff\" height=\"21\">Subvencionat i patrocinat per<\/td>\n<\/tr>\n<\/table>\n<p><!--  END PATROCINADORES --><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Catal\u00e1 \/\/\/ Castellano \/\/\/ English &nbsp; [ MAPA ] [ anticteatre@anticteatre.com ] [ www.anticteatre.com ] [ Adriantic ] [ Antic Teatre en vimeo ] [Fitxa t\u00e8cnica ] \u00a0NOTICIES \u00a0NOTICIAS \u00a0NEWS NOVA REVISTA Antic Teatre n\u00ba1 \u00a0Gener a Juny 2010 \u00a0\u00a0\u00a0(56&#8230;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-196","post","type-post","status-publish","format-standard","hentry","category-programacion-inestable"],"_links":{"self":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts\/196","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/comments?post=196"}],"version-history":[{"count":0,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts\/196\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/media?parent=196"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/categories?post=196"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/tags?post=196"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}