{"id":903,"date":"2011-05-16T15:11:32","date_gmt":"2011-05-16T14:11:32","guid":{"rendered":"http:\/\/www.tea-tron.com\/anticteatre\/blog\/?p=903"},"modified":"2011-05-16T15:12:37","modified_gmt":"2011-05-16T14:12:37","slug":"1805-gran-teatro-amaro-concert","status":"publish","type":"post","link":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/2011\/05\/16\/1805-gran-teatro-amaro-concert\/","title":{"rendered":"18\/05 – GRAN TEATRO AMARO – Concert"},"content":{"rendered":"

<\/p>\n\n\n
★ 18 de Maig  18 de Mayo  <\/span> 18 of May ★<\/strong><\/td>\n<\/tr>\n<\/p>\n


\n
\n GRAN TEATRO AMARO
\n <\/span>
\n
\n Concert<\/strong><\/span><\/p>\n

<\/p>\n

HORARIS ESPECTACLE<\/span>
\n DIMECRES: 21:00 H<\/span>
\n 10\u20ac<\/span><\/span><\/p>\n

HORARIOS ESPECTACULO<\/span>
\n MIERCOLES: 21:00 H<\/span>
\n 10\u20ac<\/span><\/span><\/p>\n

SCHEDULES SHOW<\/span>
\n WEDNESDAY: 21:00 H<\/span>
\n 10\u20ac<\/span><\/span><\/p>\n

<\/td>\n\n

\n
\n <\/p>\n


\n Vocals, guitarres, banjo, compositor:<\/span> Robert van der Tol <\/strong>
\n Contrabaix, serra musical, vocals:<\/span> Mischa Kool<\/strong>
\n Mandolina, percussi\u00f3, joguines, objectes, vocals:<\/span> Gat<\/strong>
\n Tambors, marimba, piano:<\/span> Panc Daalder <\/strong>
\n Bayan:<\/span> Oleg Fateev <\/strong><\/p>\n


\n myspace.com\/ilgranteatroamaro →<\/a><\/p>\n<\/td>\n

<\/td>\n<\/tr>\n<\/table>\n

<\/p>\n\n\n

<\/p>\n

\n

\u201c… Desplegant un complet arsenal d\u2019instruments: acordi\u00f3, contrabaix, guitarres, banjo, mandolina, lla\u00fct, serra musical, marimba, xil\u00f2fon, piano, percussions variades i tot tipus d\u2019objectes… i ni un sol micr\u00f2fon a l\u2019escenari, ni tan sols per a la veu, tot a p\u00e8l i amb un so perfecte, sense que uns instruments tapin els altres… Un concert que es desenvolupa en dues parts, dos passis amb una breu pausa, com es feia abans…\u201d<\/p>\n

\u201c… Gran Teatro Amaro<\/strong> recorre el temps i la dist\u00e0ncia amb una m\u00fasica que parteix de l\u2019\u00e8poca d\u2019entreguerres i repr\u00e8n la tradici\u00f3 europea que va truncar el nazisme, aquesta afortunada col\u00b7lisi\u00f3 dels aires canalles i cabareters procedents de l\u2019evoluci\u00f3 de folklores i m\u00fasiques populars tradicionals amb les avantguardes art\u00edstiques i la m\u00fasica cl\u00e0ssica des d\u2019una perspectiva totalment contempor\u00e0nia…\u201d<\/p>\n

\u201c… Com un petit cabaret ambulant es presenta la troupe<\/em> internacional i boh\u00e8mia del Gran Teatro Amaro<\/strong>… Com un tren expr\u00e9s transeuropeu, un d\u2019aquests trens d\u2019abans que es despla\u00e7aven lentament per les vies quan els viatges duraven el temps suficient com per gaudir del paisatge, un tren nocturn que passa per molts pa\u00efsos buscant els seus racons m\u00e9s ocults i suggeridors, carrerons foscos i locals plens de fum…\u201d<\/p>\n

\u201c… \u00c9s un teatre i \u00e9s amarg, com la vida…\u201d<\/p>\n<\/td>\n

<\/p>\n

\n

\u00ab\u2026 Desplegando un completo arsenal de instrumentos: acorde\u00f3n, contrabajo, guitarras, banjo, mandolina, la\u00fad, sierra musical, marimba, xil\u00f3fono, piano, percusiones de toda \u00edndole y toda clase de objetos\u2026 Y ni un solo micr\u00f3fono en el escenario, ni siquiera para la voz, todo a pelo y con un sonido perfecto, sin que unos instrumentos taparan a otros\u2026 Un concierto que se desarrolla en dos partes, dos pases con una breve pausa, como se hac\u00eda antiguamente\u2026\u00bb<\/p>\n

\u00ab\u2026 Gran Teatro Amaro<\/strong> recorre el tiempo y la distancia con una m\u00fasica que parte de la \u00e9poca de entreguerras y retoma la tradici\u00f3n europea que trunc\u00f3 el nazismo, esa afortunada colisi\u00f3n de los aires canallas y cabareteros procedentes de la evoluci\u00f3n de folclores y m\u00fasicas populares tradicionales con las vanguardias art\u00edsticas y la m\u00fasica cl\u00e1sica desde una perspectiva totalmente contempor\u00e1nea\u2026\u00bb<\/p>\n

\u00ab\u2026 Como un peque\u00f1o cabaret ambulante se presenta la troupe internacional y bohemia del Gran Teatro Amaro<\/strong>\u2026 Como un tren expreso transeuropeo, uno de esos trenes de anta\u00f1o que se desplazaban lentamente por las v\u00edas cuando los viajes duraban el tiempo suficiente como para disfrutar del paisaje, un tren nocturno que pasa por muchos pa\u00edses buscando sus rincones mas ocultos y sugerentes, callejones oscuros y locales llenos de humo\u2026\u00bb<\/p>\n

\u00ab… Es un teatro y es amargo, como la vida …\u00bb<\/p>\n<\/td>\n

<\/p>\n

\n

Gran Teatro Amaro<\/strong> crosses time and space with music start from the interwar era, taking up again a European tradition cuts short by Nazism. That propitious collision of riff raff and cabaret airs marked by the evolution of folklore and traditional popular music infused with avant-garde and classical touches from a totally contemporary perspective. <\/p>\n

The international bohemian troupe Gran Teatro Amaro<\/strong> presents itself as a small travelling cabaret, as a Trans-European express, one of those old trains, chugging leisurely along the tracks, allowing oneself to savour the landscape. A night train passing through many countries, seeking the most hidden and suggestive corners, those obscure alleys and smoke filled dives. <\/p>\n

Unfurling a complete arsenal of instruments: accordion, upright bass, guitars, banjo, mandolin, lute, musical saw, marimba, xylophone, piano, all kinds of percussion and every class of objects. Not one single microphone on stage, not even for voice. Bare-boned perfect sound, no instrument covering another one.
\nA concert comprising two parts, two acts with a short intermission, as in the old days. <\/p>\n

\u201c\u2026 It\u2019s a theatre and it\u2019s bitter, as life..\u201d\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n


<\/p>\n","protected":false},"excerpt":{"rendered":"

★ 18 de Maig  18 de Mayo   18 of May ★ GRAN TEATRO AMARO Concert HORARIS ESPECTACLE DIMECRES: 21:00 H 10\u20ac HORARIOS ESPECTACULO MIERCOLES: 21:00 H 10\u20ac SCHEDULES SHOW WEDNESDAY: 21:00 H 10\u20ac Vocals, guitarres, banjo, compositor: Robert van der…<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-903","post","type-post","status-publish","format-standard","hentry","category-general"],"_links":{"self":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts\/903","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/comments?post=903"}],"version-history":[{"count":3,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts\/903\/revisions"}],"predecessor-version":[{"id":906,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/posts\/903\/revisions\/906"}],"wp:attachment":[{"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/media?parent=903"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/categories?post=903"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tea-tron.com\/anticteatre\/blog\/wp-json\/wp\/v2\/tags?post=903"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}