{"id":865,"date":"2011-04-27T23:02:33","date_gmt":"2011-04-27T22:02:33","guid":{"rendered":"http:\/\/www.tea-tron.com\/anticteatre\/blog\/?p=865"},"modified":"2011-04-27T23:02:33","modified_gmt":"2011-04-27T22:02:33","slug":"30-abril-i-1-maig-ariadna-estalella-alba-%e2%80%9ccondicio-per-a-x-cossos%e2%80%9d","status":"publish","type":"post","link":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/2011\/04\/27\/30-abril-i-1-maig-ariadna-estalella-alba-%e2%80%9ccondicio-per-a-x-cossos%e2%80%9d\/","title":{"rendered":"30 Abril i 1 Maig- ARIADNA ESTALELLA ALBA \u201cCondici\u00f3 per a (x) cossos\u201d"},"content":{"rendered":"

———————————————————————————————————–<\/p>\n

<\/p>\n\n\n
★ 30 Abril i 1 Maig   30 Abril y 1 Mayo  <\/span> 30th of April and 1st of May ★<\/strong><\/td>\n<\/tr>\n<\/p>\n


\n
\n ARIADNA ESTALELLA ALBA
\n <\/span>
\n
\n \u201cCondici\u00f3 per a (x) cossos\u201d<\/strong><\/span><\/p>\n

nous llenguatges del cos
\n nuevos lenguajes del cuerpo
\n new body languages<\/span><\/p>\n

Work in progress<\/span>
\n <\/p>\n

HORARIS ESPECTACLE<\/span>
\n DISSABTE: 21:00 H<\/span>
\n DIUMENGE: 20:00 H<\/span>
\n 4\u20ac<\/span><\/span><\/p>\n

HORARIOS ESPECTACULO<\/span>
\n SABADO: 21:00 H<\/span>
\n DOMINGO: 20:00 H<\/span>
\n 4\u20ac<\/span><\/span><\/p>\n

SCHEDULES SHOW<\/span>
\n SATURDAY: 21:00 H<\/span>
\n SUNDAY: 20:00 H<\/span>
\n 4\u20ac<\/span><\/span><\/p>\n

reservar:<\/strong> 93 315 23 54 anticteatre@anticteatre.com<\/a><\/p>\n<\/td>\n

<\/td>\n\n

\n
\n <\/p>\n


\n Idea i direcci\u00f3:<\/span> Ariadna Estalella Alba<\/strong>
\n Moviment:<\/span> Mireia de Querol, Cristina Nu\u00f1ez, Federica Porello<\/strong>
\n Concepte gr\u00e0fic:<\/span> Ariadna Serrahima<\/strong>
\n Fotografia:<\/span> Carla Tramulles<\/strong>
\n Concepte d\u2019il\u00b7luminaci\u00f3:<\/span> Ariadna Estalella<\/strong>
\n Disseny d\u2019il\u00b7luminaci\u00f3:<\/span> Eduard Bolinches<\/strong>
\n Co-producci\u00f3:<\/span> Antic Teatre \/ AdriAntic, Barcelona<\/strong><\/p>\n

Amb el suport de:<\/span> \u201c3 processos de creaci\u00f3 2010\u201d de la Porta, Barcelona,
\n La Caldera Resid\u00e8ncies 2010, Barcelona,
Beques per a la recerca i la creaci\u00f3 del CoNCA 2010<\/strong><\/p>\n


\n ariadnainprogress.wordpress.com →<\/a><\/p>\n<\/td>\n

<\/td>\n<\/tr>\n<\/table>\n

<\/p>\n\n\n <\/p>\n
\n

Estudi de la fisicitat i de la pres\u00e8ncia confinada a una lentitud sostinguda que obliga a un exercici constant de compensaci\u00f3 de la caiguda i d\u2019an\u00e0lisi del desequilibri.<\/p>\n

Ariadna Estalella Alba, formada en dansa a Barcelona i posteriorment a Amsterdam. Actualment desenvolupa el seu treball com a creadora esc\u00e8nica i estudia a la Facultat de Belles Arts de la Universitat de Barcelona. El seu treball art\u00edstic inclou projectes esc\u00e8nics i audiovisuals.<\/p>\n

El 2007 rep el \u201cPremi a la interpretaci\u00f3 m\u00e9s destacada\u201d del XII Masdanza Festival Internacional de Dansa de Gran Can\u00e0ries amb la pe\u00e7a Interrupted, de Pierre-Yves Diacon. Entre 2007 i 2009 crea els seg\u00fcents treballs: Y ahora nos preguntamos juntos, Blind Steps And Wet Fingers, Opaline, Solo para Moqueta Roja i Eva no comi\u00f3 la manzana. Tamb\u00e9 ha treballat com a int\u00e8rpret i com a assistent de direcci\u00f3 en diverses peces d’altres creadors emergents. Actualment treballa en el projecte \u201cCondici\u00f3 per a (x) cossos\u201d.<\/p>\n<\/td>\n

<\/p>\n

\n

Estudio de la fisicidad y de la presencia confinada a una lentitud sostenida que obliga a un ejercicio constante de compensaci\u00f3n de la ca\u00edda y de analisis del desequilibrio. <\/p>\n

Formada en danza en Barcelona y posteriormente en Amsterdam. Actualmente desarrolla su trabajo como creadora esc\u00e9ncia y estudia en la Facultat de Bellas Artes de la Universidad de Barcelona. Su trabajo art\u00edstico incluye proyectos esc\u00e9nicos y audiovisuales. <\/p>\n

El 2007 recibe el \u201cPremio a la interpretaci\u00f3n m\u00e1s destacada del 12Masdanza Festival Internacional de Danza de Gran Canaria\u201d con la pieza Interrupted, de Pierre-Yves Diacon. Entre 2007 y 2009 crea los siguientes trabajos: Y ahora nos preguntamos juntos, Blind Steps And Wet Fingers, Opaline, Solo para Moqueta Roja y Eva no comi\u00f3 la manzana. Tambi\u00e9n ha trabajado como interprete y como asistente de direcci\u00f3n en diversas piezas de otros creadores emergentes. Actualmente trabaja en el proyecto Condici\u00f3n para (x) cuerpos. <\/p>\n<\/td>\n

<\/p>\n

\n

Study of the movement and of the presence confined to a sustained slowness that forces to a constant exercise of compensation of the fall and of the analysis of the imbalance.<\/p>\n

She studied dance in Barcelona and later on in Amsterdam. At present she develops her artistic work at the same time she studies at the Fine Arts Barcelona University. Her artistic work includes performing arts projects and video works. <\/p>\n

In 2007, she received an outstanding award while performing Interrupted by Pierre-Yves Diacon during the 12 Masdanza International Dance Festival in the Gran Canaries. Between 2007 and 2009, she developed the following works: Y ahora nos preguntamos juntos (And now we ask together), Blind Steps and Wet Fingers, Opaline, A Solo on a Red Carpet and Eve Did Not Eat the Apple. Furthermore, she has worked as a performer and as a director\u2019s assistant for several young artists\u2019 pieces. Currently, she develops the project Condition for (x) Bodies.\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n


<\/p>\n","protected":false},"excerpt":{"rendered":"

———————————————————————————————————– ★ 30 Abril i 1 Maig   30 Abril y 1 Mayo   30th of April and 1st of May ★ ARIADNA ESTALELLA ALBA \u201cCondici\u00f3 per a (x) cossos\u201d nous llenguatges del cos nuevos lenguajes del cuerpo new body…<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-865","post","type-post","status-publish","format-standard","hentry","category-general"],"_links":{"self":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts\/865","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/comments?post=865"}],"version-history":[{"count":3,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts\/865\/revisions"}],"predecessor-version":[{"id":868,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts\/865\/revisions\/868"}],"wp:attachment":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/media?parent=865"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/categories?post=865"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/tags?post=865"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}