\n<\/p>\n
\n Figures de Pols<\/em><\/strong> sorgeix d\u2019un cos que es sent fr\u00e0gil, que fluctua i suggereix lo corpori i lo incorpori, la mat\u00e8ria i l\u2019esperit, la salut i la malaltia, el naixement i la mort. \u00c9s sobretot una proposta meditativa sobre la imperman\u00e8ncia del cos, que presento a partir del desdoblament en v\u00e0ries pres\u00e8ncies i\/o abs\u00e8ncies i en diferents estats an\u00edmics i corporals que troben el seu correlat formal en els canvis de registres i llenguatges esc\u00e8nics.\n <\/p>\nS\u00f3c ballarina, core\u00f2grafa, professora i directora de l\u2019espai tragantDansa. Gr\u00e0cies a una beca Fulbright\/\u201dla Caixa\u201d, viatjo i resideixo set anys als Estats Units on realitzo un M\u00e0ster en Dansa Contempor\u00e0nia i un M\u00e0ster en Psicologia de l\u2019Activitat F\u00edsica (Universitat d\u2019Illinois a Urbana-Champaign). A Nova York estudio dansa en\/amb diverses escoles i professors (Movement Research, Susan Klein School, Trisha Brown School). L\u2019any 1997 viatjo a Amsterdam per estudiar a la School for New Dance Development (SNDO). L\u2019estiu del 2002 i gr\u00e0cies a una beca del Ministerio de Educaci\u00f3n realitzo una estada al Jap\u00f3 on entro en contacte amb companyies de Butoh (Sankai Juku, Dairakudakan, Kazuo Ohno). He ballat en els projectes de les seg\u00fcents companyies i core\u00f2grafs independents: Douglas Dunn, Bebee Miller, Ann Carlson, Eileen Standley, entre altres.\u00a0 <\/p>\n \n Comen\u00e7o els treballs de creaci\u00f3 l\u2019any 1993, fent peces curtes (With\/Without, \u00c0nima d\u2019Hora, Appetite, Suite d\u2019Aigua,<\/em> entre altres), i m\u00e9s llargues (Ales de plom, Lla\u00e7os, Rastres, Com voldria ser<\/em>). Actualment he creat Figures de Pols<\/em> (2010), que jo mateixa dirigeixo i interpreto. Fins ara el meu treball s\u2019ha pogut veure en teatres i sales de Catalunya, la resta de Estat Espanyol, Fran\u00e7a, Portugal, Holanda, Estats Units, Jap\u00f3, M\u00e8xic i Marroc.<\/p>\n<\/td>\n <\/p>\n \n Figuras de Polvo<\/em><\/strong> surge de un cuerpo que se siente fr\u00e1gil, que fluct\u00faa y sugiere lo corp\u00f3reo y lo incorp\u00f3reo, la materia y el esp\u00edritu, la salud y la enfermedad, el nacimiento y la muerte. Es sobre todo una propuesta meditativa sobre la impermanencia del cuerpo, que presento a partir del desdoblamiento en varias presencias y\/o ausencias y en diferentes estados an\u00edmicos y corporales que encuentran su correlato formal en los cambios de registros y lenguajes esc\u00e9nicos.\n <\/p>\nSoy bailarina, core\u00f3grafa, profesora y directora del espacio tragantDansa. Gracias a una beca Fulbright\/\u201dla Caixa\u201d, viajo y resido siete a\u00f1os en los Estados Unidos donde realizo un M\u00e1ster en Danza Contempor\u00e1nea y un M\u00e1ster en Psicolog\u00eda de la Actividad F\u00edsica (Universidad de Illinois en Urbana-Champaign). En Nueva York estudio danza en\/con diversas escuelas y profesores (Movement Research, Susan Klein School, Trisha Brown School). El a\u00f1o 1997 viajo a Amsterdam para estudiar en la School for New Dance Development (SNDO). El verano del 2002 y gracias a una beca del Ministerio de Educaci\u00f3n resido en Jap\u00f3n donde entro en contacto con compa\u00f1\u00edas de Butoh (Sankai Juku, Dairakudakan, Kazuo Ohno). He bailado en los proyectos de las siguientes compa\u00f1\u00edas y core\u00f3grafos independientes: Douglas Dunn, Bebee Miller, Ann Carlson, Eileen Standley, entre otros.\u00a0 <\/p>\n \n Inicio los trabajos de creaci\u00f3n el a\u00f1o 1993, con piezas cortas (With\/Without, \u00c0nima d\u2019Hora, Appetite, Suite d\u2019Aigua,<\/em> entre otras), y m\u00e1s largas (Ales de plom, Lla\u00e7os, Rastres, Com voldria ser<\/em>). Actualmente he creado Figures de Pols\/Figuras de Polvo<\/em> (2010), que yo misma dirijo e interpreto. Hasta ahora mi trabajo se ha podido ver en teatros y salas de Catalu\u00f1a, Estado Espa\u00f1ol, Francia, Portugal, Holanda, EE.UU., Jap\u00f3n, M\u00e9xico y Marruecos.<\/p>\n<\/td>\n <\/p>\n \n Dust Figures<\/em><\/strong> springs from a body that feels fragile, which fluctuates and suggests the corporeal and the incorporeal, the material and the spirit, health and illness, birth and death. It is above all a meditative proposal about body impermanence which I present by unfolding into various presences and\/or absences and different body and mental states which find a formal expression in the changes and interferences among scenic languages and registers.\n <\/p>\nI am dancer, choreographer, teacher and director of l\u2019Espai tragantDansa. Thanks to a Fulbright\/\u201dLa Caixa\u201d scholarship, I lived seven years in the United States where I studied a Master\u2019s degree in Contemporary Dance (M.F.A) and a Masters in Psychology for Physical Activity (M.S) at the University of Illinois, Urbana-Champaign (1988-1993). In New York (1993-95) I studied dance at several dance schools (The Movement Research, Susan Klein School, Trisha Brown School). In 1997 I travelled to Amsterdam to pursue further training at the School for New Dance Development (SNDO). In 2002 and thanks to a Grant from the Ministerio de Educaci\u00f3n I worked with several butoh companies in Japan (Sankai Juku, Dairakudakan, Kazuo Ohno). I have danced in projects of several companies and independent choreographers: Douglas Dunn, Bebee Miller, Ann Carlson, Eileen Standley, Dominik Borucki among others.\u00a0 <\/p>\n I started my creative endeavor in 1993, with several short works (With\/Without, \u00c0nima d\u2019Hora, Appetite, Water Suite,<\/em> among others), and have continued with longer pieces (Lead Wing, Traces, Rastres, As I would like to be like<\/em>). I have recently created Dust Figures<\/em> (2010), which I direct and interpret. Up until now my work has been shown in theaters and venues in Catalonia, rest of Spain, France, Portugal, Holland, the United States, Japan, Mexico, and Morroco.<\/p>\n<\/td>\n<\/tr>\n<\/table>\n
\n <\/p>\n","protected":false},"excerpt":{"rendered":"
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