{"id":232,"date":"2021-02-12T17:52:51","date_gmt":"2021-02-12T16:52:51","guid":{"rendered":"http:\/\/www.tea-tron.com\/miguelvalentin\/blog\/?p=232"},"modified":"2021-02-12T17:54:22","modified_gmt":"2021-02-12T16:54:22","slug":"esto-es-sobre-o-agora-que-demora-de-christiane-jatahy","status":"publish","type":"post","link":"https:\/\/www.tea-tron.com\/miguelvalentin\/blog\/2021\/02\/12\/esto-es-sobre-o-agora-que-demora-de-christiane-jatahy\/","title":{"rendered":"Esto es sobre \u00abO agora que demora\u00bb, de Christiane Jatahy"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-233\" src=\"http:\/\/www.tea-tron.com\/miguelvalentin\/blog\/wp-content\/uploads\/2021\/02\/o-agora-1024x576.jpg\" alt=\"\" width=\"640\" height=\"360\" srcset=\"https:\/\/www.tea-tron.com\/miguelvalentin\/blog\/wp-content\/uploads\/2021\/02\/o-agora-1024x576.jpg 1024w, https:\/\/www.tea-tron.com\/miguelvalentin\/blog\/wp-content\/uploads\/2021\/02\/o-agora-300x169.jpg 300w, https:\/\/www.tea-tron.com\/miguelvalentin\/blog\/wp-content\/uploads\/2021\/02\/o-agora-768x432.jpg 768w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/p>\n<p>Odisea en el espacio fronterizo.<\/p>\n<p><audio class=\"wp-audio-shortcode\" id=\"audio-232-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.ivoox.com\/esto-es-sobre-o-agora-demora-de_md_65292905_wp_1.mp3?_=1\" \/><a href=\"https:\/\/www.ivoox.com\/esto-es-sobre-o-agora-demora-de_md_65292905_wp_1.mp3\">https:\/\/www.ivoox.com\/esto-es-sobre-o-agora-demora-de_md_65292905_wp_1.mp3<\/a><\/audio> <a href=\"https:\/\/go.ivoox.com\/rf\/65292905\" title=\"Esto es sobre O agora que demora, de Christiane Jatahy\">Ir a descargar<\/a><br \/>\n&nbsp;<\/p>\n<p>Texto, dramaturgia y direcci\u00f3n<\/p>\n<p>Christiane Jatahy<br \/>\nReparto<\/p>\n<p>Manuela Afonso, Faisal Abu Alhayjaa, Abed Aidy, Omar Al Jbaai, Abbas Abdulelah Al\u2019Shukra, Maroine Amimi, Vitor Ara\u00fajo, Bepkapoy, Marie-Aurore d\u2019Awans, Emilie Franco, Joseph Gaylard, Noji Gaylard, Renata Hardy, Banafshe Hourmazdi, Ramyar Hussaini, Iketi Kayap\u00f3, Irengri Kayap\u00f3, Ojo Kayap\u00f3, Laerte K\u00e9ssimos, Kroti, Yara Ktaish, Pitchou Lambo, Abdul Lanjesi, Melina Martin, Jovial Mbenga, Nambulelo Meolongwara, Linda Michael Mkhwanasi, Mbali Ncube, Pravinah Nehwati, Adnan Ibrahim Nghnghia, Maria Laura Nogueira, Isabel Novella, Jehad Obeid, Ranin Odeh, Blessing Opoko, Phana, Pykatire, Corina Sabbas, Leon David Salazar, Mustafa Sheta, Frank Sithole, Fepa Teixeira, Ivan Tirtiaux y Ahmed Tobasi<br \/>\nCoordinaci\u00f3n art\u00edstica, escenograf\u00eda e iluminaci\u00f3n<\/p>\n<p>Thomas Walgrave<br \/>\nDise\u00f1o de sonido<\/p>\n<p>Alex Fostier<br \/>\nM\u00fasica original<\/p>\n<p>Domenico Lancelotti y Vitor Araujo<br \/>\nDirecci\u00f3n de v\u00eddeo<\/p>\n<p>Matthieu Bourdon \/ Julio Parente<br \/>\nDirector de fotograf\u00eda<\/p>\n<p>Paulo Camacho<br \/>\nCoordinaci\u00f3n de la compa\u00f1\u00eda<\/p>\n<p>Henrique Mariano<br \/>\nDise\u00f1o de cartel<\/p>\n<p>Equipo Sopa<br \/>\nProducci\u00f3n<\/p>\n<p>Cr\u00e9ation Studio Th\u00e9\u00e2tre National Wallonie-Bruxelles y SESC<br \/>\nCoproducci\u00f3n<\/p>\n<p>Ruhrtriennale, Com\u00e9die de Gen\u00e8ve, Od\u00e9on-Th\u00e9\u00e2tre de l\u2019Europe, Teatro Municipal S\u00e3o Luiz, Festival d\u2019Avignon, Le Maillon-Th\u00e9atre de Strasbourg Sc\u00e8ne europ\u00e9enne, Riksteatern y Temporada Alta con el apoyo de The Freedom Theatre y Outreach Foundation<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Odisea en el espacio fronterizo. Ir a descargar &nbsp; Texto, dramaturgia y direcci\u00f3n Christiane Jatahy Reparto Manuela Afonso, Faisal Abu Alhayjaa, Abed Aidy, Omar Al Jbaai, Abbas Abdulelah Al\u2019Shukra, Maroine Amimi, Vitor Ara\u00fajo, Bepkapoy, Marie-Aurore d\u2019Awans, Emilie Franco, Joseph Gaylard, &hellip; <a href=\"https:\/\/www.tea-tron.com\/miguelvalentin\/blog\/2021\/02\/12\/esto-es-sobre-o-agora-que-demora-de-christiane-jatahy\/\">Sigue leyendo <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-232","post","type-post","status-publish","format-standard","hentry","category-sin-categoria"],"_links":{"self":[{"href":"https:\/\/www.tea-tron.com\/miguelvalentin\/blog\/wp-json\/wp\/v2\/posts\/232","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tea-tron.com\/miguelvalentin\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tea-tron.com\/miguelvalentin\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tea-tron.com\/miguelvalentin\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tea-tron.com\/miguelvalentin\/blog\/wp-json\/wp\/v2\/comments?post=232"}],"version-history":[{"count":3,"href":"https:\/\/www.tea-tron.com\/miguelvalentin\/blog\/wp-json\/wp\/v2\/posts\/232\/revisions"}],"predecessor-version":[{"id":237,"href":"https:\/\/www.tea-tron.com\/miguelvalentin\/blog\/wp-json\/wp\/v2\/posts\/232\/revisions\/237"}],"wp:attachment":[{"href":"https:\/\/www.tea-tron.com\/miguelvalentin\/blog\/wp-json\/wp\/v2\/media?parent=232"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tea-tron.com\/miguelvalentin\/blog\/wp-json\/wp\/v2\/categories?post=232"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tea-tron.com\/miguelvalentin\/blog\/wp-json\/wp\/v2\/tags?post=232"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}