{"id":464,"date":"2022-11-11T08:24:52","date_gmt":"2022-11-11T07:24:52","guid":{"rendered":"http:\/\/www.tea-tron.com\/miguelvalentin\/blog\/?p=464"},"modified":"2022-11-11T08:24:52","modified_gmt":"2022-11-11T07:24:52","slug":"esto-es-sobre-falaise-de-baro-devel","status":"publish","type":"post","link":"https:\/\/www.tea-tron.com\/miguelvalentin\/blog\/2022\/11\/11\/esto-es-sobre-falaise-de-baro-devel\/","title":{"rendered":"Esto es sobre FALAISE de Baro d&#8217;evel"},"content":{"rendered":"<div id=\"attachment_465\" style=\"width: 650px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-465\" class=\"size-large wp-image-465\" src=\"http:\/\/www.tea-tron.com\/miguelvalentin\/blog\/wp-content\/uploads\/2022\/11\/falaise-new-3-1024x682.jpg\" alt=\"\" width=\"640\" height=\"426\" srcset=\"https:\/\/www.tea-tron.com\/miguelvalentin\/blog\/wp-content\/uploads\/2022\/11\/falaise-new-3-1024x682.jpg 1024w, https:\/\/www.tea-tron.com\/miguelvalentin\/blog\/wp-content\/uploads\/2022\/11\/falaise-new-3-300x200.jpg 300w, https:\/\/www.tea-tron.com\/miguelvalentin\/blog\/wp-content\/uploads\/2022\/11\/falaise-new-3-768x512.jpg 768w, https:\/\/www.tea-tron.com\/miguelvalentin\/blog\/wp-content\/uploads\/2022\/11\/falaise-new-3.jpg 1600w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><p id=\"caption-attachment-465\" class=\"wp-caption-text\">Foto: Fran\u00e7ois Passerini<\/p><\/div>\n<p>Como un ni\u00f1o ante un mago.<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-464-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.ivoox.com\/_md_96210318_wp_1.mp3?_=1\" \/><a href=\"https:\/\/www.ivoox.com\/_md_96210318_wp_1.mp3\">https:\/\/www.ivoox.com\/_md_96210318_wp_1.mp3<\/a><\/audio>\n<p><a title=\"Esto es sobre FALAISE de Baro d'Evel\" href=\"https:\/\/go.ivoox.com\/rf\/96210318\">Ir a descargar<\/a><\/p>\n<p>Autores, directores: Camille Decourtye y Bla\u00ef Mateu Trias<br \/>\nEn el escenario: No\u00ebmie Bouissou, Camille Decourtye, Claire Lamothe, Bla\u00ef Mateu Trias, Oriol Pla, Julian Sicard, Marti Soler, Guillermo Weickert, un caballo y palomas<br \/>\nColaboraci\u00f3n en la puesta en escena: Mar\u00eda Mu\u00f1oz \u2013 Pep Ramis \/ Mal Pelo<br \/>\nColaboraci\u00f3n en la dramaturgia: Barbara M\u00e9tais-Chastanier<br \/>\nEscenograf\u00eda: Lluc Castells con la ayuda de Merc\u00e8 Lucchetti<br \/>\nColaboraci\u00f3n musical y creaci\u00f3n sonora: Fred Bu\u0308hl<br \/>\nCreaci\u00f3n luces: Ad\u00e8le Gr\u00e9pinet<br \/>\nCreaci\u00f3n vestuario: C\u00e9line Sathal<br \/>\nM\u00fasica grabada: Joel Bardolet<br \/>\nRegidor general: S\u00e9bastien Rey\u00e9<br \/>\nLuz: Nicolas Zuraw o David Demen\u00e9<br \/>\nRegidores: Mathieu Miorin, Benjamin Porcedda y\/o C\u00e9dric Br\u00e9joux<br \/>\nSonido: Fred Bu\u0308hl o Rodolphe Moreira<br \/>\nGesti\u00f3n animales: Francis Tabouret o Perrine Comellas<br \/>\nDirecci\u00f3n t\u00e9cnica: Nina Pire<br \/>\nDirecci\u00f3n delegada \/ Difusi\u00f3n: Laurent Ballay<br \/>\nAdministradora de producci\u00f3n: Caroline Mazeaud<br \/>\nGerente de producci\u00f3n: Pierre Compayr\u00e9<br \/>\nDirectora de comunicaci\u00f3n: Ariane Zaytzeff<br \/>\nProducci\u00f3n: Baro d\u2019evel<br \/>\nCoproducci\u00f3n: GREC 2019 Festival de Barcelona, Teatre Lliure de Barcelone, Th\u00e9\u00e2tre Garonne, sc\u00e8ne europ\u00e9enne, Malraux sc\u00e8ne nationale Chamb\u00e9ry Savoie, Th\u00e9\u00e2tredelaCit\u00e9 \u2013 CDN Toulouse Occitanie, Pronomade(s) en Haute-Garonne, CNAR, L\u2019Archipel, sc\u00e8ne nationale de Perpignan, MC93 \u2013 Maison de la Culture de Seine-Saint-Denis, CIRCa, P\u00f4le National Cirque, Auch Gers Occitanie, Le Grand T, th\u00e9\u00e2tre de Loire-Atlantique, le Parvis, sc\u00e8ne nationale Tarbes-Pyr\u00e9n\u00e9es, Les Halles de Schaerbeek \u2013 Bruxelles, L\u2019Estive, sc\u00e8ne nationale de Foix et de l\u2019Ari\u00e8ge, le cirque Jules Verne, p\u00f4le national cirque, Amiens, la sc\u00e8ne nationale d\u2019Albi dans le cadre du soutien du FONDOC, Bonlieu, sc\u00e8ne nationale d\u2019Annecy, La Comunidad de Madrid (Teatros del Canal), le domaine d\u2019O (Montpellier 3M), Houdremont, sc\u00e8ne conventionn\u00e9e de la Courneuve, 2 P\u00f4les Cirque en Normandie \/ La Br\u00e8che \u00e0 Cherbourg \u2013 Cirque-Th\u00e9\u00e2tre d\u2019Elbeuf.<\/p>\n<p>Proyecto beneficiario del proyecto de cooperaci\u00f3n transfronteriza PYRENART, en el marco del programa Interreg V-A Espa\u00f1a-Francia-Andorra POCTEFA 2014-2020 \u2013 Fondo Europeo de Desarrollo Regional (FEDER).<\/p>\n<p>Residencias: Le Th\u00e9\u00e2tre Garonne, sc\u00e8ne europ\u00e9enne, Les Pronomade(s) en Haute-Garonne CNAR, CIRCa, PNC, Auch Gers Occitanie, Th\u00e9\u00e2tredelaCit\u00e9 \u2013 CDN Toulouse Occitanie, Le Th\u00e9\u00e2tre de Lorient, La Br\u00e8che, PNC de Cherbourg, L\u2019Avant-Sc\u00e8ne Cognac.<\/p>\n<p>Con ayuda para la creaci\u00f3n de la DGCA, Minist\u00e8re de la culture et de la communication, du Conseil d\u00e9partemental de la Haute-Garonne, de la Ville de Toulouse y de la Generalitat de Catalunya, Institut Catal\u00e0 de les Empreses Culturales.<\/p>\n<p>La compa\u00f1\u00eda est\u00e1 subvencionada por el Minist\u00e8re de la culture et de la communication \u2013 Direction R\u00e9gionale des Affaires Culturelles d\u2019Occitanie \/ Pyr\u00e9n\u00e9es \u2013 M\u00e9diterran\u00e9e et la R\u00e9gion Occitanie \/ Pyr\u00e9n\u00e9es \u2013 M\u00e9diterran\u00e9e.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Como un ni\u00f1o ante un mago. Ir a descargar Autores, directores: Camille Decourtye y Bla\u00ef Mateu Trias En el escenario: No\u00ebmie Bouissou, Camille Decourtye, Claire Lamothe, Bla\u00ef Mateu Trias, Oriol Pla, Julian Sicard, Marti Soler, Guillermo Weickert, un caballo y &hellip; <a href=\"https:\/\/www.tea-tron.com\/miguelvalentin\/blog\/2022\/11\/11\/esto-es-sobre-falaise-de-baro-devel\/\">Sigue leyendo <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-464","post","type-post","status-publish","format-standard","hentry","category-sin-categoria"],"_links":{"self":[{"href":"https:\/\/www.tea-tron.com\/miguelvalentin\/blog\/wp-json\/wp\/v2\/posts\/464","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tea-tron.com\/miguelvalentin\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tea-tron.com\/miguelvalentin\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tea-tron.com\/miguelvalentin\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tea-tron.com\/miguelvalentin\/blog\/wp-json\/wp\/v2\/comments?post=464"}],"version-history":[{"count":1,"href":"https:\/\/www.tea-tron.com\/miguelvalentin\/blog\/wp-json\/wp\/v2\/posts\/464\/revisions"}],"predecessor-version":[{"id":466,"href":"https:\/\/www.tea-tron.com\/miguelvalentin\/blog\/wp-json\/wp\/v2\/posts\/464\/revisions\/466"}],"wp:attachment":[{"href":"https:\/\/www.tea-tron.com\/miguelvalentin\/blog\/wp-json\/wp\/v2\/media?parent=464"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tea-tron.com\/miguelvalentin\/blog\/wp-json\/wp\/v2\/categories?post=464"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tea-tron.com\/miguelvalentin\/blog\/wp-json\/wp\/v2\/tags?post=464"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}