
{"id":324,"date":"2010-06-07T01:08:52","date_gmt":"2010-06-07T00:08:52","guid":{"rendered":"http:\/\/www.tea-tron.com\/anticteatre\/blog\/?p=324"},"modified":"2010-06-07T01:08:52","modified_gmt":"2010-06-07T00:08:52","slug":"10-136-en-antic-arantxa-martinez-the-present","status":"publish","type":"post","link":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/2010\/06\/07\/10-136-en-antic-arantxa-martinez-the-present\/","title":{"rendered":"10-13\/6 en Antic &#8211; ARANTXA MART\u00cdNEZ \u00abThe Present\u00bb"},"content":{"rendered":"<p><!-- ESPECTACULO --><\/p>\n<table width=\"650\" border=\"0\" cellpadding=\"0\" cellspacing=\"0\" bgcolor=\"#FFFFFF\">\n<tr>\n      <  \n\n<td height=\"22\" colspan=\"4\" bgcolor=\"#020205\" style=\"padding-left: 20px; color: #FF0; font-size: 12px;\">&#x2605; DIJOUS 10 &#8211; DIUMENGE 13\u00a0JUNY<span style=\"color: #FFF\"> &nbsp;JUEVES 10 &#8211;&nbsp;DOMINGO 13\u00a0JUNIO&nbsp;<\/span>&nbsp;THURSDAY 10-SUNDAY 13\u00a0JUNE &#x2605;<\/td>\n<\/tr>\n<tr>\n<td width=\"238\" valign=\"top\" bgcolor=\"#FFFFFF\"><\/p>\n<p style=\"text-align: right; font-size: 12px;\"><span style=\"background-color: #000; color: #FF0; font-family: Arial, Helvetica, sans-serif; font-size: 20px; padding: 0px;\">ARANTXA MART\u00cdNEZ<br \/>\n      <\/span><br \/>\n      <\/p>\n<p><span style=\"color: #000; font-size: 14px; text-align: right;\"><strong>\u00abThe Present\u00bb<\/strong><\/span><\/p>\n<p>       <span style=\"color: #000; font-size: 10px;\">Noves dramat\u00fargies \/\/ 10&euro;\/\/ socis 8\u20ac<\/span><br \/>\n        <span style=\"color: #000; font-size: 10px;\">Nuevas dramaturgias\/\/10\/\/ socios 8\u20ac<\/span><br \/>\n        <span style=\"color: #000; font-size: 10px;\"> Experimental drama\/\/ 10 \u20ac \/\/members 8 &euro;<\/span><\/p>\n<p>\n<!-- HORARIOS --><br \/>\n<span style=\"text-align: right;\"><span style=\"color: #999; font-size: 10px; font-weight: normal;\">HORARIS ESPECTACLE<\/span><br \/>\n<span style=\"color: #333; font-size: 11px;\">DIJOUS  &nbsp;A DISSABTE: 21:00 H<br \/>\nDIUMENGE: 20:00 H<\/span><\/span><\/p>\n<p style=\"text-align: right;\"><span style=\"color: #999; font-size: 10px; font-weight: normal;\">HORARIOS ESPECTACULO<\/span><br \/>\n        <span style=\"color: #333; font-size: 11px;\">JUEVES &nbsp;A SABADO: 21:00 H<br \/>\n          DOMINGO: 20:00 H<\/span><\/p>\n<p style=\"text-align: right;\"><span style=\"color: #999; font-size: 10px; font-weight: normal;\">SCHEDULES SHOW<\/span><br \/>\n        <span style=\"color: #333; font-size: 11px;\">THURSDAY &nbsp;TO SATURDAY: 21:00 H<br \/>\n          SUNDAY: 20:00 H<\/span><\/p>\n<p style=\"text-align: right; font-size: 12px;\">&nbsp; <\/p>\n<\/td>\n<td width=\"21\" rowspan=\"2\" bgcolor=\"#FFFFFF\"><\/td>\n<td valign=\"top\" rowspan=\"2\" bgcolor=\"#FFFFFF\">\n <br \/>\n <!-- IMAGEN ESPECTACULO --><br \/>\n  <img decoding=\"async\" src=\"http:\/\/www.anticteatre.com\/newsletter2010\/junio\/arantxa1.jpg\" width=\"370\"\/><\/p>\n<p>      <object width=\"370\" height=\"300\"><param name=\"allowfullscreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><param name=\"movie\" value=\"http:\/\/vimeo.com\/moogaloop.swf?clip_id=11747428&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=&amp;fullscreen=1\" \/><embed src=\"http:\/\/vimeo.com\/moogaloop.swf?clip_id=11747428&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=&amp;fullscreen=1\" type=\"application\/x-shockwave-flash\" allowfullscreen=\"true\" allowscriptaccess=\"always\" width=\"370\" height=\"300\"><\/embed><\/object><\/p>\n<p><a href=\"http:\/\/vimeo.com\/11747428\">Residencia d&#8217;Arantxa Mart\u00ednez a l&#8217;Adriantic<\/a> from <a href=\"http:\/\/vimeo.com\/anticteatre\">Antic Teatre BCN<\/a> on <a href=\"http:\/\/vimeo.com\">Vimeo<\/a>.<\/p>\n<p>       <span style=\"font-weight: normal;\">Creaci\u00f3 i interpretaci\u00f3:  <\/span> <strong>Arantxa Mart\u00ednez,<br \/>\n                                  Lola Rubio,<br \/>\n                                  Yara Philippa Burkhalter<\/p>\n<p><\/strong><\/p>\n<p>Amb el suport de: In-Presentable (Madrid), Antic Teatre Espai de Creaci\u00f3 (Barcelona), Azala (Alava), L\u2019espace Pasolini (Valenciennes) i Fabrik Potsdam (Berl\u00edn).<\/p>\n<p>         <!-- LINKS --><\/p>\n<p>   <a href=\"http:\/\/www.produccionsescopeta.org\" target=\"_blank\">  www.produccionsescopeta.org  &rarr;<\/a><\/p>\n<\/td>\n<td width=\"21\" rowspan=\"2\" bgcolor=\"#FFFFFF\"><\/td>\n<\/tr>\n<\/table>\n<p><!-- TEXTO INFO --><\/p>\n<table width=\"650\" border=\"0\" cellpadding=\"10\" cellspacing=\"0\">\n<tr bgcolor=\"#FFFFFF\">\n<p><!-- CATALA --><\/p>\n<td width=\"196\" align=\"left\" valign=\"top\" bgcolor=\"#FFFF00\" style=\"font-size: 12px; color: #000;\" >\n<p>&quot;The Present&quot; parla de la qualitat visible del cos per la seva qualitat d\u2019imatge i per tot all\u00f2, absent a la imanta, a la que aquesta visibilitat fa refer\u00e8ncia. L\u2019objecte d\u2019aquesta investigaci\u00f3 \u00e9s el cos com a productor i suport d\u2019imatges, el cos representat i el cos en l\u2019acte de representar-se. <\/p>\n<p>Aquest \u00e9s un treball conjunt.&nbsp; La idea de construir una pe\u00e7a a tres esdev\u00e9 perqu\u00e8 volien experimentar la mirada aliena i que alhora, la tend\u00e8ncia anara cap a diferents punts de vista. <\/p>\n<p>El resultat podr\u00e0 ser contradictori, dispers, incoherent, fluix, superficial, oscil\u00b7lant o a lo millor no, potser nom\u00e9s dispers i oscil\u00b7lant, o tamb\u00e9 potser el resultat sigui totalment inesperat, o simplement tan contemporani, o pot passar que per a una part de l\u2019audi\u00e8ncia sigui aix\u00ed per\u00f2 no per altres molts, o a lo millor el resultat no ens agrada o que ens agradi molt la primera part i la segona una mica menys. <\/p>\n<p>      Arantxa Mart\u00ednez va estudiar dansa cl\u00e0ssica i contempor\u00e0nia a Madrid i al Centre Coreogr\u00e0fic de Montpellier. Els seu treballs en solitari s\u00f3n: \u201c<em>Al oeste del Pecos<\/em>\u201d, \u201c<em>A folk striptease in 4\u2019<\/em> \u201c i \u201c<em>Trofeo<\/em>\u201d. A m\u00e9s a m\u00e9s, ha treballat i continua treballant amb altres artistes com: Juan Dom\u00ednguez, Isabellel schad, Simone &nbsp;Aughterlony, Eszter Salamon, Velma\u2026<\/p>\n<\/td>\n<p><!-- CASTELLANO -->    <\/p>\n<td width=\"196\" align=\"left\" valign=\"top\" bgcolor=\"#000000\" style=\"font-size: 12px; color: #FF0;\">\n<p>&quot;The Present&quot; habla de la cualidad visible del cuerpo, por su calidad de imagen y por todo aquello, ausente en la imagen, a lo que dicha visibilidad hace referencia. El objeto de esta investigaci\u00f3n es el cuerpo como productor y soporte de im\u00e1genes, el cuerpo representado y el cuerpo en el acto de representarse. <\/p>\n<p>Este es un trabajo conjunto.&nbsp; La idea de construir una pieza a tres es debido a que quer\u00edan experimentar la mirada ajena y que al mismo tiempo la tendencia fuera hacia diferentes puntos de vista. <\/p>\n<p>El resultado podr\u00e1 ser contradictorio, disperso, incoherente, flojo, superficial, oscilante o a lo mejor no, puede ser que solo disperso y oscilante, o tambi\u00e9n puede ser que el resultado sea totalmente inesperado, o simplemente tan contempor\u00e1neo, o puede pasar que para una parte de la audiencia sea as\u00ed pero no para otros muchos, o a lo mejor el resultado no gusta o no gusta mucho la primera parte y la segunda un poco m\u00e1s. <\/p>\n<p>      Arantxa Mart\u00ednez estudi\u00f3 danza cl\u00e1sica y contempor\u00e1nea en Madrid y en el Centro Coreogr\u00e1fico de Montpellier. Sus trabajos en solitario son: \u201c<em>Al oeste del Pecos<\/em>\u201d, \u201c<em>A folk striptease in 4\u2019<\/em> \u201c y \u201c<em>Trofeo<\/em>\u201d. Adem\u00e1s, ha trabajado y sigue trabajando con otros artistas como: Juan Dom\u00ednguez, Isabellel schad, Simone &nbsp;Aughterlony, Eszter Salamon, Velma\u2026<\/p>\n<\/td>\n<p><!-- ENGLISH -->    <\/p>\n<td width=\"196\" align=\"left\" valign=\"top\" bgcolor=\"#FFFF00\" style=\"font-size: 12px\">\n<p>&quot;The Present&quot; puts its eyes on the visible part of the body, on its image quality and on all that is not present in the image, and that its look refers to. The object of this investigation is body as a producer and support for images, the body represented and the body during the act of representation. <\/p>\n<p>This is a collective work. Arantxa\u2019s idea was to build a piece between the three of us that would experiment an outside look and that would bring up three points of view.<\/p>\n<p>The result could be a contradiction, imprecise, incoherent, not strong enough, superficial, changing. Or maybe not. Maybe just imprecise and changing. Or maybe totally unexpected or simply, so contemporary, or maybe for a part of the audience it may be but not for the other. Or maybe we won\u2019t like the result or maybe we like the first part but not the second&#8230;.&nbsp; <\/p>\n<p>Arantxa Mart\u00ednez studies classical and contemporary dance in Madrid and in the Choreographic Montpellier Centre. Her works in solitary are: \u201c<em>Al oeste del Pecos<\/em>\u201d, \u201c<em>A folk striptease in 4\u2019<\/em> \u201c and \u201c<em>Trofeo<\/em>\u201d. She has worked and still works with other artists such as Juan Dom\u00ednguez, Isabellel schad, Simone &nbsp;Aughterlony, Eszter Salamon or Velma.<\/p>\n<\/td>\n<\/td>\n<\/tr>\n<\/table>\n<p><!-- END ESPECTACULO --><br \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>< &#x2605; DIJOUS 10 &#8211; DIUMENGE 13\u00a0JUNY &nbsp;JUEVES 10 &#8211;&nbsp;DOMINGO 13\u00a0JUNIO&nbsp;&nbsp;THURSDAY 10-SUNDAY 13\u00a0JUNE &#x2605; ARANTXA MART\u00cdNEZ \u00abThe Present\u00bb Noves dramat\u00fargies \/\/ 10&euro;\/\/ socis 8\u20ac Nuevas dramaturgias\/\/10\/\/ socios 8\u20ac Experimental drama\/\/ 10 \u20ac \/\/members 8 &euro; HORARIS ESPECTACLE DIJOUS &nbsp;A DISSABTE:...\n<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-324","post","type-post","status-publish","format-standard","hentry","category-general"],"_links":{"self":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts\/324","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/comments?post=324"}],"version-history":[{"count":5,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts\/324\/revisions"}],"predecessor-version":[{"id":329,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts\/324\/revisions\/329"}],"wp:attachment":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/media?parent=324"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/categories?post=324"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/tags?post=324"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}