{"id":2774,"date":"2013-03-10T22:00:52","date_gmt":"2013-03-10T21:00:52","guid":{"rendered":"http:\/\/www.tea-tron.com\/anticteatre\/blog\/?p=2774"},"modified":"2013-03-10T22:00:52","modified_gmt":"2013-03-10T21:00:52","slug":"13-a-1503-diana-j-torres-aka-pornoterrorista-quemarlo-todo","status":"publish","type":"post","link":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/2013\/03\/10\/13-a-1503-diana-j-torres-aka-pornoterrorista-quemarlo-todo\/","title":{"rendered":"13 a 15\/03 – DIANA J. TORRES AKA PORNOTERRORISTA – Quemarlo Todo"},"content":{"rendered":"

<\/p>\n\n\n
\n PROGRAMA  ANTIC TEATRE   2013 \/\/\/ MAR\u00c7 \/\/\/ MARZO \/\/\/ MARCH \/\/\/ MARS → <\/strong><\/a><\/span><\/td>\n<\/tr>\n<\/table>\n


\n<\/p>\n

<\/p>\n\n\n
★ 13-15 Mar\u00e7 13-15 Marzo <\/span>13-15 March 13-15 Mars <\/span>★<\/strong><\/td>\n<\/tr>\n\n


\n
\nDIANA J. TORRES AKA PORNOTERRORISTA
\n<\/span><\/p>\n

"Quemarlo Todo"<\/strong><\/span><\/p>\n

\n ESTRENA<\/strong><\/span><\/p>\n

\n durada \/ duraci\u00f3n \/ duration \/ dur\u00e9e: 60 min<\/span><\/p>\n

idioma \/ language:
\n Castell\u00e0 (angl\u00e8s nom\u00e9s el dia 14)
\n Castellano (ingl\u00e9s s\u00f3lo el d\u00eda 14)
\n Spanish (English just on 14th)<\/span><\/p>\n

\t
\n Performance queer<\/p>\n

<\/span><\/p>\n

<\/p>\n

\n HORARIS<\/span>

\n DIMECRES, DIJOUS i DIVENDRES: 21:00<\/strong><\/span>

\n 10 euros<\/span><\/p>\n

HORARIOS<\/span>

\n MIERCOLES, JUEVES yVIERNES: 21:00<\/strong><\/span>

\n 10 euros<\/span><\/p>\n

SCHEDULES<\/span>

\n WEDNESDAY, THURSDAY & FRIDAY: 21:00<\/strong><\/span>

\n <\/strong>10 euros<\/span><\/p>\n

HORAIRES<\/span>

\n MERCREDI, JEUDI et VENDREDI: 21:00<\/strong><\/span>

\n 10 euros<\/span><\/p>\n<\/td>\n

<\/td>\n\n

\n
\n
\n <\/p>\n


\n Creaci\u00f3, textos, veu i cos: Diana J. Torres AKA Pornoterrorista<\/strong>
\n \u00c0udio: Andy Clark<\/strong>
\n V\u00eddeo: Majo PostOp<\/strong>
\n Interaccions ritualistiques: Eloy Fern\u00e1ndez Porta, Ona Cots AKA LadyPain i Liza Analli<\/strong>
\n Percussi\u00f3: Lupux<\/strong><\/p>\n


\n pornoterrorismo.com →<\/a><\/p>\n<\/td>\n<\/tr>\n<\/table>\n

<\/p>\n\n\n <\/p>\n
\n

\n Diana J. Torres<\/strong> va acumular molta merda vivint durant 11 anys a Barcelona (caso 4F, el su\u00efcidi de la seva millor amiga, el desallotjament dels seus llocs predilectes, milers de multes per inc\u00edvica, deutes i algunes causes pendents) i no hi ha millor combustible que la merda ni millor venjan\u00e7a que l’incendi.
\nReduir a cendres una ciutat cad\u00e0ver en molts sentits i la podridura dels quals impedeix respirar a les persones que no creuen ni en l’art inofensiu que promouen les institucions culturals, ni en la marca Barcelona que un ajuntament corrupte tracta de vendre al millor postor.
\nAquesta ser\u00e0 l’\u00faltima performance de Diana<\/strong> a la ciutat (i a Europa) i pret\u00e9n, mitjan\u00e7ant la bruixeria i la ritual\u00edstica de l’obscenitat i all\u00f2 postpornogr\u00e0fic, elaborar un acte efectiu que acabi per fi amb la putrefacci\u00f3 del cos de la ciutat, recuperant d’aquesta forma l’origen primitiu de la performance com a acte esot\u00e8ric.
\nCremar-ho Tot<\/strong> \u00e9s una proposta per deixar el cinisme fos i lliurar-se valentament a la praxis de la sinceritat.
\nVinguin amb predisposici\u00f3 a la m\u00e0gia, al desencantament i a una important dosi de r\u00e0bia. Es tracta d’un ritual col\u00b7lectiu on el p\u00fablic haur\u00e0 de mullar-se (o cremar-se).<\/p>\n

El projecte art\u00edstic-pol\u00edtic de Diana J. Torres (Madrid, 1981)<\/strong> abasta molts camps
\n(poesia, assaig, acci\u00f3 directa, tallers, v\u00eddeo, internet) per\u00f2 se sent com a casa en
\nla performance i l\u2019spoken-word. Pornoterrorismo, el seu artefacte creat en 2006, porta
\ndes de llavors arrossegant-se pels escenaris m\u00e9s marginals i subterranis de
\ndiferents ciutats.<\/p>\n<\/td>\n

<\/p>\n

\n

\n\tDiana J. Torres <\/strong>acumul\u00f3 mucha mierda viviendo durante 11 a\u00f1os en Barcelona (caso 4F, el suicidio de su mejor amiga, el desalojo de sus lugares predilectos, miles de multas por inc\u00edvica, deudas y algunas causas pendientes) y no hay mejor combustible que la mierda ni mejor venganza que el incendio.
\nReducir a cenizas una ciudad cad\u00e1ver en muchos sentidos y cuya podredumbre impide respirar a las personas que no creen ni en el arte inofensivo que promueven las instituciones culturales, ni en la marca Barcelona que un ayuntamiento corrupto trata de vender al mejor postor.
\nEsta ser\u00e1 la \u00faltima performance de Diana en la ciudad (y en Europa) y pretende, mediante la brujer\u00eda y la ritual\u00edstica de la obscenidad y lo postpornogr\u00e1fico, elaborar un acto efectivo que termine por fin con la putrefacci\u00f3n del cuerpo de la ciudad, recuperando de esta forma el origen primitivo de la performance como acto esot\u00e9rico.
\nQuemarlo todo es una propuesta para dejar el cinismo fuera y entregarse valientemente
\na la praxis de la sinceridad.
\nVengan con predisposici\u00f3n a la magia, al desencanto y a una importante dosis de rabia. Se trata de un ritual colectivo donde el p\u00fablico tendr\u00e1 que mojarse (o quemarse).<\/p>\n

El proyecto art\u00edstico-pol\u00edtico de Diana J. Torres (Madrid, 1981)<\/strong> abarca muchos campos
\n(poes\u00eda, ensayo, acci\u00f3n directa, talleres, v\u00eddeo, internet) pero se siente como en casa en
\nla performance y el spoken-word. Pornoterrorismo, su artefacto creado en 2006, lleva
\ndesde entonces arrastr\u00e1ndose por los escenarios m\u00e1s marginales y subterr\u00e1neos de
\ndiferentes ciudades.<\/p>\n<\/td>\n

\n

\n\tDiana J. Torres<\/strong> accumulated a lot of shit while living in Barcelona for 11 years (the 4F case, her best friend\u2019s suicide, the evictions of her favourite places, thousands of fines for antisocial behaviour, debts and some pending court cases) and there’s no better fuel than shit, no better revenge than fire.
\nTo reduce to ashes a city that is already in many senses a corpse and whose stench of putrefaction is choking the people who no longer believe in the inoffensive art promoted by cultural institutions, nor in the Barcelona trademark that a corrupted city council tries to sell to the highest bidder.
\nThis will be Diana\u2019s last performance in the city (and in Europe) and it aims, through witchcraft and the rituals of obscenity and postpornography, to elaborate an effectual act that will finally dispose of the city\u2019s rotting body, recovering the primitive origin of performance as an esoteric action.
\n\u201cBurning it All\u201d proposes to leave cynicism to one side and courageously submit to a praxis of sincerity.
\nCome prepared for magic, disillusionment and an overdose of rage. This will be a collective rite to which the audience must commit \u2013 or burn.<\/p>\n

The artistic-political project of Diana J. Torres (Madrid, 1981)<\/strong> covers a lot of areas (poetry, essay, direct action, workshops, video, internet) but she feels most at home with performance and spoken-word. \u201cPornoterrorism\u201d, her device created in 2006, has been dragging itself around the most marginal and underground stages of different cities ever since. <\/p>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n<\/div>\n


<\/p>\n","protected":false},"excerpt":{"rendered":"

PROGRAMA  ANTIC TEATRE   2013 \/\/\/ MAR\u00c7 \/\/\/ MARZO \/\/\/ MARCH \/\/\/ MARS → ★ 13-15 Mar\u00e7 13-15 Marzo 13-15 March 13-15 Mars ★ DIANA J. TORRES AKA PORNOTERRORISTA "Quemarlo Todo" ESTRENA durada \/ duraci\u00f3n \/ duration \/ dur\u00e9e: 60…<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-2774","post","type-post","status-publish","format-standard","hentry","category-programacion-inestable"],"_links":{"self":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts\/2774","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/comments?post=2774"}],"version-history":[{"count":5,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts\/2774\/revisions"}],"predecessor-version":[{"id":2779,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts\/2774\/revisions\/2779"}],"wp:attachment":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/media?parent=2774"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/categories?post=2774"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/tags?post=2774"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}