{"id":86,"date":"2009-06-01T20:36:31","date_gmt":"2009-06-01T19:36:31","guid":{"rendered":"http:\/\/www.tea-tron.com\/anticteatre\/blog\/2009\/06\/01\/tragantdansa-5-i-66-2130h-en-adriantic\/"},"modified":"2009-06-01T20:36:31","modified_gmt":"2009-06-01T19:36:31","slug":"tragantdansa-5-i-66-2130h-en-adriantic","status":"publish","type":"post","link":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/2009\/06\/01\/tragantdansa-5-i-66-2130h-en-adriantic\/","title":{"rendered":"TRAGANTDANSA, 5 i 6\/6 -21:30h en AdriAntic"},"content":{"rendered":"

<\/p>\n

En\u00a0<\/strong><\/span>AdriAntic\u00a0<\/span><\/a><\/span><\/span>\u00a0<\/a><\/span><\/span><\/span>, espai de creaci\u00f3 i investigaci\u00f3 d\u2019Antic Teatre<\/span><\/span><\/p>\n

<\/p>\n

\n

Via Trajana 11, 1r pis<\/o:p><\/span><\/p>\n

(al costat del metro La Pau, L2-L4. V\u00eddeo \u201cCom arribar a AdriAntic\u201d en: http:\/\/www.youtube.com\/watch?v=rDih8Fu1Kuo)<\/span><\/p>\n

Imprescindible reservar 93 315 23 54 \/ lanticteatre@lanticteatre.com<\/span>\u00a0<\/p>\n

<\/span><\/p>\n

\u00a0<\/p>\n

CATAL\u00c0, CASTELLANO, ENGLISH<\/o:p><\/em><\/strong><\/span><\/p>\n

\u00a0Divendres 5 i dissabte 6 a les 21:30h<\/span><\/em><\/strong><\/span><\/p>\n

tragantDansa [companyia]<\/o:p><\/strong><\/span><\/p>\n

\u00abCom voldria ser\u00bb<\/o:p><\/strong><\/span><\/p>\n

dansa contempor\u00e0nia<\/o:p><\/span><\/p>\n

\u00a0Sinopsi<\/em><\/strong><\/span><\/p>\n

Com voldria ser<\/em><\/span> proposa una reflexi\u00f3 a trav\u00e9s de la po\u00e8tica del cos i del moviment sobre diferents temes relacionats amb l\u2019obsessi\u00f3 de la nostra societat entorn la bellesa del cos. \u00c9s un treball que va de la gestualitat a la fisicalitat utilitzant diversos llenguatges corporals i esc\u00e8nics sense perdre el seu nucli, la dansa. Hi predomina un to dur i alhora ir\u00f2nic, i hi s\u00f3n presents la lluita i la insatisfacci\u00f3 en la recerca d\u2019un ideal que ens creem i que mai acaba de ser.<\/span><\/o:p><\/em><\/strong><\/span><\/p>\n

\u00a0<\/o:p><\/em><\/strong><\/span><\/p>\n

fitxa art\u00edstica<\/o:p><\/em><\/strong><\/span><\/p>\n

idea i direcci\u00f3: <\/strong><\/span>O<\/span>lga Tragant<\/o:p><\/span><\/p>\n

creaci\u00f3<\/strong><\/span>: Mara Smaldone, Clara Tena, Miryam Garc\u00eda i Olga Tragant<\/o:p><\/span><\/p>\n

interpretaci\u00f3:<\/strong><\/span> Mara Smaldone, Clara Tena<\/o:p><\/span><\/p>\n

vestuari objectes esc\u00e8nics: <\/strong><\/span>Naia del Castillo<\/o:p><\/span><\/p>\n

espai sonor – m\u00fasica: <\/strong><\/span>Judit Farr\u00e9s (m\u00fasica original), Joan Saura i Anna Subirana(la nena de\u00a0 <\/span>l\u2019\u00e0lbum \u2018Araki\u2019)<\/o:p><\/strong><\/span><\/p>\n

disseny il\u00b7luminaci\u00f3:<\/strong><\/span> Manu Mart\u00ednez<\/o:p><\/span><\/p>\n

producci\u00f3 tragantDansa<\/o:p><\/em><\/strong><\/span><\/p>\n

amb el suport de<\/strong><\/span> L\u2019Entitat Aut\u00f2noma de Difusi\u00f3 Cultural de la Generalitat de Catalunya (ajut a la Recerca i Creaci\u00f3)<\/span><\/o:p><\/em><\/strong><\/span><\/p>\n

resid\u00e8ncies de creaci\u00f3<\/strong><\/span><\/tt> realitzades a l\u2019espai tragantDansa i a Ca l\u2019Estruch (Sabadell)<\/o:p><\/span><\/tt><\/p>\n

\u00a0OLGA TRAGANT\/ tragantDansa [companyia]<\/span><\/span><\/tt><\/p>\n

ballarina i core\u00f2grafa (Barcelona)<\/o:p><\/strong><\/span><\/p>\n

Gr\u00e0cies a una beca Fulbright\/\u201dla Caixa\u201d, viatja i resideix 7 anys als Estats Units on realitza un M\u00e0ster en Dansa Contempor\u00e0nia i un M\u00e0ster en Psicologia de l\u2019Activitat F\u00edsica (Universitat d\u2019Illinois a Urbana-Champaign). A Nova York estudia dansa en diverses escoles i professors (Movement Research, Susan Klein School, Trisha Brown School). L\u2019any 1997 viatja a Amsterdam per estudiar a la School for New Dance Development (SNDO). L\u2019estiu del 2002 i gr\u00e0cies a una beca del Ministerio de Educaci\u00f3n realitza una estada al Jap\u00f3 estudiant amb diverses companyies de Butoh (Sankai Juku, Dairakudakan, Kazuo Ohno, entre altres). Ha ballat en els projectes de diverses companyies i core\u00f2grafa independents: Douglas Dunn, Bebee Miller, Ann Carlson, Eileen Standley, entre altres.\u00a0<\/span><\/span><\/p>\n

Olga Tragant comen\u00e7a els seus treballs de creaci\u00f3 l\u2019any 1993, fent peces curtes (With\/Without, \u00c0nima d\u2019Hora, Appetite, Suite d\u2019Aigua<\/em><\/span> entre altres), realitzant despr\u00e9s espectacles m\u00e9s llargs (Ales de plom, Lla\u00e7os i\u00a0 <\/span>Rastres<\/em><\/span>). La seva darrera creaci\u00f3 \u00e9s Com voldria ser <\/em><\/span>i actualment inicia proc\u00e9s d\u2019una nova creaci\u00f3 on segueix aprofundint en el tema bellesa\/vellesa<\/em><\/span>. Fins ara els treballs de tragantDansa <\/span>s\u2019han pogut veure en diferents teatres i sales de Catalunya i la resta de l\u2019Estat Espanyol, a Fran\u00e7a, Portugal, Holanda, Estats Units, Jap\u00f3 i M\u00e8xic. <\/o:p><\/span><\/span><\/p>\n

L\u2019any 2002 crea l\u2019espai tragantDansa, espai dedicat a la creaci\u00f3 i doc\u00e8ncia de la dansa contempor\u00e0nia,\u00a0 <\/span>des d\u2019on continua la seva tasca art\u00edstica i docent.<\/span><\/p>\n

\u00a0<\/p>\n

\"danza26-copy.jpg\"<\/a>\u00a0<\/p>\n

<\/p>\n

CASTELLANO<\/o:p><\/em><\/strong><\/span><\/p>\n

Viernes 5 y s\u00e1bado 6 a las 21:30h<\/o:p><\/em><\/span><\/p>\n

tragantDansa [compa\u00d1\u00cda]<\/o:p><\/strong><\/span><\/p>\n

\u00abComo me gustar\u00eda ser\u00bb<\/o:p><\/strong><\/span><\/p>\n

danza contempor\u00e1nea<\/o:p><\/span><\/p>\n

\u00a0<\/o:p><\/span><\/p>\n

Sinopsis<\/span><\/p>\n

C<\/em><\/span>omo me gustar\u00eda ser<\/em><\/span> propone una reflexi\u00f3n a trav\u00e9s de la po\u00e9tica del cuerpo y del movimiento sobre diferentes temas relacionados con la obsesi\u00f3n de nuestra sociedad en torno a la belleza del cuerpo. Es un trabajo que va de la gestualidad a la fisicalidad utilizando diversos lenguajes corporales y esc\u00e9nicos sin perder su n\u00facleo, la danza. Predomina un tono duro al tiempo que ir\u00f3nico, y hay una clara presencia de la lucha y de la insatisfacci\u00f3n en la b\u00fasqueda de un ideal que nos creamos y que nunca llega a ser.<\/span><\/p>\n

\u00a0<\/o:p><\/span><\/p>\n

ficha art\u00edstica<\/span><\/p>\n

idea y\u00a0 <\/span>direcci\u00f3n: \u00a0<\/span><\/strong><\/span>O<\/span>lga Tragant<\/o:p><\/span><\/p>\n

creaci\u00f3n<\/strong><\/span>: Mara Smaldone, Clara Tena, Miryam Garc\u00eda, Olga Tragant<\/o:p><\/span><\/p>\n

interpretaci\u00f3n:<\/strong><\/span> Mara Smaldone y Clara Tena<\/o:p><\/strong><\/span><\/span><\/p>\n

vestuario y espacio esc\u00e9nico: <\/strong><\/span>Naia del Castillo<\/o:p><\/span><\/p>\n

espacio sonoro – m\u00fasica: <\/strong><\/span>Judit Farr\u00e9s <\/span>(m\u00fasica original), Joan Saura i Anna Subirana(la nena de\u00a0 <\/span>l\u2019\u00e0lbum \u2018Araki\u2019)<\/o:p><\/strong><\/span><\/p>\n

iluminaci\u00f3n:<\/strong><\/span> Manu Mart\u00ednez<\/o:p><\/span><\/p>\n

producci\u00f3n:<\/strong><\/span> tragantDansa<\/o:p><\/span><\/p>\n

con el apoyo de \u201c<\/strong><\/span>L\u2019Entitat Aut\u00f2noma de Difusi\u00f3 Cultural de la Generalitat de Catalunya\u201d (ayuda a la Investigaci\u00f3n y Creaci\u00f3n)<\/span><\/o:p><\/em><\/strong><\/span><\/p>\n

residencias de creaci\u00f3n<\/strong><\/span><\/tt> realizadas en el Espai tragantDansa y en Ca l\u2019Estruch (Sabadell)<\/o:p><\/span><\/tt><\/p>\n

\u00a0<\/o:p><\/span><\/tt><\/p>\n

OLGA TRAGANT\/ tragantDansa [companyia]<\/strong><\/span><\/o:p><\/strong><\/span><\/p>\n

bailarina y core\u00f3grafa (Barcelona)<\/o:p><\/strong><\/span><\/p>\n

\u00a0<\/o:p><\/span><\/p>\n

Gracias a una beca Fulbright\/\u201dla Caixa\u201d, viaja y reside durante 7 a\u00f1os en Estados Unidos donde realiza un Master en Danza Contempor\u00e1nea y un Master en Psicolog\u00eda de la Actividad F\u00edsica (Universidad de Illinois en Urbana-Champaign 1998-1990). En Nueva York estudia danza en diversas escuelas y con distintos profesores (Movement Research, Susan Klein School y Trisha Brown School) y recibe becas y ayudas por su talento como \u201calumna\u201d (1990), \u201cexcelente profesora\u201d y \u201cCreadora para las Artes Esc\u00e9nicas\u201d (1993). <\/o:p><\/span><\/p>\n

\u00a0<\/o:p><\/span><\/p>\n

En el a\u00f1o 1997 gracias a una nueva ayuda del Ministerio de Cultura viaja a \u00c1msterdam para estudiar en la \u201cSchool for New Dance Development\u201d (SNDO) y en el verano del 2002 becada por Ministerio de Educaci\u00f3n realiza una residencia en Jap\u00f3n estudiando con diversas compa\u00f1\u00edas de Danza Butoh <\/span>(Sankai Juku, Dairakudakan, Kazuo Ohno entre otros)<\/span>. Olga Tragant Ha bailado en los proyectos de diversas compa\u00f1\u00edas y core\u00f3grafos independientes: Douglas Dunn, Bebee Miller, Ann Carlson, Eileen Standley, entre otros.\u00a0 <\/span><\/o:p><\/span><\/p>\n

De vuelta a Barcelona en el a\u00f1o 2002 Olga Tragant crea el espacio tragantDansa<\/em><\/span> dedicado a la creaci\u00f3n y docencia de la danza contempor\u00e1nea, desde donde continua su tarea art\u00edstica. <\/span>Ha realizado varios trabajos de creaci\u00f3n desde el 1993, realizando piezas cortas: (With\/Without, \u00c0nima d\u2019Hora, Appetite, Suite d\u2019Aigua<\/em><\/span> entre otras), y espect\u00e1culos m\u00e1s largos (Ales de plom, Lla\u00e7os i\u00a0 <\/span>Rastres<\/em><\/span>). Su \u00faltima creaci\u00f3n es Como quisiera ser <\/em><\/span>y actualmente inicia una nueva creaci\u00f3n en la que sigue indagando sobre el binomio belleza\/vejez<\/em><\/span>. Hasta ahora los trabajos de tragantDansa<\/em><\/span> se han visto en distintos teatros y salas de \u00a0<\/span>Catalu\u00f1a y resto de Espa\u00f1a, en Francia, Portugal, Holanda, Estados Unidos, Jap\u00f3n y M\u00e9jico. <\/span><\/o:p><\/span><\/p>\n


<\/span><\/p>\n

\"copia-de-img_2576.jpg\"<\/a>\u00a0<\/p>\n

<\/p>\n

ENGLISH<\/o:p><\/em><\/strong><\/span><\/p>\n

Friday 5 and Saturday 6 at 9:30pm<\/o:p><\/em><\/span><\/p>\n

tragantDansa [company]<\/o:p><\/strong><\/span><\/p>\n

\u00abWhat I’d like to be like\u00bb<\/o:p><\/strong><\/span><\/p>\n

contemporary dance<\/o:p><\/strong><\/span><\/p>\n

\u00a0<\/o:p><\/strong><\/span><\/p>\n

Synopsis<\/o:p><\/strong><\/span><\/p>\n

What I\u2019d like to be like<\/em><\/span> suggests the fragility of the body, its physical beauty and also its aggressiveness to obtain this beauty. It is about exposing and hiding oneself, about that which is natural and that which is artificial, about seeing oneself reflected in somebody else, liking or disliking oneself. What I\u2019d like to be like <\/em><\/span>\u00a0<\/span>presents a dissonant score where women are shown as plural multifaceted and at times contradictory. Above all this piece represents the struggle and the dissatisfaction towards the search for a self-created ideal that one creates and never becomes true.<\/o:p><\/span><\/p>\n

\u00a0<\/o:p><\/strong><\/span><\/p>\n

cast<\/o:p><\/strong><\/span><\/p>\n

idea\u00a0 <\/span>and direction: <\/strong><\/span>O<\/span>lga Tragant<\/o:p><\/span><\/p>\n

creation<\/strong><\/span>: Miryam Garc\u00eda, Mara Smaldone,<\/span> <\/span>Clara Tena, Miryam Garc\u00eda, <\/span>\u00a0<\/span>Olga Tragant<\/o:p><\/span><\/p>\n

dancers:<\/strong><\/span> Mara Smaldone, Clara Tena<\/o:p><\/strong><\/span><\/span><\/p>\n

set and costume design : <\/strong><\/span>Naia del Castillo<\/o:p><\/span><\/p>\n

sound and music: <\/strong><\/span>Judit Farr\u00e9s <\/span>(original music), Joan Saura i Anna Subirana ( \u2018Araki\u2019)<\/o:p><\/strong><\/span><\/p>\n

light d<\/span>esign:<\/strong><\/span> Manu Mart\u00ednez<\/o:p><\/span><\/p>\n

production:<\/strong><\/span> tragantDansa<\/o:p><\/span><\/p>\n

with the support of: <\/strong><\/span>\u201cL\u2019Entitat Aut\u00f2noma de Difusi\u00f3 Cultural de la Generalitat de Catalunya\u201d (Independent Entity for Cultural Promotion of the Regional Government of Catalonia (grants to Research and Creativity Projects)<\/o:p><\/span><\/p>\n

Created during artist in residence programme <\/strong><\/span>at<\/strong><\/span> Ca l\u2019 Estruch (Sabadell \u2013Barcelona- SPAIN)<\/o:p><\/span><\/p>\n

\u00a0<\/o:p><\/span><\/p>\n

OLGA TRAGANT\/ tragantDansa [companyia]<\/strong><\/span><\/o:p><\/strong><\/span><\/p>\n

dancer and choreographer <\/strong><\/span>(Barcelona, Spain)<\/o:p><\/strong><\/span><\/p>\n

Thanks to a Fulbright\/\u201dLa Caixa\u201d scholarship, she got a Master\u2019s degree in Contemporary Dance (M.F.A) and\u00a0 <\/span>a Masters in Psychology for Physical Activity\u00a0 <\/span>(M.S) at the University of Illinois, Urbana-Champaign <\/a>(1988-1993). During her stay at Urbana, where she also worked as a dance teacher, she received several grants and awards as a \u201ctalented student\u201d (1990), \u201cexcellent teacher\u201d and \u201cCreative and Performing Arts Fellowship\u201d (1993). She lifed in New York until 1995 where she studied at several dance schools (The Movement Research, Susan Klein School, Trisha Brown School<\/em><\/span>). <\/o:p><\/span><\/p>\n

\u00a0<\/o:p><\/span><\/p>\n

Back in Spain, she has received two grants from the Spanish Ministry of Culture to pursue furthertraining:\u00a0 <\/span>in Amsterdam at the School for New Dance Development (SNDO) (1997) and in Japan (2002) with\u00a0 <\/span>several Butoh dance companies (Sankai Juku, Dairakudakan, Kazuo Ohno among others). As part of her career, Olga Tragant has danced with several companies and independent choreographers: Douglas Dunn, Bebee Miller, Ann Carlson, Eileen Standley, among others.\u00a0 <\/span><\/o:p><\/span><\/p>\n

In 2002 Olga Tragant created her own studio tragantDansa<\/em><\/span> in Barcelona, which is dedicated to the creation and education in contemporary dance & the arts of movement. <\/o:p><\/span><\/p>\n

Olga Tragant started her career as an independent choreographer in 1993 creating short pieces, and longer performances \u00a0<\/span>In the couse of her career as an independent choreographer, Olga Tragant has created a number of short pieces (With\/Without, \u00c0nima d\u2019Hora, Appetite, Suite d\u2019Aigua<\/em><\/span> among others) as well as longer performances (Ales de plom, Lla\u00e7os i\u00a0 <\/span>Rastres, What I\u2019d like to be like)<\/em><\/span>. So far Olga Tragant\u2019 s <\/em><\/span>performances have been produced in several theatres and venues in Catalonia,\u00a0 <\/span>the rest of Spain as well as in France, Portugal, The Netherlands, The United Sates, Japan and Mexico. <\/o:p><\/span><\/p>\n

\u00a0<\/o:p><\/span><\/p>\n

<\/p>\n

\u00a0<\/p>\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

En\u00a0AdriAntic\u00a0\u00a0, espai de creaci\u00f3 i investigaci\u00f3 d\u2019Antic Teatre Via Trajana 11, 1r pis (al costat del metro La Pau, L2-L4. V\u00eddeo \u201cCom arribar a AdriAntic\u201d en: http:\/\/www.youtube.com\/watch?v=rDih8Fu1Kuo) Imprescindible reservar 93 315 23 54 \/ lanticteatre@lanticteatre.com\u00a0 \u00a0 CATAL\u00c0, CASTELLANO, ENGLISH \u00a0Divendres…<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-86","post","type-post","status-publish","format-standard","hentry","category-general"],"_links":{"self":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts\/86","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/comments?post=86"}],"version-history":[{"count":0,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts\/86\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/media?parent=86"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/categories?post=86"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/tags?post=86"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}