<\/p>\n<\/strong><\/strong> <\/td>\n
<\/td>\n | \n![\"\"](\"http:\/\/www.anticteatre.com\/programa2013\/enero\/diana_gadish.jpg\") <\/p>\nCreaci\u00f3 i interpretaci\u00f3:\u00a0Diana Gadish\u00a0<\/strong>
\nAsistencia art\u00edstica:\u00a0Amaranta Velarde i Michael Gadish<\/strong>
\nT\u00e8cnic llums:\u00a0Joana Serra<\/strong><\/p>\nwww.dianagadish.com \u2192<\/a><\/td>\n <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n [+] llegir m\u00e9s \/\/\/ leer m\u00e1s \/\/\/ read more \/\/\/ en lire plus \u2192<\/p>\n \n \n\n\n| \n Lucy Pussy Live<\/strong>\u00a0\u00e9s un treball que engloba la dansa i el clown.
\nL’est\u00e8tica de cabaret, caf\u00e8-teatre i \u201cvodeville\u201d \u00e9s utilitzada com a estereotip d’entreteniment. No obstant aix\u00f2, el t\u00edpic espectacle d’entreteniment no s’acaba de materialitzar;\u00a0Lucy Pussy<\/strong>, la protagonista, no \u00e9s capa\u00e7 d’entretenir al seu p\u00fablic com suposadament hauria de fer. Justament d’aquesta incapacitat, sorgeix quelcom nou, un m\u00f3n ple de possibilitats d’acci\u00f3 que van m\u00e9s enll\u00e0 d\u2019all\u00f2 preestablert, creant-se una atmosfera indiscernible on la precarietat acaba desvetllant la seva bellesa.<\/p>\nDiana Gadish\u00a0<\/strong>es va graduar el 2007 enS.N.D.O. (Estudis Superiors de Coreografia a Amsterdam)<\/strong>. Des de llavors ha treballat com a int\u00e8rpret en diversos projectes de dansa- teatre-performance a Holanda, Su\u00efssa, Alemanya, \u00c0ustria i Espanya. Al 2008 va comen\u00e7ar a treballar com a clown al costat de\u00a0Jango Edwards<\/strong>, que li va dirigir el solo\u00a0Genesis Joplin (2010)<\/strong>. Com a clown tamb\u00e9 ha col\u00b7laborat amb\u00a0Jef Johnson (M\u00e8xic \u2013 2011)<\/strong>.<\/p>\n<\/td>\n| \n Lucy Pussy Live<\/strong>\u00a0es un trabajo que engloba la danza y el clown.
\nLa est\u00e9tica de cabaret, caf\u00e9-teatro y \u201cvodeville\u201d es utilizada como estereotipo de entretenimiento. No obstante, el t\u00edpico espect\u00e1culo de entretenimiento no se acaba de materializar.\u00a0Lucy Pussy<\/strong>, la protagonista, no es capaz de entretener a su p\u00fablico como supuestamente deber\u00eda hacer. Justamente de esta incapacidad, surge algo nuevo, un mundo lleno de posibilidades de acci\u00f3n que van m\u00e1s all\u00e1 de lo preestablecido, cre\u00e1ndose una atm\u00f3sfera indiscernible donde la precariedad acaba desvelando su belleza.<\/p>\nDiana Gadish<\/strong>\u00a0se gradu\u00f3 en el 2007 en\u00a0S.N.D.O. (Estudios Superiores de Coreograf\u00eda en Amsterdam)<\/strong>. Desde entonces ha trabajado como int\u00e9rprete en varios proyectos de danza- teatro-performance en Holanda, Suiza, Alemania, Austria y Espa\u00f1a. En el 2008 empez\u00f3 a trabajar como clown junto a\u00a0Jango Edwards<\/strong>, quien le dirigi\u00f3 el solo\u00a0Genesis Joplin (2010)<\/strong>. Como clown tambi\u00e9n ha colaborado con\u00a0Jef Johnson (M\u00e9xico \u2013 2011)<\/strong>.<\/p>\n<\/td>\nLucy Pussy Live<\/strong>\u00a0is a piece that includes dance and clown.
\nThe aesthetics of cabaret and vaudeville are used as a stereotype of entertainment. Nevertheless, the standard entertainment show fails to materialise:\u00a0Lucy Pussy<\/strong>, the protagonist, is unable to entertain her audience as she should. It is precisely this inability that causes the emergence of something new; a world full of potential actions that go beyond the pre-established, creating an indiscernible atmosphere where precariousness reveals its beauty.<\/p>\nDiana Gadish<\/strong>\u00a0graduated in 2007 from theS.N.D.O. (Superior Studies of choreography in Amsterdam)<\/strong>. Since then she has worked as a performer on several dance-theatre projects in the Netherlands, Switzerland, Germany, Austria and Spain. In 2008 she began working as a clown with\u00a0Jango Edwards<\/strong>, who directed the solo\u00a0Genesis Joplin (2010)<\/strong>. As clown she has also worked with\u00a0Jef Johnson (Mexico – 2011)<\/strong>.<\/p>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":" PROGRAMA \u00a0ANTIC TEATRE \u00a0 2013 \/\/\/ GENER \/\/\/ ENERO \/\/\/ JANUARY \/\/\/ JANVIER \u2192 \u2605 31 Gener – 3 Febrer\u00a031 Enero – 3 Febrero\u00a031 January – 3 February\u00a031 Janvier – 3 F\u00e9vrier\u00a0\u2605 DIANA GADISH \u201cLucy Pussy Live\u201d ESTRENA…<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-2640","post","type-post","status-publish","format-standard","hentry","category-programacion-inestable"],"_links":{"self":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts\/2640","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/comments?post=2640"}],"version-history":[{"count":3,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts\/2640\/revisions"}],"predecessor-version":[{"id":2643,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts\/2640\/revisions\/2643"}],"wp:attachment":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/media?parent=2640"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/categories?post=2640"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/tags?post=2640"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}} | | | | |