{"id":3020,"date":"2013-06-10T19:58:08","date_gmt":"2013-06-10T17:58:08","guid":{"rendered":"http:\/\/www.tea-tron.com\/anticteatre\/blog\/?p=3020"},"modified":"2013-06-10T19:58:08","modified_gmt":"2013-06-10T17:58:08","slug":"1106-concert-de-man-ex-maqina-a-lantic-teatre","status":"publish","type":"post","link":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/2013\/06\/10\/1106-concert-de-man-ex-maqina-a-lantic-teatre\/","title":{"rendered":"11\/06 Concert de MAN EX MAQINA a l’ANTIC TEATRE"},"content":{"rendered":"

<\/p>\n

\"\"<\/a>
\n
\nMAN EX MAQINA<\/p>\n

<\/span><\/strong><\/p>\n

\u00abMan Ex Maqina\u00bb<\/strong><\/span>
\ndurada \/ duraci\u00f3n \/ duration \/ dur\u00e9e: 60 min<\/span><\/p>\n

concert-performance<\/span><\/p>\n

idioma\/ language\/ langue:\u00a0<\/span>Angl\u00e9s, espanyol, hebreo, portugu\u00e9s\/\/\/<\/span><\/p>\n

11\/06\u00a0<\/span><\/strong><\/p>\n

<\/strong>20:30<\/strong><\/p>\n

<\/strong>5 euros<\/span><\/strong><\/p>\n

 <\/p>\n

veu, controladors, ordenador: Max Moya<\/strong><\/p>\n

Mpc controladors: Kumar Moya<\/strong><\/p>\n

Veu: Mel Sem\u00e9<\/strong><\/p>\n

Veu: Mu<\/strong><\/p>\n

Veu: Tal Ben Ari<\/strong><\/p>\n

Veu: Ayesha Mendhamp<\/strong><\/p>\n

Visuals: Andr\u00e9 Cruz<\/strong><\/p>\n

T\u00e9cnic so: Hunab Moreno<\/strong><\/p>\n

Producci\u00f3: Amaranta Miralbell<\/strong><\/p>\n


\nwww.manexmaqina.com<\/strong> \u2192<\/a><\/p>\n

www.facebook.com\/manexmaqina<\/strong> \u2192<\/a><\/p>\n\n\n\n
\u2605 11 Juny 11 Junio <\/span>11 June 11 Juin <\/span>\u2605<\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n

[+] llegir m\u00e9s \/\/\/ leer m\u00e1s \/\/\/ read more \/\/\/ en lire plus \u2192<\/p>\n

<\/p>\n\n\n<\/p>\n
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Man Ex maqina<\/strong> \u00e9s un projecte que neix a Barcelona i que uneix el llenguatge de la m\u00fasica electr\u00f2nica amb el so natural de la veu i de les percussions corporals. Max Moya (Ojos de Brujo, Asian dub Foundation, Nitin Sawhney) <\/strong>acompanyat del raper afro-cub\u00e0 Kumar Sublevao Beat<\/strong>, processen en directe les grans veus de Tal Ben Ari (Playing for Change)<\/strong>, el gran cantant cub\u00e0 Mel Seme (Black Gandhi) <\/strong>, l’artista anglesa-algeriana que combina veus amb loops, Ayesha Mendham <\/strong>i per \u00faltim per\u00f2 no per aix\u00f2 menys important, el gran cantant guine\u00e0 M\u00fb<\/strong>.<\/p>\n

Usant nom\u00e9s sons produ\u00efts pel cos hum\u00e0, Man Ex maqina <\/strong>dirigeix aquest material \u00fanic a trav\u00e9s de loops, samplers, efectes i scratches, al costat d’altres t\u00e8cniques, portant el so del cos hum\u00e0 a noves fronteres encara per descobrir.<\/p>\n

Despr\u00e9s de l\u00b4\u00e8xit de la presentaci\u00f3 del projecte al convent de Sant Agusti<\/strong> el passat febrer, Man ex Maqina <\/strong>comen\u00e7a la seva gira de concerts a Bracelona, per tornar a impressionar al seu p\u00fablic en unir amb gran destresa el llenguatge de la m\u00fasica electr\u00f2nica amb el so natural de la veu i de les percussions corporals.<\/td>\n

<\/p>\n

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Man Ex Maqina<\/strong>\u00a0es un proyecto que nace en Barcelona y que une el lenguaje de la m\u00fasica electr\u00f3nica con el sonido natural de la voz y de las percusiones corporales.\u00a0Max Moya\u00a0(Ojos de Brujo, Asian dub Foundation, Nitin Sawhney)<\/strong> acompa\u00f1ado del rapero afro-cubano Kumar Sublevao Beat<\/strong>, procesan en directo las grandes voces de Tal Ben Ari (Playing for Change)<\/strong>, el gran cantante cubano Mel Sem\u00e9 (Black Gandhi)<\/strong>, la artista inglesa-algeriana que combina voces con loops, Ayesha Mendham <\/strong>y por \u00faltimo pero no por ello menos importante, el gran cantante guineano M\u00fb<\/strong>.<\/p>\n

Usando solamente sonidos producidos por el cuerpo humano,\u00a0Man ex Maqina<\/strong>\u00a0dirige este material \u00fanico a trav\u00e9s de loops, samplers, efectos y scratches, junto a otras t\u00e9cnicas, llevando el sonido del cuerpo humano a nuevas fronteras a\u00fan por descubrir.<\/p>\n

Despu\u00e9s del \u00e9xito de la presentaci\u00f3n del proyecto en el Convent de Sant Agust\u00ed<\/strong> el pasado febrero, Man ex Maqina <\/strong>comienza su gira de conciertos en Barcelona, para volver a impresionar a su p\u00fablico al unir con gran destreza el lenguaje de la m\u00fasica electr\u00f3nica con el sonido natural de la voz y de las percusiones corporales.<\/td>\n

\n

Man Ex Maqina<\/strong>\u00a0is a project that unites the language of electronic music with the natural sound of voices and body percussion.
\nMax Moya\u00a0(Ojos de Brujo, Asian dub Foundation, Nitin Sawhney)<\/strong>\u00a0along with Cuban rapper Kumar Sublevao Beat<\/strong>, process the great voices of Tal Ben Ari (Playing for Change)<\/strong>, the great Cuban singer Mel Sem\u00e9 (Black Gandhi)<\/strong>, the\u00a0English-Algerian vocal-loop artist Ayesha <\/strong>and last but not least the unique voice of Guinean singer M\u00fb<\/strong>.<\/p>\n

Using only sounds produced by the human body,\u00a0Man ex Maqina<\/strong>\u00a0takes this unique material through loops, samplers, effects and scratch, among other techniques to take the sound of the human body to new undiscovered heights.<\/p>\n

After their successful album launch at the Convent de Sant Agusti<\/strong> last February, Man ex Maqina <\/strong>will be starting their tour with this show in Barcelona, wowing audiences with their dexterous blend of electronic trickery and the natural sound of the human voice and body percussion.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

MAN EX MAQINA \u00abMan Ex Maqina\u00bb durada \/ duraci\u00f3n \/ duration \/ dur\u00e9e: 60 min concert-performance idioma\/ language\/ langue:\u00a0Angl\u00e9s, espanyol, hebreo, portugu\u00e9s\/\/\/ 11\/06\u00a0 20:30 5 euros   veu, controladors, ordenador: Max Moya Mpc controladors: Kumar Moya Veu: Mel Sem\u00e9 Veu:…<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-3020","post","type-post","status-publish","format-standard","hentry","category-programacion-inestable"],"_links":{"self":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts\/3020","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/comments?post=3020"}],"version-history":[{"count":4,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts\/3020\/revisions"}],"predecessor-version":[{"id":3025,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts\/3020\/revisions\/3025"}],"wp:attachment":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/media?parent=3020"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/categories?post=3020"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/tags?post=3020"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}