
{"id":2091,"date":"2012-08-31T16:05:26","date_gmt":"2012-08-31T15:05:26","guid":{"rendered":"http:\/\/www.tea-tron.com\/anticteatre\/blog\/?p=2091"},"modified":"2012-08-31T16:05:26","modified_gmt":"2012-08-31T15:05:26","slug":"3108-y-1-y-209-compania-das-marias-malena-llena-eres-de-gracia","status":"publish","type":"post","link":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/2012\/08\/31\/3108-y-1-y-209-compania-das-marias-malena-llena-eres-de-gracia\/","title":{"rendered":"31\/08 y 1 y 2\/09 &#8211; Compa\u00f1\u00eda das Mar\u00edas &#8211; Malena, llena eres de gracia"},"content":{"rendered":"<p><a href=\"http:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-content\/uploads\/2012\/08\/das-marias.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-content\/uploads\/2012\/08\/das-marias.jpg\" alt=\"\" title=\"das marias\" width=\"356\" height=\"960\" class=\"alignleft size-full wp-image-2092\" srcset=\"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-content\/uploads\/2012\/08\/das-marias.jpg 356w, https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-content\/uploads\/2012\/08\/das-marias-111x300.jpg 111w\" sizes=\"auto, (max-width: 356px) 100vw, 356px\" \/><\/a><\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;<br \/>\nCompa\u00f1\u00eda das Mar\u00edas recrea en el teatro la trata de blancas y la prostituci\u00f3n<br \/>\n<a href=\"http:\/\/ecodiario.eleconomista.es\/cultura\/noticias\/4209926\/08\/12\/Compania-das-Marias-recrea-en-el-teatro-la-trata-de-blancas-y-la-prostitucion.html\">http:\/\/ecodiario.eleconomista.es\/cultura\/noticias\/4209926\/08\/12\/Compania-das-Marias-recrea-en-el-teatro-la-trata-de-blancas-y-la-prostitucion.html<\/a><\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<\/p>\n<p><!-- ESPECTACULO --> <\/p>\n<table width=\"846\" border=\"0\" cellpadding=\"0\" cellspacing=\"0\" bgcolor=\"#FFFFFF\">\n<tr>\n<td height=\"20\" colspan=\"4\" bgcolor=\"#020205\" style=\"padding-left: 20px; color: #FF0; font-size: 18px\">\n<p><strong>&#x2605; &nbsp;31 Agost &amp; 1 i 2 Setembre<span style=\"color: #FFF\">&nbsp;&nbsp;31 Agosto &amp; 1 y 2 Septiembre&nbsp;<\/span> 31 August &amp; 1 &amp; 2 September<span style=\"color: #FFF\">&nbsp; <\/span><\/strong><strong><span style=\"color: #FFF\">31 Ao\u00fbt &amp; 1 et 2 Septembre<br \/>\n    &nbsp;<\/span>&#x2605;<\/strong><\/p>\n<\/td>\n<\/tr>\n<td width=\"259\" valign=\"top\" bgcolor=\"#FFFFFF\">\n<p style=\"text-align: right; font-size: 12px;\"><span style=\"background-color: #000; color: #FF0; font-family: Arial, Helvetica, sans-serif; font-size: 20px; padding: 0px;\"><br \/>\n<!-- TITULO --><br \/>\nCompa\u00f1\u00eda das Mar\u00edas<\/span><strong><span class=\"style8\"><\/p>\n<p>\n    <span style=\"color: #000; text-align: right; font-size: 16px\"><strong>\u201cMalena, llena eres de gracia\u201d<br \/>\n    <\/strong><\/span><\/p>\n<p>    <span style=\"color: #000; font-size:  12px\">durada \/ duraci\u00f3n \/ duration \/ dur\u00e9e: 50 min<\/p>\n<p> <br \/>\n  \t<span class=\"style4\" style=\"color: #000; font-size:  12px\">Teatre f\u00edsic<br \/>Teatro f\u00edsico<br \/>Physical theater<br \/>Th\u00e9\u00e2tre physique<\/span><\/p>\n<p><\/p>\n<p>    <!-- HORARIOS --><\/p>\n<p style=\"text-align: right;\">\n    <span style=\"color: #999; font-weight: normal; font-size: 10px; text-align: right;\">HORARIS<\/span><br \/> <br \/>\n    <span style=\"color: #333; font-size: 10px;\"><strong>DIJOUS, DIVENDRES I DISSABTE: 21:00<br \/>DIUMENGE: 20:00<\/strong><\/span><br \/> <br \/>\n    <span style=\"color: #333; font-size: 10px; font-weight: normal;\">5 euros<\/span><\/p>\n<p>    <span style=\"color: #999; font-weight: normal; font-size: 10px; text-align: right;\">HORARIOS<\/span><br \/> <br \/>\n    <span style=\"color: #333; font-size: 10px;\"><strong>JUEVES, VIERNES Y S\u00c1BADO: 21:00<br \/>DOMINGO: 20:00<\/strong><\/span><br \/> <br \/>\n    <span style=\"color: #333; font-size: 10px; font-weight: normal;\">5 euros<\/span><\/p>\n<p>    <span style=\"color: #999; font-weight: normal; font-size: 10px; text-align: right;\">SCHEDULES<\/span><br \/> <br \/>\n    <span style=\"color: #333; font-size: 10px;\"><strong>THURSDAY, FRIDAY &#038; SATURDAY: 21:00<br \/>SUNDAY: 20:00<\/strong><\/span><strong><br \/> <br \/>\n    <\/strong><span style=\"font-size: 10px; color: #333\">5 euros<\/span><\/p>\n<p>    <span style=\"color: #999; font-weight: normal; font-size: 10px; text-align: right;\">HORAIRES<\/span><br \/> <br \/>\n    <span style=\"color: #333; font-size: 10px;\"><strong>JEUDI, VENDREDI &#038; SAMEDI: 21:00<br \/>DIMANCHE: 20:00<\/strong><\/span><br \/> <br \/>\n    <span style=\"color: #333; font-size: 10px; font-weight: normal;\">5 euros<\/span><\/p>\n<p>    <!-- AddThis Button BEGIN --><\/p>\n<div id=\"addthis\" style=\"float: right; width: 150px;\">\n<div class=\"addthis_toolbox addthis_default_style \">\n    <a class=\"addthis_button_preferred_1\"><\/a><br \/>\n    <a class=\"addthis_button_preferred_2\"><\/a><br \/>\n    <a class=\"addthis_button_preferred_3\"><\/a><br \/>\n    <a class=\"addthis_button_preferred_4\"><\/a><br \/>\n    <a class=\"addthis_button_compact\"><\/a><br \/>\n    <a class=\"addthis_counter addthis_bubble_style\"><\/a>\n    <\/div>\n<\/p><\/div>\n<p>    <script type=\"text\/javascript\" src=\"http:\/\/s7.addthis.com\/js\/250\/addthis_widget.js#pubid=xa-4e27777f525edb06\"><\/script><br \/>\n    <!-- AddThis Button END --> <\/p>\n<\/td>\n<td width=\"27\" rowspan=\"2\" bgcolor=\"#FFFFFF\" class=\"style1\"><\/td>\n<td width=\"555\" rowspan=\"2\" valign=\"top\" bgcolor=\"#FFFFFF\" class=\"style1\">\n<p>\n    <!-- IMAGEN ESPECTACULO --><br \/>\n    <br \/>\n\t<img decoding=\"async\" src=\"http:\/\/www.anticteatre.com\/programa2012\/julio\/marias.jpg\" \/><\/p>\n<p>    <iframe loading=\"lazy\" src=\"http:\/\/player.vimeo.com\/video\/29099661?title=0&amp;byline=0&amp;portrait=0&amp;color=53c901\" width=\"400\" height=\"225\" frameborder=\"0\" webkitAllowFullScreen mozallowfullscreen allowFullScreen><\/iframe><\/p>\n<p> <br \/>\n    <!---CR\u00c9DITOS--><br \/>\n    Direcci\u00f3 i dramat\u00fargia: <strong>Noemi Rodr\u00edguez<\/strong><br \/>\n    Repartiment: <strong>Laura Garrido i Elena Varela<\/strong><br \/>\n    Disseny d\u2019Iluminaci\u00f3: <strong>Santiago Montenegro<\/strong><br \/>\n    Espai Sonor: <strong>Pablo Costas<\/strong><br \/>\n    Disseny Gr\u00e0fic: <strong>Nico Ju\u00e1rez<\/strong><br \/>\n    V\u00eddeo i fotografia: <strong>Xosel D\u00edez<\/strong><br \/>\n    T\u00e8cnic de llums i so: <strong>V\u00edctor Fern\u00e1ndez<\/strong><\/p>\n<p>\n    <!-- LINKS--><br \/>\n  <a href=\"http:\/\/www.wix.com\/companhiadasmarias\/malena#!compaa_das_maras\/mainPage\" target=\"_blank\">www.wix.com\/companhiadasmarias\/malena &rarr;<\/a><\/p>\n<p>    <a href=\"http:\/\/companhiadasmarias.blogspot.es\/\" target=\"_blank\">companhiadasmarias.blogspot.es &rarr;<\/a><\/p>\n<p align=\"justify\">\n  <\/td>\n<td width=\"5\" rowspan=\"2\" bgcolor=\"#FFFFFF\"><\/td>\n<\/tr>\n<\/table>\n<div class=\"msg_list\">\n<p class=\"msg_head\">[+] llegir m\u00e9s \/\/\/ leer m\u00e1s \/\/\/ read more \/\/\/ en lire plus &rarr;<\/p>\n<div class=\"msg_body\">\n<!-- TEX\n\n<!-- TEXTO INFO --> <\/p>\n<table width=\"846\" border=\"0\" cellpadding=\"10\" cellspacing=\"0\">\n<tr bgcolor=\"#FFFFFF\">\n<!-- CATALA --> <\/p>\n<td width=\"190\" align=\"left\" valign=\"top\" bgcolor=\"#FFFF00\" style=\"font-size: 12px\">\n<p align=\"justify\">\n     L\u2019espectacle Malena, llena eres de gracia de la companyia gallega Compa\u00f1\u00eda das Mar\u00edas produ\u00eft amb la col\u00b7laboraci\u00f3 de l\u2019Instituto Nacional de la Mujer, explica la hist\u00f2ria de dues dones de l\u2019est d\u2019Europa que s\u00f3n enganyades per acabar com a v\u00edctimes del tr\u00e0fic i l\u2019explotaci\u00f3 sexual.<br \/>\n\u00c9s una obra inquietant i emocionant que mostra un cam\u00ed de dolor i abandonament, nost\u00e0lgies i lluita, a trav\u00e9s de les seves protagonistes, que s\u00f3n el mirall de milers de dones de tot el m\u00f3n que viuen un drama similar.<br \/>\nLa companyia presenta un espectacle amb una forta expressivitat pl\u00e0stica i visual que esdev\u00e9 de la for\u00e7a sint\u00e8tica i evocadora de les imatges, que es sumen al text i als procediments de realitzaci\u00f3 gestual i coreogr\u00e0fica que van m\u00e9s enll\u00e0 del realisme. De manera que les actrius fan \u00fas de l\u2019estilitzaci\u00f3 i la po\u00e8tica corporal per apropar a trav\u00e9s del gest i la dansa all\u00f2 que les paraules no s\u00f3n capaces de descriure.<\/p>\n<p>\nEn una societat de dermis cada vegada m\u00e9s paquid\u00e8rmica, sotmesos a aquesta era de l\u2019orgia de la imatge visual, aquesta companyia neix de la urg\u00e8ncia d\u2019aferrar, mossegar la realitat i reconnectar-se amb ella.<br \/>\nEn aquest context entenem la vocaci\u00f3 i finalitat del teatre dels nostres dies com un lloc on s\u2019afina, es puntualitza i genera ordre, aix\u00f2 \u00e9s, consci\u00e8ncia. El nostre discurs teatral es basa en una expressivitat pl\u00e0stica que juga amb la paraula i el gest, alhora que es difuminen els l\u00edmits dels territoris dram\u00e0tics, portant a escena una pe\u00e7a que es deixa amarar pel que \u00e9s tr\u00e0gic, cinematogr\u00e0fic i fant\u00e0stic.\n     <\/p>\n<\/td>\n<p>    <!-- CASTELLANO -->    <\/p>\n<td width=\"190\" align=\"left\" valign=\"top\" bgcolor=\"#000000\" style=\"font-size: 12px; color: #FF0;\">\n<p align=\"justify\">\n    El espect\u00e1culo Malena, llena eres de gracia  de la compa\u00f1\u00eda gallega Comap\u00f1\u00eda das Mar\u00edas producido con la colaboraci\u00f3n del Instituto Nacional de la Mujer, cuenta la historia de dos mujeres del este de Europa que son enga\u00f1adas para acabar como v\u00edctimas de la trata y explotaci\u00f3n sexual.<br \/>\nEs una obra inquietante y emocionante que muestra un camino de dolor y abandono, nostalgias y lucha, a trav\u00e9s de sus protagonistas, que son el espejo de miles de mujeres en todo el mundo que viven un drama similar.<br \/>\nLa compa\u00f1\u00eda presenta un espect\u00e1culo con fuerte expresividad pl\u00e1stica y visual que deviene de la fuerza sint\u00e9tica y evocadora de las im\u00e1genes, que se suman al texto y a procedimientos de realizaci\u00f3n gestual y coreogr\u00e1fica que van m\u00e1s all\u00e1 del realismo. De manera que las actrices hacen uso de la estilizaci\u00f3n y po\u00e9tica corporal para acercar a trav\u00e9s del gesto y la danza aquello para lo que no bastan las palabras.<\/p>\n<p>En una sociedad de dermis cada vez m\u00e1s paquid\u00e9rmica, sometidos a esta era de la org\u00eda visual, esta compa\u00f1\u00eda nace de la urgencia de agarrar, morder la realidad y reconectarse con ella.<br \/>\nEn este contexto entendemos la vocaci\u00f3n y finalidad del teatro de nuestros d\u00edas como un lugar donde se afina, se puntualiza y genera orden, esto es, conciencia. Nuestro discurso teatral se basa en una expresividad pl\u00e1stica que juega con la palabra y el gesto; al mismo tiempo difuminamos los l\u00edmites de los territorios dram\u00e1ticos, llevando a la escena una pieza que se deja empapar por lo tr\u00e1gico, lo cinematogr\u00e1fico y lo fant\u00e1stico.\n    <\/p>\n<\/td>\n<p><!-- ENGLISH -->    <\/p>\n<td width=\"192\" align=\"left\" valign=\"top\" bgcolor=\"#FFFF00\" style=\"font-size: 12px\">\n<p align=\"justify\">\n    This performance, produced by company Das Marias from Galicia, tells the story of two women from Eastern Europe who end up as victims of sex trafficking and sexual exploitation.<br \/>\nIt is a disturbing and stimulating piece that exposes a trail of pain and abandonment, nostalgia and struggle, using three characters whose experience mirrors that of thousands of women around the world in similar situations.<\/p>\n<p>The company has created a show with strong visual and emotional expression thanks to the evocative power of the imagery, which works in combination with the narrative and the ultra-real choreographic and gestural movement. The performers use stylized and poetic body movement to come closer with gesture and dance to a subject for which words are not enough.\t<\/p>\n<p>In an increasingly thick-skinned society, oversaturated in this era of visual excess, the company was born from the need to grab reality and take a bite in order to reconnect to it. In this context we see the vocation and purpose of today\u2019s theatre as a place in which order \u2013 that is consciousness \u2013 is refined, highlighted and generated. <br \/>\nOur theatrical discourse is based on an expressiveness that plays with words and gestures, while at the same time we blur the boundaries of dramatic fields. We have brought to the stage a piece immersed in tragedy that is both visual and fantastical.\n    <\/p>\n<\/td>\n<p> <!-- FRENCH -->    <\/p>\n<td width=\"194\" align=\"left\" valign=\"top\" bgcolor=\"#000000\" style=\"font-size: 12px; color: #FF0;\">\n<p align=\"justify\">\n    La Compagnie gallicienne Compa\u00f1\u00eda das Marias racconte dans ce spectacle, produit par l&#8217;Institut National de la Femme, l&#8217;histoire de deux femmes de l&#8217;Est europ\u00e9en qui se retrouvent victimes de l&#8217;exploitation sexuelle.<br \/>\nCette pi\u00e8ce inqui\u00e9tante et emouvante, s&#8217;immerge dans le chemin de douleur et abandon, nostalgie et lutte de ces deux personnages, qui servent de miroir du drame auquel sont soumises des millions de femmes dans le monde.<br \/>\nLe spectacle est d&#8217;une remarquable expressivit\u00e9 plastique et visuelle: les images s&#8217;ajoutent au texte et \u00e0 une r\u00e9alisation gestuelle et cor\u00e9ographique qui s&#8217;\u00e9loigne du r\u00e9alisme. Les com\u00e9diennes utilisent la stylisation et la po\u00e9tique corporelle pour s&#8217;approcher \u00e0 travers du geste et de la dance \u00e0 des lieux que les mots ne peuvent atteindre.<\/p>\n<p>\nDans une soci\u00e9t\u00e9 \u00e0 peau pachydermique, soumise \u00e0 l&#8217;\u00e2ge de l&#8217;orgie visuelle, notre Compagnie na\u00eet du besoin d&#8217;appr\u00e9hender et de mordre la r\u00e9alit\u00e9, en se reconnectant avec elle.<br \/>\nNotre discours th\u00e9\u00e2tral est centr\u00e9, dans sa pratique, sur une expressivit\u00e9 plastique qui joue avec le geste et la parole, et qui, en m\u00eame temps, dilue les fronti\u00e8res entre les diff\u00e9rents territoires dramatiques. C&#8217;est ainsi qu&#8217;on met en sc\u00e8ne une pi\u00e8ce qui se laisse traverser en m\u00eame temps par les univers tragique, cin\u00e9matographique et fantastique\n\t<\/p>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n<\/div>\n<p><!-- END ESPECTACULO --><br \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212; Compa\u00f1\u00eda das Mar\u00edas recrea en el teatro la trata de blancas y la prostituci\u00f3n http:\/\/ecodiario.eleconomista.es\/cultura\/noticias\/4209926\/08\/12\/Compania-das-Marias-recrea-en-el-teatro-la-trata-de-blancas-y-la-prostitucion.html &#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211; &#x2605; &nbsp;31 Agost &amp; 1 i 2 Setembre&nbsp;&nbsp;31 Agosto &amp; 1 y 2 Septiembre&nbsp; 31 August &amp; 1 &amp; 2 September&nbsp; 31 Ao\u00fbt&#8230;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-2091","post","type-post","status-publish","format-standard","hentry","category-general"],"_links":{"self":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts\/2091","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/comments?post=2091"}],"version-history":[{"count":6,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts\/2091\/revisions"}],"predecessor-version":[{"id":2098,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts\/2091\/revisions\/2098"}],"wp:attachment":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/media?parent=2091"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/categories?post=2091"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/tags?post=2091"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}